ocean

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Photography

Tides and Tempests: Photographs from the English Coastline Document the Rhythms of a Tumultuous Sea

January 5, 2021

Grace Ebert

“Clearing Fog.” All images © Rachael Talibart, shared with permission

To introduce her new body of work, Rachael Talibart writes that “the rhythm of the tides, tethered to the waxing and waning of the moon, shapes our very sense of time.” The U.K.-based photographer captures the ebb and flow of the English coastline through photographs that frame both erupting waves and the days surrounding violent storms. An extension of her previous collection that framed what appears to be otherworldly creatures jumping from the water, Talibart’s recent work has culminated in a book titled Tides and Tempests.

While her subject matter is similar, she shares with Colossal that limiting herself to southern coastlines has been fruitful. “I think that what at first may seem like a restriction has actually made me more creative—it has forced me to dig deeper and look for images where I might perhaps not have found them if I was more of a generalist,” she says.

While Tides and Tempests at times displays the mythical qualities and creatures of the water, it also includes the quieter moments. Talibart writes that this broader focus has taught her patience and to find as much interest and delight in the slow sunsets and discarded shells as the frenzied storms. She expands on how the lengthy and varied story of the ocean has shifted her view of time:

The tidal cycle, the sound of waves, the shapes carved by wind and water on the shore, the call of sea birds, the curl of seafoam around a pebble, the shape of a shell, these all have a rhythm or pattern that I find both energizing and soothing. But they don’t always reveal themselves to you straight away—you have to be willing to invest time.

If you’re in the U.K., Talibart teaches photography workshops that focus on various aspects of her coastal subject matter. Otherwise, pick up a copy of Tides and Tempests, which features more than 120 images, from Kozu Books, and follow Talibart on Instagram.

 

“Apollo”

“Etain”

“Jade”

“Makara”

“Fringe II”

“The Lost World”

“Surf Study”

“Touch”

 

 



Photography

A New Book Documents the Magnificent Experience of Swimming with Humpback Whales

November 10, 2020

Grace Ebert

All images © Jem Cresswell, shared with permission

Between 2014 and 2018, Jem Cresswell spent countless hours submerged in the depths of the southern Pacific Ocean surrounding Tonga. There he captured a group of humpback whales as they gracefully maneuvered around him, allowing the Sydney-based photographer to unveil the details of their grooved underbellies and barnacle-clad skin. The original project has culminated in a new book that documents the creatures’ movements and idiosyncrasies in striking black-and-white images.

Giants spans 220 pages detailing the humpbacks and their calves. To complete the massive book, Cresswell pared down more than 11,000 shots, the majority of which haven’t been published previously. The photographer shares memories and historical details about the massive creatures throughout, including the incredible awareness that comes from swimming with sentient beings so much larger than himself. “You never forget your first humpback experience,” he writes. “The sublime sense of insignificance that it instills in you. It has to be one of the most humbling experiences on Earth.”

Only 1,500 copies of Giants, which are signed and numbered, are available for purchase on the book’s site, which also offers glimpses into Cresswell’s process creating the compendium. To stay up to date with the photographer’s latest underwater projects, follow him on Instagram.

 

 

 



Photography

A Shark Swimming in a Heart-Shaped School of Salmon Tops 2020 Drone Photography Contest

September 30, 2020

Grace Ebert

“Love Heart of Nature” by Jim Picôt. “In winter, a shark is inside a salmon school when, chasing the baitfish, the shape became a heart shape.” All images © the photographers, courtesy of 2020 Drone Awards, shared with permission

The 2020 Drone Photography Awards garnered an arresting collection of aerial shots, and among its winners is a serendipitous image of a heart-shaped school of salmon. Captured by Australian photographer Jim Picôt, the piece is particularly special because a shark swims near the center, chasing one of the fish. Other prized shots include heron roosts nestled in the treetops, and a group of swimmers floating between crashing waves.

Hosted by the Siena Awards Festival, the contest received entries from photographers in 126 countries, and an exhibition titled Above Us Only Sky will run October 24 to November 29 in Siena to showcase the top images. Check out some of our favorites below, and dive into all the winning shots on the contest’s site. (via PetaPixel)

 

“Gray Whale Plays Pushing Tourists” by Joseph Cheires. “At the end of the gray whale season, I was told about a gray whale that, for the last 3 years, used to play with the boats, pushing them gently. So we went back the year after and incredibly the gray whale appeared and this shot is the result.”

“Alien Structure on Earth” by Tomasz Kowalski. “Sometimes we need to change the perspective to feel the strength of the structure stronger than we’ve ever thought. The Petronas Towers, also known as the Petronas Twin Towers, are twin skyscrapers in Kuala Lumpur.”

“Where Herons Live”  by Dmitrii Viliunov. “Many think that herons make nests in reeds or in a swamp. In fact, they nest in the tops of huge trees and with a drone it is sometimes possible to see them.”

“On the Sea” by Roberto Corinaldesi. “An aerial view of swimmers, where the sea becomes the place to take refuge, between the blue carpet and the white foam of the waves.”

“Frozen Land” by Alessandra Meniconzi. “With temperatures of minus 30°C, winters in the Eurasian steppe can be brutal. But life doesn’t stop, and local people move from one village to another with a sledge, crossing icy rivers and lakes.”

“Phoenix Rising” by Paul Hoelen. “The phoenix rising is a symbol of re-emergence from the ashes of fire. This is symbolized through the beginnings of an actual regeneration process at the industrial mining site of Lake Owens. After a destructive past and the creation of the most toxic dustbowl in America, migratory birds are returning, and life is beginning anew…”

“Black Flag” by Tomer Appelbaum. “Thousands of Israelis maintain social distancing due to Covid-19 restrictions while protesting against Israeli Prime Minister Benjamin Netanyahu in Rabin Square on 19 April 2020.”

 

 



Animation

Selfish: An Animated Short Explores the Tragic Impacts of Plastic Pollution

September 8, 2020

Grace Ebert

In “Selfish,” what opens with a benign scene at a sushi restaurant quickly turns into a dire assessment of plastic pollution. Created by Canada-based animator PoChien Chen, the appropriately named film begins by a chef plucking a detergent bottle from a pile of fresh fish, assembling various dishes made entirely of waste material, and subsequently serving them to a horrified trio of aquatic life. It then dives into a disturbing series of facts and figures about the current state of our oceans and the effects of pollution on wildlife.

Chen said in a statement that the critical animation was inspired by a visit to a small island in Taiwan two years ago:

It was the closest I’d lived to the sea, being only a 10 minute drive away. Everyone can enjoy the beach with its white sand and turquoise ocean. At the time, I went snorkeling almost every week. Seeing such alluring tropical fish and coral reefs sill lingers in my mind. However, I also cannot forget the scenes of tons of human waste lying around the shore as if it were a part of nature.

See how Chen animated the project—which has garnered an impressive list of awards from film festivals around the world—on Behance, and check out more his films on Vimeo.

 

 

 



Art

The Coral Greenhouse: Jason deCaires Taylor's Latest Installation is an Underwater Sanctuary for Vulnerable Sea Creatures

August 5, 2020

Grace Ebert

All images © Jason deCaires Taylor, shared with permission

About 50 miles from Townsville, Australia, an unassuming structure created by Jason deCaires Taylor (previously) rests on the sandy floor the John Brewer Reef. Currently, “The Coral Greenhouse” is in pristine condition with little algae or tiny organisms stuck to its sides. Over time, though, the sculptural work is designed to amass vibrant clusters of the sea creatures as they colonize the submerged form.

Constructed with corrosion-resistant stainless steel and pH-neutral substances, the biomorphic frame is modeled after nature’s patterns. The materials help inspire coral growth and are designed to be absorbed into the oceanic environment as the colonies sprawl across it. Workbenches line its sides and are adorned with simple patterns that create small enclaves for ocean life to hide from predators or rest. To keep divers away from the fragile ecosystems, Taylor tends to install his marine projects in less vulnerable areas.

Weighing 165 tons, the sanctuary is the Museum of Underwater Art’s largest installation to date. The A-frame structure is comprised of triangular sections and a massive cement base, which provide stability from waves and adverse weather. Its slatted sides allow divers, filter-feeding organisms, and schools of fish to swim in and out, and floating spires that protrude from the beams’ apex oscillate with the currents.

Figurative sculptures, which were made from casts of kids around the world, populate the inside to serve as a reminder that the coral needs care. They’re shown cradling planters, peering into microscopes, and watching over the vulnerable environment. “Thus they are tending to their future, building a different relationship with our marine world, one which recognizes it as precious, fragile, and in need of protection. Our children are the guardians of the Great Barrier Reef,” Taylor writes about the piece.

Dives to tour the site-specific installation will begin in 2021. Until then, get an idea of how some of Taylor’s previous works have transformed after being submerged for more than a dozen years on his Instagram. (via Fast Company)

 

 

 



Art Craft

Playful Ocean Life Sprawls Throughout Mulyana's Immersive, Knit Installations

July 20, 2020

Grace Ebert

“Big Mogus” (2020), yarn and dacron, 96 1/2 × 18 7/8 × 22 1/8 inches. All images © Mulyana, shared with permission

Complete with spiraled tentacles, textured features, and toothy grins, the yarn-based creatures that Indonesian artist Mulyana knits and crochets take a playful, bizarre approach to ocean life. The artist frequently recreates what he refers to as the mogus, or octopus, as a mainstay in his underwater environments. Dotted with multiple sets of eyes, the creature has various iterations ranging in size, color, facial contortions, and number of tentacles. Each billowing mogus is presented suspended from the ceiling, giving it the appearance of floating through the ocean.

While many of Mulyana’s formations are brightly colored, the pieces in his Bety series (shown below) are crafted entirely in white to draw attention to coral bleaching caused by pollution. To maintain his own commitments to sustainability and community, Mulyana re-purposes the yarn that forms his textured corals and ocean life.

If you’re in New York, Mulyana’s sea creatures can be seen at Sapar Contemporary through August 21. Otherwise, keep up with the artist’s vibrant projects on Instagram, and check out where the mogus heads on its next adventure.

 

“Harmony 14” (2019), yarn, Dacron, cable wire, and plastic net, 41 3/4 × 60 5/8 × 17 3/4 inches

Left: “Mogus 39” (2020), yarn and dacron, 14 1/8 × 29 7/8 × 5 1/8 inches

“Bety 1” (2020), yarn, dacron, cable wire, and plastic net, 73 5/8 × 37 3/8 × 20 1/8 inches

Big Mogus” (2020), yarn and dacron, 96 1/2 × 18 7/8 × 22 1/8 inches