with office supplies
Heading into the office mid- or post-pandemic looks a lot different than a few months ago, but hopefully, no one’s workplace resembles the turbulent situation that unfolds at Bronson Inc. in “Keep Moving.” The absurd video opens with typical depictions of corporate life: A woman’s heels clack on the sidewalk, a man looks forward in a (cheesily) determined manner, and employees swipe their badges to enter the building. Soon, though, the mundane scene morphs into complete mayhem. Workers are swept up like a tidal wave before gushing through a television screen. They’re thrown down escalators and battered with a barrage of office equipment and electronics. For every seemingly simple phone swipe or walk down the hallway, havoc ensues.
Directed by the Swedish collective StyleWar in collaboration with production company Smuggler, the music video accompanies BRONSON ’s newly released track “Keep Moving.” The short is comprised of stock footage that’s manipulated and layered with CGI to create the frenzied office nightmare, according to a statement. For more of Smuggler’s comical projects, head to Vimeo.
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Seattle-based photographer Derrick Lin (previously) constructs miniature worlds that serve as a direct contrast to the stacks of books and other office staples like paperclips and pencils they’re surrounded by. Often showing life’s more relaxing and sublime moments, each scene is complete with tiny figures and their possessions as they pass along a sidewalk lined with cherry blossom trees, occupy a packed airport terminal, and sit on the floor of a messy living room. Because Lin assembles his little scenarios on his tabletop, some of his shots even feature a coffee mug in the background.
The photographer tells Colossal that in recent years, he’s started to consider the more subtle emotions of his daily reality “as a single working professional living in a major city.”
In addition to humor and whimsy, I started to pay more attention to topics around loneliness, mental health, and kindness. I strive to depict and spotlight on the kind of thoughts we typically reserve for ourselves. My photography loosely reflects what I personally experience and what I see around me. What continues to amaze me is the messages I receive from my followers about how my little project resonates with them and brings them joy and calmness.
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Cataloging the tools once used for the very same purpose, Augustine Kofie creates collages that utilize file folders, index cards, and steno notepads from the ’50s through ’80s that were found while scouring the contents of Los Angeles estate sales. Kofie chooses to compile vintage materials from before the dawn of the digital age, a time when data took up physical space rather than gigabytes on an external hard drive.
The desire for collecting these specific paper forms comes from his obsession with historical forms of organization, the physical pen-to-paper process of keeping information tidy. After building collages from the papers in various colors and weights, he utilizes ballpoint pen, silkscreen, and acrylic ink to draw shapes and lines over top. These resulting collages have an architectural appearance, built forms with interlocking lines that mimic the precision of a building’s blueprint.
The Los Angeles-based artist merges his background in graffiti with interests in illustration and architecture to create work that references all three, focusing on form and line most intently in his compositions. Kofie’s solo exhibition “INVENTORY” will be on display at Jonathan LeVine Gallery in New York from November 21st through December 19th 2015.
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