painting

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Art Photography

Explore Vermeer's ‘Girl With a Pearl Earring’ in Incredible Detail with an Interactive 10-Billion Pixel Panorama

January 21, 2021

Grace Ebert

Last year, researchers released records from nearly two years of analysis of Johannes Vermeer’s most-recognized artwork, “Girl With a Pearl Earring.” While their findings didn’t include the subject’s highly sought-after identity, they did reveal that the gray backdrop is actually a dark green curtain and that the figure has eyelashes only visible with magnification. Thanks to Emilien Leonhardt and Vincent Sabatier, of Hirox Europe, we all can study the intricacies of Vermeer’s elusive work and peer directly into the paint cracks with an interactive 10-billion pixel panorama.

The duo began the undertaking to determine the surface condition of the iconic piece after multiple restorations, measure the space between the fractured pigments, and elucidate the artist’s technique. Using a custom microscope, Leonhardt and Sabatier took 9,100 photographs of the painting that were then woven together into the massive panorama. It reveals particulars down to 4.4-microns per pixel.

Head to Hirox Europe’s site to explore the incredible intricacies of “Girl With a Pearl Earring” in both 2- and 3-D, and watch the video above for details into the technical aspects of capturing minuscule details. (via Peta Pixel)

 

 

 



Art

Surreal Scenes and Pixelation Overlay Vintage Artworks in Hybrid Oil Paintings by André Schulze

January 20, 2021

Grace Ebert

All images courtesy of Paradigm Gallery

André Schulze scours dusty thrift store bins and private advertisements for vintage paintings and photographs created in the first half of the 20th Century. The German artist restores the found artworks and then dramatically alters them by working directly on the canvas, layering each rendering with boldly new scenes: a stodgy bookworm finds himself in a sea of fish, an elderly woman peers out her window only to see a neighboring home ablaze, and a vintage portrait is transformed into a feathered hybrid creature. The surreal additions are steeped in the artist’s distinct wit and humor that expand the decades-old narratives or that shape a rich and complex account within his original non-vintage pieces.

Schulze’s whimsical paintings are included in Salvage, a group exhibition curated by Colossal’s Founder and Editor-in-Chief Christopher Jobson at Paradigm Gallery + Studio in Philadelphia. Examining how artists are revitalizing fragments of tradition and culture that were destined to be lost, relegated to the periphery, or buried forever, Salvage opens on January 22 with a live talk with Jobson, Schulze, Debra Broz (previously), and Yurim Gough—tickets are available on Eventbrite—and runs through February 20. Take a virtual tour on Paradigm’s site.

Explore more of Schulze’s revisionary pieces on Instagram and Singulart.

 

 

 



Art History

This Warty Pig Painting Is Thought To Be the Oldest Cave Art in the World

January 14, 2021

Grace Ebert

Deep within Leang Tedongnge, a cave tucked away on the Indonesian island of Sulawesi, archaeologists discovered this mulberry-hued painting of a warty pig and two hand silhouettes potentially belonging to the artist, which is now believed to be the oldest figurative work in the world. A study published in Science Advances this week says the impeccably preserved rendering is at least 45,500 years old, which predates previously discovered depictions of mythical creatures in the region. Those prior findings date back about 43,900 years.

Questions remain about the exact age of the work and who made it. Archaeologists from Griffith University, who helmed the mission, utilized uranium-series dating to determine how old the speleothem, or mineral deposits, of the cave is rather than the actual painting. There’s also debate about whether modern humans are responsible for the renderings, a question that’s complicated by the fact that the only skeletal remains that date back at least 45,500 years in Sulawesi belong to early hominins.

Dr. Adam Brumm, who co-authored the study, told The New York Times that researchers expect to discover similar artworks in the region, although the cave paintings are deteriorating at a rapid rate and could fade before they’re ever uncovered. “It is very worrying, and given the current situation the end result is likely to be the eventual destruction of this ice age Indonesian art, perhaps even within our lifetime,” Brumm said.

 

 

 

 



Art

Bold, Striking Portraits by Otis Kwame Kye Quaicoe Render Expressive Subjects in Shades of Gray

January 13, 2021

Grace Ebert

“Red Bandana on Green Suit” (2020), oil on canvas, 48 x 36 inches. All images © Otis Kwame Kye Quaicoe courtesy of Roberts Projects, Los Angeles, shared with permission

Set against bold, impasto backdrops, Otis Kwame Kye Quaicoe’s portraits emphasize the subjects’ spirits, their emotional states and idiosyncracies conveyed through facial expression, gesture, and garments—striped suits, wide-brimmed hats, and bright red bandanas tied around their necks. He renders figures in shades of gray, painting distinctive artworks that embrace the multitudes of Black life through striking and powerful depictions. The goal, the Ghanaian artist (previously) said in an interview with Juxtapoz, is “to capture what they want to say but cannot say in just one image. So that when you see the figure or the painting, you wonder who the person is.”

Quaicoe’s next solo show will run from April to May 2021 at Roberts Projects in Los Angeles. Until then, see more of his vibrant portraits on Artsy and Instagram.

 

“Wilde Wilde West” (2020), oil on canvas, 30 x 24 inches

“Lady in Sunglasses” (2020), oil on canvas, 24 x 18 inches

“Glare” (2020), oil on canvas, 36 x 36 inches

Left: “DOPE” (2020), oil on canvas, 48 x 36 inches. Right: “Green Wall” (2020), oil on canvas, 40 x 30 inches

“Observing” (2020), oil on canvas, 48 x 36 inches

“Wiyaala” (2020), oil on canvas, 30 x 24 inches

“Bandana Cowboy” (2020), oil on canvas, 48 x 36 inches

 

 



Art

Bold Brushstrokes Energize Abstract, Pixelated Landscapes by Artist Jason Anderson

January 4, 2021

Grace Ebert

“Uprising” (2020). All images © Jason Anderson, shared with permission

Jason Anderson visualizes city skylines, swooping highway exchanges, and a range of urban landscapes through prismatic, impasto strokes of oil paint. The U.K.-based artist begins each painting with a black-and-white sketch before turning to the linen canvas and translating the lively works. In recent months, he’s incorporated more curved lines and saturated tones alongside the pastels he’s used previously, resulting in abstract scenes of horizons and city centers rendered through a mosaic of color.

“I relish the often frantic nature of mixing and arranging the paint in thick impressionistic daubs and submitting to a process that creates its own detail and form,” the artist says in a statement. “This forces me to be bold and decisive; it also produces a kaleidoscope of shape and tone (reminiscent of stained-glass) which portrays the ever-present movement and energy found in nature.”

Although all of Anderson’s works are currently sold out, you can follow updates on his commissions and new pieces on his site and view his finished paintings and sketches on Instagram.

 

“Terminus” (2019)

“Sheer” (2020)

“Mistral” (2020)

“Centrifuge” (2020)

“Plaid” (2020)

“Pulse” (2020)

“Branch” (2020)

“Hearth” (2020)

 

 



Art Illustration

Minuscule Scenes Appear Against the Backdrop of Used Tea Bags in Watercolor Paintings by Ruby Silvious

December 22, 2020

Grace Ebert

All images © Ruby Silvious, shared with permission

From her studio in Coxsackie, New York, Ruby Silvious (previously) repurposes the thin paper pouches holding her beverage of choice into miniature canvases. Sometimes strung together or ripped to remove the leaves, Silvious’s tea bags depict the quiet, unassuming moments of everyday life: Passersby trudge through the snow, masks hang to dry, and two women meet for a swim on the naturally dyed backdrops. The artist generally keeps the string and tag attached, matching the mundane subject matter with the material’s ritualistic origins.

Following her 2019 release Reclaimed Canvas, Silvious is working on another book and preparing for upcoming solo shows in France, Germany, and Japan. Shop prints on her site, and follow her soothing works on Instagram and Tumblr.