Architectonic Photographs by Charles Brooks Illuminate the Atmospheric Interiors of Historic Instruments
A pipe organ soars like a skyscraper-lined boulevard and a Steinway piano’s action mechanism transforms into a sun-speckled tunnel in atmospheric photographs by Charles Brooks (previously). His ongoing Architecture in Music series highlights the inner structures of renowned instruments, imbuing the interiors with airy light. Bringing the camera inside a variety of string, brass, keyboard, and woodwind instruments, he offers unique insight into rarely seen textures, details, and patinas. He angles the camera from a low viewpoint, mimicking the perspective of standing in a grand space and looking up at architectural details like columns or skylights.
Brooks has played cello for most of his life and for two decades, performed in orchestras around the world, fueling his curiosity about how instruments are made and who built or played them. Unless you’re a luthier, it’s unlikely you would ever see the inside of a violin, so the photographer wanted to highlight the precision and individuality of a wide variety of examples. Proffering glimpses of a range of interiors—where the real magic happens—Brooks highlights the volumes and components designed to allow sound to swell throughout meticulously assembled forms.
You can purchase prints of many of Brooks’ photographs on his website, and follow updates on Instagram.
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Extravagant Sound Installations by Love Hultén Use Custom Synthesizers and Visualizers to Create Elaborate Audiovisual Mashups
Swedish audiovisual artist and woodworker Love Hultén is known for his extravagant and unconventional sound installations that fall at the intersection of music, art, and design. Whether an homage to Nintendo, Pacman, or Simone Giertz’s chattering mouths, the custom synthesizers are elaborate electronic instruments with broad audio capabilities and often, a unique MIDI visualizer that responds in real-time: play the keyboard of “NES-SY37,” for example, and a rendering evocative of a vintage video game will appear on a tiny LCD screen. In the case of “The Doodlestation,” a chord might prompt a cartoon-like figure to vomit an endless pastel rainbow.
Visually elegant and structurally complex, Hultén’s designs take about ten weeks to complete. He tells Colossal that he is currently working on a few commissions, which you can follow on YouTube and Instagram. (via Core77)
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In ‘No Strings,’ Willie Cole Transforms Instruments into Abstract Animals and Figurative Sculptures
Artist Willie Cole is known for transforming discarded materials into sculptures with a tenor of interrogation. Much of his three-dimensional work revolves around found objects like high-heels, plastic bottles, or ironing boards that he turns into pieces of cultural commentary, addressing issues of mass production, historical legacies, and identity. The items tend to guide the formation of his assemblages, he says, sharing that, “the objects that I use I see as them finding me, more so than me finding them… I see an object and suddenly I recognize what I can do with the object. So in that sense, there is an energy or spirit connection to the object. I am exploring the possibilities of these objects.”
Cole’s solo show No Strings, which opens this April at Alexander and Bonin in New York, exemplifies this approach. The artist, who’s currently living and working in New Jersey, recovered guitars, saxophones, and pianos from Yamaha’s recycling program and through his usual alchemy, has created anthropomorphic creatures and abstracted figures from their parts: he converts hammers into tail feathers and spliced acoustic bodies into dogs and anonymous musicians. The pieces are expressive and tied to the endurance of America’s past, particularly drawing a connection between the guitar’s shape and the yokes forced on people who were enslaved.
In addition to the upcoming No Strings show, you can see a few of Cole’s sculptures in the ongoing Before Yesterday We Could Fly: An Afrofuturist Period Room at The Met, and explore more of his works on his site and Instagram.
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In ‘Architecture in Music,’ Striking Photos Reveal the Hidden Structures of Instruments
A cellist since childhood, Auckland-based photographer Charles Brooks spent twenty years performing with orchestras around the world, an experience that incited curiosity about the inner workings of the instruments surrounding him. “I never really knew what was going on inside. That was a realm reserved for the luthier. Occasionally, when an instrument was being repaired, you’d get a rare glimpse inside, which was always a thrilling experience,” he shares with Colossal.
This interest culminates in Brooks’s ongoing Architecture in Music series, which peers inside pianos, winds, brass, and strings to unveil their hidden anatomies. Structural and often flanked by repeating elements, the composite images frame the shadows cast by a cello’s F holes, the seemingly endless rungs of a flute’s sound chamber, and a piano’s row of hammers, all of which appear more like buildings or public infrastructure than musical components. “I was always interested in the psychology of how our mind interprets scale in a two-dimensional image. I’d been fascinated by the tilt-shift effect, which made big things look small by blurring part of the image, and I wanted to know if I could make small things look big by keeping everything sharp,” he says.
In order to preserve each instrument while photographing, Brooks used a probe lens with a “minimum aperture of just f/14, which means you need a tremendous amount of light. It also has a very shallow depth of field at that aperture, less than a centimeter when you’re focusing close to the lens.” Each foray into an instruments’ body revealed a similarity between brands—the Steinway and Fazioli grand pianos were nearly identical—and many contained markings and residue from repairs that dated back centuries. “Some instruments really surprised me,” he shares. “I’d never thought to look inside a Didgeridoo before and was astonished to find out that it was carved by termites, rather than by hand!”
Prints of Architecture in Music are available in Brooks’s shop, and you can find much more of his work on Instagram. (via swissmiss)
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Repurposed Barcode Scanners Roll Across a Miniature Skate Park to Produce Glitchy Electronic Beats
Using random objects to build homemade hand drums or maraca-style instruments isn’t new, but the team behind the ongoing Electronicos Fantasticos project takes the idea of repurposing unwanted materials to an imaginative level. Led by Ei Wada (previously), the Japanese musicians have spent the last few years recycling retail scanners and their barcode counterparts into synthesizer-like instruments, capitalizing on the product’s original function to produce rhythmic tracks and samples. Their recent design adds a playful twist to the concept by attaching the plastic devices to miniature skateboards that roll across ramps and down flat surfaces printed with black-and-white stripes. In addition to the musical component that’s similar to scratching an LP, it’s worth watching the group’s performances as they slide and riff on different barcodes, which you can find on Instagram and YouTube.
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An Open Pipeline Echoes This Inventive Saxophonist’s Notes in Perfectly Tuned Accompaniment
Saxophonist Armin Küpper has mastered the effects of live looping without the necessary equipment to record and replay tracks. Instead, the musician heads to a nearby site storing a lengthy pipeline and positions his bell near the opening. As he plays, the delayed notes echo in perfect pitch, creating an polyphony as he blares out the next line. Check out more of Küpper’s tunes below, and head to YouTube to keep up with his inventive performances. (via Laughing Squid)
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