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Art Illustration
‘One Hundred Famous Views of Edo’: Hiroshige’s Seminal Series of Woodblock Prints Gets a Vibrant Reprint

All images © Utagawa Hiroshige, courtesy of Taschen
From the 17th through the 19th centuries, a genre of Japanese art called ukiyo-e—translating to “pictures of the floating world”—centered on colorful depictions of landscapes, performers and sumo wrestlers, and scenes from folklore and history in vivid woodblock prints. Utagawa Hiroshige (1797-1858), one of the most renowned artists in the tradition—and one of the last—was famous for his chromatic vistas depicting recognizable features like blossoming cherry trees and the omnipresent snow-capped cone of Mount Fuji. His final project, an ambitious collection of 120 woodblock illustrations, became known as One Hundred Famous Views of Edo and depicts what is now Tokyo throughout the seasons.
A new reprint from Taschen pairs each of the artist’s remarkable prints with text by authors Lorenz Bichler and Melanie Trede, celebrating the scenery, the city’s history, and Hiroshige’s contribution to ukiyo-e. The authors highlight how the colorful depictions of the country helped define the Western world’s visual interpretation of Japan, referencing the influence of Japonisme on European decorative arts and painters like Vincent van Gogh, Edgar Degas, and James McNeill Whistler. The new edition is presented in a case and bound in a traditional Japanese style known as stab binding in which a series of holes are punched in the cover and the spine is elegantly bound with string.
Scheduled for release next month, you can pre-order One Hundred Famous Views of Edo: The Complete Plates on Taschen’s website. You might also enjoy Hiroshige’s instructional shadow puppet prints and a look back at a recent exhibition focusing on landscapes in the Art Institute of Chicago’s ukiyo-e archive.
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Art History
Explore Hundreds of Thousands of Japanese Woodblock Prints in a Ukiyo-e Archive

Torii Kotondo, “Hair Combing” (1932)
From Katsushika Hokusai’s unmistakable views of Mount Fuji to contemporary landscapes by Asano Takeji, Ukiyo-e Search collects a wide variety of Japanese woodblock prints. Programmer John Resig built the online database back in 2012, and the archive now boasts more than 223,000 individual artworks from the early 18th century to today. Encompassing an array of styles, subject matter, and aesthetic impulses, the database is organized by artist and time period, and the system facilitates easy comparison of copies held at museums and institutions around the world
Find some of our favorite works in the database below, and head to the archive to dive into Ukiyo-e history. (via This Isn’t Happiness)

Katsushika Hokusai, “Kirifuri Waterfall at Kurokami Mountain in Shimotsuke” (ca. 1832)

Yoshida Hiroshi, “Sailboats: Forenoon (Hansen, gozen)” from the series ‘Inland Sea (Seto Naikai shû)’ (1926)

Asano Takeji, “Twilight In The Village, Nara” (1953)

Shoson Ohara, “White Herons and Willow” (1926)

Bakufu Ohno, “Cherry Blossoms” (1950)

Utagawa Kuniyoshi, “Mount Fuji on a Clear Day from the Sea off Tsukuda” (1843)

Tsuchiya Koitsu, “Sengaku Temple” (1933)
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Photography
Sho Shibata Captures the Beastly Snow-Covered Trees of Japan’s Hakkōda Mountains

All images © Sho Shibata, shared with permission
A few years back, photographer Sho Shibata traversed the frozen landscapes of Aomori’s Hakkōda Mountains documenting the otherworldly formations that cover the slopes. Heavy, icy snow cloaks the countless trees that populate the region, morphing the arboreal vistas into frigid hoodoo-like characters. “This is my favourite place to visit when it is cold like this because it transforms into a wonderland,” Shibata says. “When I first saw them, I actually thought there were lots of snowmen. What’s incredible is how they all look so similar. They look like snow monsters, like they are ghosts.”
Rising to 5,200 feet, Hakkōda is a popular ski destination in the winter, when temperatures plunge and dry, powdery snow blankets the volcanic peaks. “I moved from mountain to mountain. Temperatures got as low as -8 degrees Celsius while I was up there,” he said. “This meant I was able to capture walkers on their journey.”
In addition to the frosty specters shown here, Shibata published a book of black-and-white photos showcasing the area near his home in the Tsugaru region. You can find more of his work on Instagram. (via Spoon & Tamago)
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Animation Craft Design
An Adorable Hand-Crafted Totoro Collection Celebrates the Studio Ghibli Icon

All images courtesy of Nakagawa Masashichi Shoten
The iconic round-bellied Totoro of Studio Ghibli’s (previously) My Neighbor Totoro stars as part of a broad array of new collectible ephemera paying homage to the anime icon. Created by teams of craftspeople connected to Nakagawa Masashichi Shoten, the series translates the fluffy, two-dimensional character into adorable wooden sculptures made of camphor, the tree Totoro occupies in the film. Paired with textiles, ceramic works, and paper boxes all featuring the character, the collection follows the highly anticipated opening of Ghibli Park late last year, giving fans of Hayao Miyazaki another opportunity to enjoy his beloved animations.
The Totoro objects will be available through a lottery opening on March 1—find details on how to join on the Nakagawa Masashichi Shoten site. Watch the video below and visit Spoon & Tamago for more insight into the process behind the collection and an upcoming opportunity to view a live demonstration.
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Design
A Detailed Documentary Traces the Process of Making Artistic Manhole Covers in Japan
There are myriad structures and objects in the built environment that many of us rarely give a second thought to, like the materials that make sidewalks and streets, the pipe systems below the pavement, or the manhole covers that keep those networks secure and provide essential access. In Japan, though, form follows function in a recent tradition of creating manhole covers that feature bold and colorful designs.
Video creators Process X visited the Hinode factory to document the manufacture of the ubiquitous lids from start to finish. Workers first melt metal and stamp the molten material into a form that produces a distinctive raised outline. The covers are then cooled and transported to a station where others hand-paint the details, heat the pigments to create a durable finish, and ready them for installation.
Japan’s aesthetic solution to an otherwise banal infrastructural object is thought to have originated back in the mid-1980s when municipalities were invited to design their own manhole covers, making costly sewerage updates more palatable. Following a handful of local contests and documentation by photographers and publications, the phenomenon continues to add vivid, unexpected designs to everyday surfaces.
Process X documents a wide range of manufacturing systems around Japan and publishes videos regularly on YouTube. (via Kottke)

All images © Process X
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Design
Kengo Kuma Designs a Dramatically Vaulted Cafe to Evoke Japan’s Sloping Tottori Sand Dunes

All images ©︎ Kawasumi-Kobayashi Kenji Photograph Office
Overlooking Japan’s vast Tottori Sand Dunes is a new two-level structure that connects earth and atmosphere. Dubbed a “staircase to the sky,” Takahama Café is one of architect Kengo Kuma’s latest projects that reflects the surrounding environment. The dramatically vaulted building, which totals 199 square meters, is constructed with cross-laminated timber and reinforced concrete and features a balcony topped with a pergola for visitors to view the region. Sand from the dunes textures the Washi paper pendant lights inside, and in honor of local craftspeople and traditions, the studio tasked the Tottori Mingei pottery workshop Nakai-gama with creating the bathroom sinks, which are cloaked in its signature blue-black glaze.
For more from Kuma (previously) and his team, visit the studio’s site. (via designboom)
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Editor's Picks: Animation
Highlights below. For the full collection click here.