miniature

Posts tagged
with miniature



Craft

A Painstakingly Crafted Village Perches Atop a Wooden Tower in Ognyan Stefanov's Miniature Utopia

May 5, 2021

Grace Ebert

All images © Ognyan Stefanov, shared with permission

Bulgarian artist Ognyan Stefanov pairs his day job as an aviation photographer with an equally lofty practice of crafting lavish architectural miniatures that soar high in the air. One of his creations is this utopic village, aptly named “Skyville,” which was designed as a self-sustaining enclave complete with shops, farms and gardens, a library, and a few homes, including the main house with the individually tiled pitched roof. Posted atop a latticed tower, the heavily landscaped town was designed to mimic real functionality with a water drainage system, pulleys, and walkways that climb from level to level.

Created at a 1/87 scale and spanning 36 x 16 inches, the 60-pound model took Stefanov two years to complete and is an amalgamation of wooden stirrers, popsicle sticks, and photo-etching techniques. Each scene is crafted with meticulous detail, from the luxe interiors filled with a chandelier, wrought iron bed frame, and framed artworks to the architectural elements like the wooden beams and circular windows. Even the minuscule characters appear to be in the middle of a task.

Check out Stefanov’s page dedicated to “Skyville” to see the work in progress and more glimpses of its richly decorated interiors.

 

 

 



Art Craft

Hundreds of Minuscule Paper Cranes Perch in Bonsai Trees in Naoki Onogawa's Sculptures

April 5, 2021

Grace Ebert

All images © Naoki Onogawa, shared with permission

Using just his hands, Tokyo-based artist Naoki Onogawa folds scores of origami cranes with wingspans that never top a single centimeter. He then fastens the minuscule birds to asymmetric tree forms, creating bonsai-like sculptures engulfed by hundreds of the monochromatic paper creatures.

Onogawa tells Colossal that he began crafting the tiny birds following the 2011 Great East Japan Earthquake that devastated parts of southern Hokkaido and Tohoku, which the artist visited the next year. As he walked around the city of Rikuzen Takata, he spotted 1,000 paper cranes at the site of a school demolished by the tsunami. “I found myself in terror of how powerless we humans are in the face of nature’s wonder; yet at the same time, I felt empowered by the power of life, vitality, that shined so brightly in the aftermath of its wrath,” Onogawa says. He explains further:

It was like witnessing the result of a desolate ritual where people channeled their unsettled feelings into these cranes. And here they exist, spirited with prayers that they would go back and forward to and from a world beyond here. I struggle to find the words to describe it, but I think that maybe the cranes that I fold now come from that place of solemn prayer.

Onogawa’s cranes are on view at the Setouchi City Museum of Art alongside Motoi Yamamoto’s sprawling salt installation through May 5. Browse available artworks on Picaresque, and explore a larger collection of his pieces on Instagram. (via designboom)

 

 

 



Craft

Crackled, Billowing Bedsheets Disguise Miniature Ghosts by Ceramicist Lisa Agnetun

February 11, 2021

Grace Ebert

All images © Lisa Agnetun, shared with permission

Adorable, mischievous, and undeniably spirited, the porcelain figures that Lisa Agnetun sculpts breathe new life into the simple, bedsheet silhouette we’ve long associated with ghosts. Brimming with personality and energy, the specters are similarly outfitted with asymmetric eye holes and fabric that bunches as their feet. “They’re dead souls, and I think it’s a challenge to make them come alive. It also gives me great pleasure and even hope to make this strong symbol of death into something playful and not scary at all,” Agnetun writes.

Made from a variety of clays, the pieces are wheel-thrown and then sculpted by hand to add final details. Each receives a thick coat of matte, glossy, or cracking glaze, with some getting a final wax treatment or an ink wash after firing.

Although the Gothenburg, Sweden-based ceramicist has been crafting the tiny apparitions to gift to friends and family for years, she only started selling them about six months ago. They’re a portion of her ceramics practice that spans teaware, LED-lamps, vases, and other sculptural objects. “Every time I open my kiln, I want to find new exciting things that I haven’t seen before,” she says. “The ghosts are the only pieces that really stick with me. They’re all unique and keep evolving along with my other work, so there’s no chance for me to get bored with them.”

Agnetun sells the playful creatures, which range from the size of a fingertip to a few inches tall, on Etsy. In the coming months, she plans to create a few jar sculptures, triple vases, and a new mug alongside more ghosts, all of which you can follow on Instagram.

 

 

 



Craft

Endangered Flora and Fauna Are Recreated in Textured Paper Sculptures by Mlle Hipolyte

February 4, 2021

Grace Ebert

All images © Mlle Hipolyte, shared with permission

From her studio in Lyon, Mlle Hipolyte scores, crimps, and fringes bits of paper that become sculptural interpretations of endangered species. She undertakes a rigorous research process that’s comparable to that of a botanist or zoologist before starting a piece and largely is concerned with the effects of the climate crisis on plants and animals. This realistic approach bases her practice in both preservation and celebration as she conveys the intricacies and natural beauty of coral reefs, flowers, and birds through works that vary in scale, sometimes spanning entire walls and others squeezing into tiny glass tubes.

Mlle Hipolyte tells Colossal that her next undertaking is a large forest inspired by François Hallé’s botanical drawings, an ongoing project you can follow on Instagram. To add one of the meticulous, textured sculptures to your collection, check out her shop. (via Cross Connect Magazine)

 

 

 



Art

Delightful Nighttime Landscapes Nestle into Stacked Wooden Boxes in Allison May Kiphuth's Dioramas

February 3, 2021

Grace Ebert

All images © Allison May Kiphuth, shared with permission

Allison May Kiphuth (previously) shrinks the expansive landscapes found throughout the eastern United States into picturesque dioramas brimming with natural life. Through layered watercolor and ink renderings, the Maine-based artist creates a mix of quiet forest scenes and ocean habitats often under a dark, nighttime sky. She then stacks the outfitted wooden boxes, blending the marine and land-based pieces in varying positions that create new ecosystems with every combination.

Although Kiphuth derives much of her subject matter from the area around her home, she shares that experiencing new scenes is essential to her practice. “I haven’t been outside of Maine in over a year, and while this landscape is usually so expansively beautiful to me, without the contrast of other landscapes for perspective, it’s been feeling incredibly small,” a feeling that’s amplified by her living and working from a tiny home that’s just 8 x 20 feet.

The artist will have work at Paradigm Gallery in Philadelphia in May and has a solo show slated for August at Antler Gallery in Portland. Limited edition prints of the piece above are available from Nahcotta. Get a glimpse into Kiphuth’s process and views of the scenery she references in her works on Instagram.

 

“Bond,” watercolor, paper, and pins in antique box, 4 x 6 x 2 inches

“Defense,” watercolor, paper, and pins in antique box, 4.625 x 7 x 3.75 inches

Left: “Den” (2019), watercolor on layers of hand-cut paper, sealed with encaustic, 6 x 6.5 x .5 inches

“Nightlight 2,” Watercolor, paper, thread, and pins in antique box, 6.25 x 4.875 x 3.25 inches

“Observation” (2019), watercolor on layers of hand-cut paper, sealed with encaustic, 6 x 6 x .5 inches

“Defense” in progress

 

 



Design

An Elaborate Kamidana Shrine Designed by Naohiko Shimoda Wraps an Inner Corner

January 29, 2021

Grace Ebert

All images © Naohiko Shimoda, shared with permission

Architect Naohiko Shimoda’s interpretation of a kamidana—a small altar or “god shelf” that’s part of a tradition to bring Shinto shrines into private spaces—strays from the simple ledges most often found in Japanese homes. Designed with an intricate foundation and slatted roof, the wooden structure lines an inner corner and is installed high on the wall following the custom. The precise and detailed construction is built on a 1:1 scale, allowing it to “be regarded as architecture with unique proportions and beauty.”

The size of many Japanese houses today limits the placement of the miniature shrines, Shimoda says, which spurred the original 2018 design that’s similar in style but wraps around an outer corner. “Unlike other architectures, the kamidana is usually represented only in the front half of the building. It makes people imagine ‘something behind’ that was not represented and (setting it up) in a corner make it even more effective,” he says.

To see more of Nagaski-born designer’s architectural and renovation projects, head to his site and Instagram. (via Spoon & Tamago)