night

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Photography

Headlights Cut Through Dense Fog in Moody Images of Cars at Night by Henri Prestes

November 30, 2018

Kate Sierzputowski

They Drive by Night is an ongoing series by photographer Henri Prestes that captures the unsettling feeling of driving through the dim and deserted countryside at night. His darkened landscapes are lit almost exclusively by headlights, and are shrouded in dense fog. The series was photographed near remote villages and forests throughout Portugal and Spain, where the photographer was raised and explored at a young age.

“I started thinking about putting this project together during some night traveling, thinking about how exciting and scary it is traveling alone in secluded places with only the headlights to guide us through the immense darkness ahead,” Prestes tells Colossal. “At the same time I was trying to come up with a cinematic series about exploring the narrative possibilities of a single still frame, using weather conditions as a way to affect the emotional state of a photograph.” You can see more of his night-based images on his website and Instagram. (via Faith is Torment)

 

 



Art Illustration

Night Imagined as a Human-like Figure in New Black and White Illustrations by David Álvarez

November 23, 2018

Kate Sierzputowski

Illustrator David Álvarez (previously) is fascinated by working with shadows and light, finding black and white drawings to be one of his favorite ways to solve the images he conjures in his head. His most recent series, I Dreamed I Was the Night, follows a dark figure as it stalks, sits, and sleeps throughout the countryside. The night-cloaked being is dotted with twinkling stars, and in one particular illustration pulls a bright moon away from his face like a mask. The series of images is currently an online catalog, and Álvarez has plans on turning the collection into a narrative for a story. You can view more of his black and white illustrations on Instagram.

 

 



Photography

Nightshift: An Illuminated Glimpse Into Shanghai’s Late Night Shops and Stalls

November 9, 2018

Kate Sierzputowski

While in town for a shoot for Shanghai Photofairs this past summer, photographer Florian Mueller would wander through the city’s streets, meeting the owners of food stalls and other businesses that stayed open into the night. The series, Nightshift, observes the inviting glow that emanates from Shanghai’s after-hours operations in addition to showcasing those that staff the small shops during the humid evenings. Flowers, carbonated beverages, cell phone cases, and ripe citrus are just some of the illuminated items that appear in the suite of works. You can see more images from Nightshift on Mueller’s website and Behance, and follow his travels on Instagram.

         

 

 



Art

Out-of-Focus Paintings by Philip Barlow Capture the Twinkling Lights of Cityscapes at Night

August 8, 2018

Kate Sierzputowski

“Electric III,” oil on linen, 47 x 78 inches, all images via Philip Barlow

Cape Town-based artist Philip Barlow paints abstracted depictions of the cityscapes at night, blurring the focus of street lamps and headlights the way our eyes or a photographer’s lens might when adjusting to a city’s bright, multi-colored lights. In this way, Barlow paints from perception rather than reality, showcasing the beautiful ways we process our daily surroundings. In the foreground, the paintings feature overlapping orbs of white, red, and blue light, which obscure blurred buildings, cars, and signs that occupy the dimly painted background.

“The figures in the landscape serve as carriers and reflectors of the light that falls upon them,” explains Barlow. “Bathed in the luminosity, it is my hope that they would become more beautiful. To me, light is the ultimate subject because it embodies the pinnacle of all reality.”

You can view more of the South African artist’s blurred depictions of cities, beaches, and portraits, on his website. (via My Modern Met)

"Electric Wet," oil on canvas, 39 x 59 inches

“Electric Wet,” oil on canvas, 39 x 59 inches

"Glass II," oil on canvas, 47 x 70 inches

“Glass II,” oil on canvas, 47 x 70 inches 

"Glass," oil on canvas, 70 x 47 inches, and "Jingumae II," oil on canvas, 47 x 31 inches

“Glass,” oil on canvas, 70 x 47 inches, and “Jingumae II,” oil on canvas, 47 x 31 inches

"Leaving Shibuya," oil on canvas, 47 x 98 inches

“Leaving Shibuya,” oil on canvas, 47 x 98 inches

"Ultramarine," oil on canvas, 47 x 70 inches

“Ultramarine,” oil on canvas, 47 x 70 inches

"One Way," oil on canvas, 47 x 47 inches

“One Way,” oil on canvas, 47 x 47 inches

 

 



Photography

The Neon Archives: An Exploration of Hong Kong’s Fading Neon Landscape

August 6, 2018

Kate Sierzputowski

Hong Kong has long been infused with the glowing haze produced by its omnipresent neon signs and advertisements. Recently this saturated element of the city has begun to disappear as maintenance and rent costs rise and government regulation steps in. Local photographer Dennis Isip intends to preserve this aspect of his city’s history through a series titled The Neon Archives.

Started in 2017, the ongoing photography series captures this retreating feature of the city’s culture with images that preserve Hong Kong’s vivid nightlife. “Neon lights define Hong Kong’s character and without it, the city’s identity is lost,” he tells Colossal. “The Neon Archives hope is to capture each neon sign in Hong Kong before they fade away.” (via Colossal Submissions)

 

 



Photography

Dystopian Images Explore a Foggy Irish Town Drenched in Aquamarine Light

May 7, 2018

Kate Sierzputowski

Adrian Wojtas‘ untitled photographic series captures a dystopian glimpse of Navan, Ireland in a deep fog. The nighttime images are devoid of human life, and are each cast in an aquamarine glow from the surrounding streetlights. The included works were shot over the course of two consecutive nights in the Irish town, however Wojtas’ goal is to expand the series to include a variety of locations which will meld to form a similar atmosphere.

“For each shot, I tried to stay away from including objects that would give away the location, as well as minimized the inclusion of identifiable subjects such as cars or people,” Wojtas tells Colossal. “I didn’t want the images to seem familiar to anyone looking at them.”

The multidisciplinary creative also works in design and film, and currently splits his time between Dublin and Meath, Ireland. You can see more of Wojtas’ images, including this series of transit-based photographs, on his Instagram. (via This Isn’t Happiness)

 

 



Art Photography

Long Exposure Photos Capture the Light Paths of Drones Above Mountainous Landscapes

March 5, 2018

Kate Sierzputowski

Photographer Reuben Wu creates images that reveal an alien splendor in natural and manmade landscapes across the globe. Previously he has explored the brilliant blue rivers of molten sulfur in Indonesian volcanoes, and photographed the thousands of glistening mirrors that compose Nevada’s SolarReserve. For his ongoing series Lux Noctis, the Chicago-based photographer utilizes modified drones as aerial light sources, illuminating obscure landscapes in a way that makes each appear new and unexplored.

Recently Wu has evolved his process of working with the drones to form light paths above topographical peaks in the mountainous terrain. “I see it as a kind of ‘zero trace’ version of land art where the environment remains untouched by the artist, and at the same time is presented in a sublime way which speaks to 19th century Romantic painting and science and fictional imagery,” said Wu to Colossal.

The light from his GPS-enabled drones create a halo effect around some of the presented cliffs and crests when photographed using a long exposure. An elegant circle of light traces the flight of the drone, leaving a mark only perceptible in the resulting photograph. You can see more of Wu’s landscape photography on his Instagram and Facebook. (via Faith is Torment)

Update: A book of Wu’s photo series will be published in Fall 2018 and is available for preorder.

 

 

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