murals

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Art

A Mythical Stencil Mural by MonkeyBird Is a Monumental Homage to Burgos Cathedral

June 21, 2021

Grace Ebert

All images © MonkeyBird, shared with permission

A guardian angel in the form of a grey heron watches over an allegorical mural at Burgos Cathedral in Spain. Painted by Louis Boidron and Edouard Egea, who work as MonkeyBird (previously), “Mymesis, beings and places” is an homage to the artworks and design of the church, which UNESCO designated a World Heritage site back in 1984 in part because it captures the evolution of gothic architecture: construction on the building began in 1221 and wasn’t complete until 1567, meaning it showcases the entire history of the style.

Translating many of the religious symbols and motifs found inside, the duo combines the cathedral’s profound history with its signature stenciled aesthetic and recurring monkey and bird creatures. The resulting mural is a dense display of ornate structural elements, airborne birds called papamoscas cerrojillo that typically nest in the building, and a gilded clock from the 18th Century. “Our intention was to offer an effect of complex depth and monumentalism, combining some of the most spectacular references of the temple, such as the main altarpiece, with its many details, the Golden Staircase, or the circular oculus in the center of Santa María façade,” MonkeyBird says.

Head to Instagram to see more of “Mymesis, begins and places” and to follow the duo’s projects and occasional print releases.

 

 

 



Art Music

An Oversized and Eclectic Stack of Well-Loved Vinyl Slides into a Corner of a Reno Brewery

June 10, 2021

Grace Ebert

All images © Erik Burke, shared with permission

Flip through a treasured record collection and you’re likely to find tattered covers and faded, bent corners on the most played albums. Artist Erik Burke displays these signs of a well-loved LPs in a new mural that amplifies music’s outsized impact to a monumental scale. Tucked into a corner at Reno’s Record Street Brewing, the towering artwork gathers a vintage collection—The Notorious B.I.G.’s Ready to Die is slotted next to The Velvet Underground & Nico and Johnny Cash’s Live At Folsom Prison is side-by-side with Give ‘Em Enough Rope by The Clash—that’s an eclectic mishmash spanning genres and decades. “A large part of it was sourcing the original vinyl and choosing the most worn-and-torn covers to show how these records are a big part of our life and tell unique stories,” the artist tells Colossal.

Burke is known for his stylized portraits and floral murals, which you can see more of on his site and Instagram. He also has a few prints available in his shop.

 

 

 



Art

Abstract Clusters of Feathers Ruffle Across Vibrant New Murals by Adele Renault

June 4, 2021

Grace Ebert

Artscape, Sweden. All images © Adele Renault, shared with permission

Belgian artist Adele Renault (previously) has an unparalleled ability to turn an urban nuisance into an extraordinarily beautiful creature. Her oversized pigeons grace walls in cities around the world, creating public artworks that celebrate her favored subjects in the exact locations they’re often overlooked and disregarded.

A few years ago, Renault began what she calls “wandering in the macro world,” a venture that shifted her focus to the individual feathers she’s always found most alluring. “The texture is more dazzling and intriguing than showing the whole thing,” she says. “The feathers have become my own language in a way. I now create them without photo reference, more like a meditative practice that creates textures and softness as a result.” Her murals have since strayed from portraying full birds to focusing instead on clusters of plumes and the individual barbs that sprout in layers and tufts.

Although Renault is dedicated to realistic forms, her more recent artworks play with color, injecting bright rainbow hues where she previously focused on naturally occurring blues and purples. The vibrant feathers radiate with an oily, iridescent sheen and appear to ruffle on the wall, a trompe-l’œil effect she achieves by meticulously coating either oil or spray paint to create depth and shadow.

A few of Renault’s smaller works on canvas are on view at Moberg Gallery in Des Moines through the end of June, and she’s currently preparing for a solo show in Belgium that’ll feature her Plantasia series, which similarly extracts minuscule details from leaves. You can find out more about her practice in Gutter Paradise, which was published late last year, and follow her on Instagram to stay up-to-date with her latest projects.

 

New Brighton, UK (2021)

Northwest Walls, Werchter (2019). Photo by Dan Verbruggen-Ausilio

“Gutter Paradise 11” (2019)

Right: Silverlake (2019). Photo by Asato Iida

Urban Art Fair Paris. Photo by Alex Geoffrey

London, Maryland. Photo by Marian Medic

La Brea, Los Angeles (2021)

 

 



Art

Candid Murals by Street Artist Escif Cleverly Respond to Political Issues and Current Events

May 13, 2021

Grace Ebert

“Espoire” in Lozzi, France. All images © Escif, shared with permission

Street artist Escif (previously) utilizes muted color palettes and straightforward motifs to convert walls around his home city of Valencia and other locations throughout Europe into perceptive ruminations on capitalism, politics, and society. He paints sparse scenes and objects with ties to their environment and current events, often relying on humor and wit to convey an underlying message. Although the Spanish artist has spent much of the last year in his studio working on drawings with his two-year-old son, some of his more recent artworks include a brick shattering an already damaged window, a military officer armed with a vaccine like a bazooka, and a touching tribute to the late street artist Hyuro, who died last November.

Escif just completed a series in Corse and is headed to Lithuania and northern Italy in the next few months, which you can follow on Instagram. Shop available prints on his site.

 

“Aguja” in Valencia

A tribute to the late artist Hyuro in Valencia

“Break” in Charleroi, Belgium

Left: “Low Cost” in Valencia. Right: “Brote”

“Underground” in Barcelona

 

 



Art

Trompe L’oeil Textiles Billow Across Murals by Rosie Woods in Iridescent Ripples

April 29, 2021

Grace Ebert

“Veils of Knowledge” at Grenoble Street Art Festival in France. Photo by Andrea Berlese. All images © Rosie Woods, shared with permission

As if lifted by a breeze, oversized ribbons and bunches of fabric float across the trompe l’oeil murals by London-based artist Rosie Woods. The gleaming, prismatic textiles sway and subtly twist into folds and ripples in the spray-painted works. Through the flowing movements, Woods explores the fluid, ever-changing nature of the human experience by synthesizing abstraction and realism. She explains:

I often wonder what my soul would look like if it manifested itself as an object I could see and touch on this earth.  My artwork today looks to express the depth, growth, and complexity of the mind as well as its ability to encompass both light and dark spaces emotionally. I’d like to think you can “feel” my artwork with your eyes.

Woods translates her massive, lustrous textiles to smaller canvases, which she sells in her shop. Although she’s sold-out at the moment, you can watch for upcoming releases on Instagram, where she shares a variety of process shots and news on where she’s headed next.

 

“Veils of Knowledge” at Grenoble Street Art Festival in France. Photo by Andrea Berlese

“Veils of Knowledge” at Grenoble Street Art Festival in France. Photo by Andrea Berlese

“Veils of Knowledge” at Grenoble Street Art Festival in France. Photo by Andrea Berlese

Woods working at Grenoble Street Art Festival in France. Photo by Andrea Berlese

 

 



Art

Monumental Murals of Anatomical Creatures by ROA Celebrate Puerto Rico's Biodiversity

April 26, 2021

Grace Ebert

Red Tail Hawk in Humacao, November 2018. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission

Belgian street artist ROA (previously) has been touring Puerto Rico painting his signature monochromatic menagerie around the island. Depicting both native creatures like parrots and seahorses and invasive species like lionfish, the massive pieces celebrate the region’s biodiversity and the biologists and conservationists working tirelessly to preserve it. Many of the murals are anatomical and juxtapose life and death, a recurring theme in ROA’s body of work and one that’s apparent in his most recent rendering in Isla de Cabras. Spanning 160 feet, the massive artwork positions a plump, wrinkled manatee alongside a lengthy skeleton.

The ongoing project has produced 15 murals so far and is a collaboration with Elegel Group. You can find out more about the impetus behind each animal on Instagram. (via Street Art News)

 

Manatee in Isla de Cabras, April 2021. Photog by Four Two Photography

Puerto Rican Parrot in Utuado, July 2019. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission

Octopus in Playa Escambron, July 2019. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission

Lionfish in Naguabo, June 2019. Photo by Pedro “Huck” Rosa, image courtesy of Taller 2C1, shared with permission

Seahorse in Playa Escambron. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission

Snail in Aibonit, January 2019. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission

Monkey in Naguabo, November 2018. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission

Lizard in San Juan. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission

Tortuga. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission

 

 

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