painting

Posts tagged
with painting



Art

The Life and Works of Jean-Michel Basquiat: A Supersized New Book From TASCHEN

December 10, 2018

Andrew LaSane

Jean-Michel Basquiat, Hans Werner Holzwarth, Eleanor Nairne Hardcover, 29 x 39.5 cm, 500 pages US$ 200 | £ 150 | € 150, All images courtesy of TASCHEN

A new addition to TASCHEN’s art catalog is a massive 500-page edition that showcases the life and works of Jean-Michel Basquiat. Authored by Eleanor Nairne and edited by Hans Werner Holzwarth, the monograph is an oversized hardcover filled with large-scale reproductions of the artist’s drawings, paintings, and notebook pages. Several essays guide the reader year-by-year through Basquiat’s artistic career, from 1978 to his untimely death in 1988.

One of the most popular Black visual artist of all time, and indisputably one of the most successful artists of his era, Basquiat has been a larger-than-life art icon for over three decades. The new TASCHEN book matches that legacy not only with its physical size (which allows owners to get a closer look at some of his most seminal pieces), but with deep analysis and context of his work and the short 27 years to create it. To add a copy to your personal library, visit TASCHEN’s website.

Self-Portrait, 1982 Acrylic and oilstick on linen, 193 x 239 cm / 76 x 94 inches Photo: Rob McKeever, courtesy Gagosian Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Untitled (Skull), 1981 Acrylic and oilstick on canvas, 207 x 175.5 cm / 81 1/4 x 69 inches Photo: The Eli and Edythe L. Broad Collection Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Untitled (Two on Gold), 1982 Acrylic and oilstick on canvas, 203 x 317.5 cm / 80 x 125 inches Photo: Courtesy Galerie Enrico Navarra, Paris Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Black, 1986 Acrylic, oilstick, photocopy collage, and wood collage on panel, 127 x 92 x 21.5 cm / 50 x 36 1/4 x 8 1/2 inches Photo: Courtesy Galerie Enrico Navarra, Paris Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Anthony Clarke, 1985 Acrylic, oil, oilstick, and photocopy collage on wood, 244 x 139 cm / 96 x 54 3/4 inches Photo: Courtesy Lio Malca Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Untitled, 1982 Acrylic and oilstick on linen, 193 x 239 cm / 76 x 94 inches Photo: Courtesy Gagosian Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

 

 



Art Illustration

Delicate Watercolor Landscapes Embodied by South African Wildlife

November 27, 2018

Kate Sierzputowski

South Africa-based artist Sujay Sanan‘s series A Place I Know documents landscapes across the Western Cape, embedding the spaces inside animals that inhabit each. Sanan grew up in the Himalayas, and his new works are a way to explore his new surroundings, while also bringing attention to the increasing climate change and its effects on wildlife.

“My works document landscapes seen through the species that inhabit them,” he explains. “Some of the places I have painted are familiar and close to where I live, while in others I have found myself as a momentary visitor. While these works document what I fear might be lost, they are also filled with optimism.” You can see more of Sanan’s watercolor paintings on his website and Instagram. (via Colossal Submissions)

 

 



Art

Abstract Goldfish Swim Through Imitation Plastic Bags in Multi-Media Constructions by Riusuke Fukahori

November 20, 2018

Kate Sierzputowski

All image courtesy of the artist and Joshua Liner Gallery

Riusuke Fukahori (previously) has long admired the appearance of goldfish, immortalizing realistic depictions of the small creature in layers of acrylic and resin. Previously Fukahori has focused on paintings of goldfish moving inside of Japanese household objects such as bamboo hats, wooden sake cups, and handmade bowls. For his new Irobukuro series his inspiration has turned to imitating the vessels and scenery of Mong Kok’s Goldfish Market in Hong Kong, where rows of colorful fish line stall after stall. For the included works he molds resin to resemble plastic bags filled with water. Instead of realistically depicting the detailed scales, eyes, and fins of the fish Fukahori paints abstractly to capture how a goldfish glides through the water.

These works, along with some of his more traditionally painted pieces in memory-laden objects are included in his third solo exhibition with Joshua Liner Gallery  in New York City, titled Goldfish Blossoms. Fukahori will present realistic paintings in black bowls used at a Buddhist temple, paint cans from his studio, and a wooden oke tub previously used at a restaurant he frequented as a child. The exhibition opens on December 13, 2018 and runs through January 19, 2019.

 

 



Art Illustration

Miniature Watercolor Landscapes and Fashion Sketches Delicately Painted on Used Tea Bags

November 19, 2018

Kate Sierzputowski

After a good steep, Ruby Silvious (previously) reuses her tea bags as miniature canvases to paint sliced watermelon, serene landscapes, and models adorned in dress-shaped candy wrappers. The works typically keep the tags attached, reminding the viewer of their beverage-based origin. Her newest works were created during an art residency in Arenys de Munt, a town 45 minutes outside of Barcelona, Spain. In March 2019, her miniature paintings will be featured in a solo exhibition at Creative Space Hayashi located in Chigasaki, Japan. You can see more of Silvious’s work on her website and Instagram.

 

 



Art Food

Pixelated Glitches Interrupt Painted Portraits of Victorian Families, Still Lifes, and Birds

November 13, 2018

Anna Marks

The Milan-based painter Aldo Sergio uses paint to warp perception, creating portraits and still life paintings which blur the boundary between the digital and the physical, and the traditional and the contemporary. In one of his paintings, three men in clerical clothing look inquisitively at a pixelated bunch of bananas, and in another parts of a Victorian family, from their faces to conventional garments, are pixelated in rectangular lines. In a third piece a couple poses before a selection of indoor houseplants while a hen with a blurred leg stands next to their feet.

Sergio uses traditional painting methods to capture portraits of Victorian families, bowls of fruit, and birds, and then distorts these objects by covering them in small ‘glitches.’ Sergio builds tensions between objects, people and space, and his carefully painted glitch-like malfunctions to give his artworks an unusual movement, making a stark contrast to the stillness and seriousness of traditional paintings.

His solo exhibition at Galleria Patricia Armocida in Milan runs until the 30th of November, 2018. You can see more of his pixelated paintings on his website and Instagram.

 

 



Art

Popular Cartoons and Mascots Unwind to Reveal Realistic Depictions of Their Human and Animal Inspirations

November 7, 2018

Kate Sierzputowski

Dutch artist Stefan Thelen, a.k.a. Super A (previously here and here) removes the fantasy from classic pop culture characters like Batman and Mickey Mouse to reveal more realistic interpretations of their cartoon constructs. An owl peers out between the gaps of its cartoon self in a painting of a scene from Sleeping Beauty, while a white cat with piercing orange eyes pokes its paw out of a spiraled depiction of Hello Kitty.

The new works, which are part of Thelen’s ongoing series titled Trapped, are currently on view at the Brand Library & Arts Center for his solo exhibition Domestication curated by Thinkspace Projects. You can see more of his mash-ups of pop culture figures and their human and animal inspirations on his website and Instagram. (via Arrested Motion)

 

 



Art

Uncanny Trompe L’oeil Replicas of Classic Masterpieces Painted in Humble Outdoor Locations

November 6, 2018

Sasha Bogojev

Malaga-based artist Julio Anaya Cabanding paints well-known masterpieces in unsuspecting public places to create captivating trompe l’oeil interventions. The classic scenes and their ornate frames are hand-painted on unlikely backdrops such as graffiti-filled walls, crumbling buildings, and slabs of stones by the sea. These decrepit locations are chosen on purpose, as Anaya Cabanding seeks a distinct contrast to the pristine halls of traditional art museums. “These places are inhospitable, decadent, and inappropriate to receive such a valuable object,” he explains to Colossal. “Opposite of what a museum is.”

Anaya Cabanding symbolically “steals” the works of art, presenting them in locations that are abandoned, peripheral, or difficult to access. To create each work he first outlines his replica in spray paint, and then meticulously fills in the details in acrylic paint. The practice evolved from his art education at the University of Fine Arts in Malaga where he developed an interest in site-specific works and traditional trompe l’oeil. It was at the encouragement of his graffiti-writing friend Imon Boy that he first moved his work from the studio to the street. “I really liked the result and the relationship between the trompe l’oeil painting and the environment, so I decided to continue doing that,” he recounts of his initial experience.

His interventions are so meticulously rendered that people often think they are Photoshopped, or mistake them for the original paintings. “A year ago I painted two paintings by Lucian Freud… in an exhibition with colleagues from the university,” he says. “When talking to one of their mothers one week later, a colleague realized she still thought she had seen two real paintings.” Recently Anaya Cabanding participated in the Jornadas Z de Montalbán contemporary art project organized by Rafael Jiménez and Demetrio Salces, in Córdoba, Spain. You can follow the Spanish artist’s uncanny interventions on Instagram.

 

 

 

A Colossal

Highlight

Advanced Yoga Joes