Lisa Ericson

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Art

Diverse Ecosystems Merge in Hyperrealistic Paintings of Flora and Fauna by Lisa Ericson

November 4, 2022

Kate Mothes

An acrylic painting by Lisa Ericson of a deer standing on a reef of coral.

“High Tide” (2022), acrylic on panel. All images © Lisa Ericson, shared with permission

Ecosystems intermingle and mammals find themselves immersed in an increasingly watery world in Lisa Ericson’s hyperrealistic acrylic paintings. A hare and a mountain goat, which would typically be found in dry climates or high elevations, stand atop a small island of cacti or rock in an ongoing series of works that view the climate crisis—especially the impending rise of sea levels—through a lens of magical realism.

Drawing on the artistic legacy of chiaroscuro, or contrast between the bright figures and deep background, Ericson’s compositions appear as if a spotlight has been directed on the scene to highlight unusual interactions, such as a fox ferrying bluebirds across a waterway or a mountain goat stranded on a submerged rocky peak. Furthering the notion that environmental change cannot be ignored, the titles speak to witnessing immense change, experiencing a sense of foreboding, and heeding warnings.

You can see some of Ericson’s recent works on view at Antler Gallery in Portland, Oregon, through November 20, and find more on her website and Instagram.

 

An acrylic painting by Lisa Ericson of a fox wading through water with numerous bluebirds on its back.

“Risky Business” (2022), acrylic on panel

An acrylic painting by Lisa Ericson of a hare and a bird on top of a cactus, which surfaces from the water.

“Late Warning” (2022), acrylic on panel

An acrylic painting by Lisa Ericson of a mountain goat standing half-submerged in water on top of a rock with fish at its feet.

“Ain’t No Mountain High Enough” (2022), acrylic on panel

An acrylic painting by Lisa Ericson featuring a fish with fins that look like coral and two other fish.

“Shelter in Place” (2022), acrylic on panel

An acrylic painting by Lisa Ericson of a fox with moss and fungi growing on its back.

“Wake Me When It’s Over” (2020), acrylic on panel

An acrylic painting by Lisa Ericson of a red squirrel on top of a turtle's back.

“Treading Water” (2022), acrylic on panel

 

 

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Art

Animals Evolve into Islands Teeming With Coral, Succulents, and Tropical Fish in Hyperrealist Paintings by Lisa Ericson

August 8, 2019

Kate Sierzputowski

“Anchor,” 20”x24”, Acrylic on panel

Lisa Ericson (previously) deftly paints animals in scenes that reach outside of their natural environments, creating unique relationships that defy the natural order of the animal kingdom. In her newest series a deer, flamingo, and multiple turtles form miniature ecosystems in glassy blue water. Coral sprouts from the hooves and legs of the two larger creatures, while brilliant flowers and butterflies surround the smaller turtles. These paintings are featured in Ericson’s current exhibition Islands, which runs through August 25, 2019 at Antler Gallery in Portland, Oregon. You can see more of her beautifully rendered plants and animals on Instagram.

“Pollinate,” 16”x16”, Acrylic on panel

Detail of “Pollinate,” 16”x16”, Acrylic on panel

Detail of “Pollinate,” 16”x16”, Acrylic on panel

“Bleach,” 16”x20”, Acrylic on panel, all images via Antler Gallery

“Harvest,” 20”x24”, Acrylic on panel

“Pollinate II,” 16”x16”, Acrylic on panel

 

 



Art

Unusual Animals Brought Together in New Hyperrealistic Paintings by Lisa Ericson

May 16, 2018

Laura Staugaitis

Flock

New work from Lisa Ericson (previously) continues the Portland-based artist’s hyperrealistic compositions of animals. Set on deep black backgrounds, her paintings showcase unusual combinations of peacefully co-existing fauna. Pelicans support rabbits, snakes, and ocelots, while tree frogs and songbirds find homes on the shells of turtles. Her most recent paintings are on view through May 25 at Antler Gallery in Portland, in a show titled Invisible Promise, alongside work from Scottish artist Lindsey Carr. You can see more from Ericson on Instagram.

After The Flood

Stowaway

Distant Shore

Uneasy Truce

Oasis

Haven

 

 



Art

Lisa Ericson Imagines Fantastical Ecosystems Carried on the Backs of Turtles

August 28, 2017

Laura Staugaitis

“Migration,” acrylic on wood panel, 12″ x 16″

Portland, Oregon-based artist Lisa Ericson blends her hyperreallist painting style with a vivid imagination, resulting in fantastical combinations of plants and animals. Ericson tends to focus on one specific flora/fauna combination at a time, like hybrid mouserflies or coral fish. Her most recent series, Mobile Habitats, highlights turtles that support small ecosystems on their shells. From mossy knolls surrounded by fireflies to gnarled trees leafed with monarchs, each turtle-world evokes a specific time and place.

Ericson chronicles her work on Instagram, where she shares, “these pieces are all about turtles and what they can carry on those amazing half-a-globe shells, and about things that need saving.”

The acrylic-on-panel paintings are featured in her solo show, currently on view at Antler Gallery. All of the originals have already sold, but the gallery is offering a limited edition of 50 full-sized, signed and numbered prints.

“Island,” acrylic on panel, 12″ x 12″

“Carrier,” acrylic on panel, 16″ x 12″

“Raft,” acrylic on panel, 12″ x 12″

“Terrarium,” acrylic on panel, 12″ x 12″

“Migration II,” acrylic on panel, 12″ x 16″

 

 



Art

Hyperrealistic Depictions of Fish Merged With Their Coral Environments by Lisa Ericson

December 15, 2016

Kate Sierzputowski

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Artist, illustrator, and designer Lisa Ericson (previously) paints hyperrealistic images of imaginary animals, hybrids that intertwine species. Previously focused on a body of work that merged mice and butterflies, Ericson’s newest series focuses on the creatures below, painting bright fish against matte black backgrounds. The vibrant works highlight a variety of coral integrated into fins and tails of scaly animals, as well as showcasing the groups of fish that have decided to make these tails their home.

Ericson’s work is currently in a two-person exhibition titled Supernature at Antler Gallery in Portland, OR which runs through December 22. You can view more of her in-process and completed animal paintings on her Instagram and Facebook.

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Art

Hyperrealistic Depictions of a Fictional Mouse-Butterfly Species by Lisa Ericson

March 30, 2015

Kate Sierzputowski

“Bliss”, Acrylic on Wood Panel, 11″x14″

“Bliss”, Acrylic on Wood Panel, 11″x 14″

“Perch”, Acrylic on Wood Panel, 9″x12″

“Perch”, Acrylic on Wood Panel, 9″x 12″

“Gatherer II”, Acrylic on Wood Panel, 8″x10″

“Gatherer II”, Acrylic on Wood Panel, 8″x 10″

"Gatherer I", Acrylic on Wood Panel, 8″x10″

“Gatherer I”, Acrylic on Wood Panel, 8″x 10″

“Hover”, Acrylic on Wood Panel, 13″x16″

“Hover”, Acrylic on Wood Panel, 13″x 16″

“Artista”, Acrylic on Wood Panel, 16″x16″

“Artista”, Acrylic on Wood Panel, 16″x 16″

Lisa Ericson‘s logo is just as enchanting as her hyperrealistic paintings, a tiny mouse with butterfly wings floating between her first and last name. Ericson works as a multi-hyphenate, utilizing her visual talents as an artist, illustrator, and designer to craft meaningful images for both her client and personal practice.

In her newest series Ericson skillfully depicts her invented species of mouse-butterfly while they explore environments filled with detailed mushrooms, forgotten tin jars, and forest brush while sometimes clutching found objects such as acorns and raspberries.

Ericson’s first exhibition, and one featuring this series, is displayed at Portland’s Antler Gallery alongside Heiko Müller and John Casey until April, 27th. During my research I also learned that Ericson illustrated Ramona Ausubel’s website (one of my favorite contemporary authors), and can be seen here. (via This Isn’t Happiness, Hi-Fructose)

 

 

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