miniature

Posts tagged
with miniature



Art Craft

Precise Replicas Cast Wildlife and Plants as Delightfully Tiny Sculptures

July 14, 2021

Grace Ebert

All images © Fanni Sandor, shared with permission

Fanni Sandor (previously) melds her background in biology with a decades-long enthusiasm for miniatures by creating an adorable menagerie of minuscule wildlife. Based in Hungary, she sculpts 1:12 scale models of leaping squirrels and multicolor tree frogs from clay and soft fibers and more recently has ventured into larger ecosystems populated by speckled mushrooms, ferns, and the tiniest tulips. Sandor’s biologically accurate models are sold out on Etsy right now, but keep an eye on shop updates by following her on Instagram.

 

 

 



Animation Photography

An Otherworldly Animation Adventures Across Galactic Landscapes Recreated in Miniature

July 13, 2021

Grace Ebert

In the first two parts of his Miniature Landscape series, director and animator Clemens Wirth (previously) celebrates the vast, awe-inspiring terrain of the earth by adventuring through snowy caverns, across pebbled beaches, and to the green glow of the Northern Lights. With a focus on color and textured elements like rocks and bubbling liquids, Wirth’s short films traverse tiny models built in his studio that mimic real-life landscapes with an uncanny twist. The final piece of the animated trilogy travels beyond Earth to explore outer space, journeying through fields of meteorites, across sand pocked with craters, and toward a volcano spewing lava.

Wirth tacked a short making-of segment onto the end of the galactic short film, which you can watch along with the first two episodes, on his Vimeo.

 

 

 



Craft

Tightly Woven Baskets Intertwine Invasive Plants and Weeds into Adorable Miniatures

July 12, 2021

Grace Ebert

All images © Suzie Grieve, shared with permission

From a single dandelion or bindweed, Suzie Grieve weaves minuscule baskets, pouches, and other wearables that are smaller than the tip of her finger. The braided vessels are the result of a lengthy, holistic process that extends from foraging the wild fibers to twisting the processed cords into durable little containers. Whether striped, checkered, or coiled in rows, each basket is a testament to Grieve’s patience and ability to adapt a traditional craft into an unusually tiny form.

Attuned to the natural rhythms of the region, Grieve harvests materials from the woodlands and fields near her home in the Lake District, U.K., with a focus on the weeds and invasive species that are often regarded as nuisances. “One of the things I enjoy most about working with wild foraged materials is the awareness it gives you of the seasons and cycles of the plants and the land,” she says. “In spring, I gather willow bark and dandelions, in summer nettles and brambles. Autumn is a mad rush of harvesting long leafy things, and in the winter, I spend what little sunlight there is foraging vines such as honeysuckle and ivy.”

 

The plants undergo a painstaking process that involves splitting the stalk, peeling out the soft and spongy pith, drying the remaining fibers, and later rehydrating the strands, a method Grieve developed while working in central France where she was tasked with lining vegetable garden with hazel. “I felt an immediate connection to the craft, the simple meditative rhythm of the weaving, the beautiful tactile way in which it allows you to connect with the land, and the feeling of self-reliance,” she says. Today, her focus is on the most abundant and hearty species, which she twists into long cords to create wide, sloping bowls, handled baskets, or pouches just big enough to fit a pebble.

In addition to creating more goods to sell in her shop, Grieve is currently working on a book detailing her techniques. She also has an extensive archive of tutorials for processing the natural fibers on her site and Instagram, where you can see more of the miniatures, too.  (via Lustik)

 

 

 



Art

Single Eyes Gaze Out of Antique Cutlery, Tins, and Other Objects in Miniature Paintings by Robyn Rich

June 10, 2021

Grace Ebert

All images © Robyn Rich, shared with permission

The Georgian era saw the rise in a jewelry trend that’s equally sentimental and peculiar: to remember spouses who had died or to honor clandestine affairs without revealing anyone’s identity, people would commission tiny renderings of a person’s eye to be painted on broaches, rings, and other accessories they could carry with them. Similar to a lock of hair or portrait hidden in a locket, the abstracted feature was anonymous and indiscernible to most but deeply personal to the wearer.

Robyn Rich evokes this centuries-old fad with a substantial body of work that nestles minuscule oil paintings into cutlery, tins, and other antique vessels. “With a love of reusing and recycling, the found objects I use give a simple and often nostalgic canvas, which offers little distraction, allowing the beauty of the eye to be the focus,” she says. “These objects that we use every day are often taken for granted, overlooked, and forgotten, but in my work, they have another life and help tell a story.”

Whether centered on the eyes, nose, or lips, each realistic snippet conveys a wide range of human emotions—the expressive works capture everything from surprise and worry to contentment—through a single, isolated feature. “I paint friends, total strangers, and the eyes from painted portraits from the past. Each eye I paint becomes a little part of me,” the Frankston, Australia-based artist says.

Alongside her ongoing series of works on domestic objects, Rich is currently collaborating with designer Kelty Pelechytik on a collection of custom wearables. She also has an upcoming solo show at fortyfivedownstairs in Melbourne. Titled I See You, the exhibition is the culmination of a call Rich put out in 2019 for women and female-identifying people to share their portraits and stories with her, resulting in more than 100 pieces that will be on view this October. Until then, find an extensive archive of her miniatures on Instagram.

 

 

 



Animation Craft Food

Animated Tutorials Whip Up Fiber-Rich Lemonade and Banana Splits by Andrea Love

June 9, 2021

Grace Ebert

Andrea Love (previously) cooks up some treats just in time for the summer heat, although their woolen ingredients might make them less thirst-quenching than usual. From her miniature kitchen, Love films short stop-motion animations that show her squirting spools of juice to make lemonade or coating heaps of ice cream with a thin line of chocolate yarn. The refreshing snacks are the latest in the animator and fiber artist’s archive of felted fare, which you can watch on YouTube and Instagram. (via The Kids Should See This)

 

 

 



Art

Miniature Architectural Spaces Nestle into Carved Chunks of Raw Marble

May 25, 2021

Grace Ebert

“Tetraconch II” (2019), Faxe limestone, 38 centimeters. All images © Matthew Simmonds, shared with permission

Since antiquity, marble has been a preferred material for sculptors and architects alike because of its relative softness and the unlikelihood that it’ll shatter. British artist Matthew Simmonds (previously) fuses these two traditional forms and honors their history with his miniature models carved into hunks of the raw stone. Evoking ancient ruins and sacred architecture—most pieces aren’t modeled after specific structures—the chiseled sculptures are complete with grand archways, ornately tiled ceilings, and minuscule statues on display in their halls.

Within the spaces, Simmonds contrasts the rough, jagged edges of the stone with precise angles and detailed flourishes. “Drawing on the formal language and philosophy of architecture the work explores themes of positive and negative form, the significance of light and darkness, and the relationship between nature and human endeavor,” he says in a statement.

See more of the artist’s carved interiors, which are often less than a foot wide, on his site.

 

“Mystras” (2020), Carrara marble, 39 centimeters

Left: “Essay in Perpendicular” (2018), limestone, 42 centimeters. Right: “Window” (2020), limestone, 24 centimeters

Detail of “Hidden Landscape II” (2019), Carrara marble, 180 centimeters

“Gothic Passage II” (2021), limestone, 25.5 centimeters

Left: “Single Helix II” (2019), Faxe limestone, 24 centimeters. Right: “Landscape: study” (2020), limestone, 10 centimeters

Detail of “Basilica V” (2020), Carrara marble, 170 centimeters

“Stepwell” (2020), Faxe limestone, 39 centimeters

Detail of “Stepwell” (2020), Faxe limestone, 39 centimeters