posters and prints

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with posters and prints



Art Illustration

Minimal Lines and Colorful Geometric Shapes Compose Luciano Cian's Portraits

June 21, 2021

Grace Ebert

All images © Luciano Cian, shared with permission

Rio de Janeiro-based artist Luciano Cian (previously) has an affinity for the bold blocks of color that compose his minimal portraits. Although he recently expanded his practice to include acrylic paintings and collage, Cian works primarily digitally, rendering anonymous figures with thin lines and vibrant, geometric shapes like in his MAGNA series. “It has this name because it is big, both in dimensions and in purpose,” he tells Colossal. “I always work with images that allude to ethnicity. This series, like the others, talks about the miscegenation of races and peoples, with diversity as the central focus.”

Cian teamed up with the nonprofit Prints Against Poverty to sell a collection of 15 works, and you can purchase more of his available pieces on Saatchi Art and Artsper. Find an extensive archive of his portraits on Behance and Instagram.

 

 

 



Illustration

19 Illustrators Celebrate What They Love About Asian Culture in a Print Sale Raising Funds to Combat Racism

June 9, 2021

Grace Ebert

By Jessie Wong. All images courtesy of Paperboy, shared with permission

Nineteen international illustrators have banded together to raise money to stop violence against Asian communities. Curated by the new platform Paperboy, a print sale called MUST BE NICE! asked the artists to share what they love about Asian culture, which resulted in an electric array of works celebrating everything from food and animals to traditional craft. Each sale directly supports the illustrators, and the remaining profits will be donated to organizations combatting discrimination and hate, including Besea.n, End The Virus of Racism, and Hackney Chinese Community Services. See some of the prints below, and shop the full collection on the Paperboy app, which you can download on its site.

 

Left: By Kimberly Morris. Right: By Christina Tan

By Matt Nguyen

Left: By Aga Giecko. Right: By Arose Garden

By Celine Ka Wing La

 

Left: By Amy Phung. Right: By Darcie Olley

By Subin Yang

 

 



Art

Enchanting Scenes Combine Multiple Precisely Carved Woodblocks into Full-Color Prints by Tugboat Printshop

June 1, 2021

Grace Ebert

“Blue Bridge” (2020), woodcut on ivory somerset paper, 18 x 22.5 inches. All images © Tugboat Printshop, shared with permission

Valerie Lueth, who’s behind the Pittsburgh-based Tugboat Printshop (previously), continues to cultivate dreamy scenarios painstakingly printed with intricately carved woodblocks. Her recent creations include a distant truss bridge peeking through vegetation, a whimsically intertwined pair of trees—now in full color, this piece began as a black-line woodcut commissioned for an edition of Jean-Claude Grumberg’s The Most Precious of Cargoes—and a web of vines dripping with rain and jewels evoking a dreamcatcher.

After sketching with pencil on plywood blocks, Lueth hand-carves the meticulous designs with knives and gouging tools and often cuts multiple panels with slight variances for each print. In addition to building depth of color, Lueth’s sequential process yields greater highlights, shadows, and overall detail to the completed work. The lush, leafy scene comprising “Blue Bridge,” for example, is the product of four blocks coated in black, blue, green, and purple oil-based inks, which are pressed in succession to create the richly layered landscape.

Prints are available on Esty or from Tugboat’s site, and you can see more of Lueth’s process and a larger collection of her works, including a glimpse at a new floral relief in black-and-white, on Instagram.

 

Detail of “Web” (2019), woodcut on natural Kitakata paper, 20 x 16 inches

“Web” (2019), woodcut on natural Kitakata paper, 20 x 16 inches

“Blue Bridge” (2020), woodcut on ivory somerset paper, 18 x 22.5 inches

Detail of “Web” woodcuts

“Together Trees” (2020), woodcut on natural Kitakata paper, 12.5 x 9 inches

Detail of “Together Trees” (2020), woodcut on natural Kitakata paper, 12.5 x 9 inches

Detail of “Web” (2019), woodcut on natural Kitakata paper, 20 x 16 inches

Detail of “Blue Bridge” woodcut, 18 x 22.5 inches

 

 



Design

A Chart Chronicles the Colors of Mister Rogers' Cardigans from 1969 to 2001

April 6, 2021

Grace Ebert

Image © Owen Phillips

It’s a beautiful day for a chronological look at the colorful range of cardigans beloved television host Fred Rogers slipped on during each episode of Mister Rogers’ Neighborhood. Starting with blue near the beginning of the show’s run—the soft-spoken icon seems to have favored more pastels during these early days—the chart spans all the way to the red he wore for his last airing on August 31, 2001. Rogers’ legacy is synonymous with the cozy garment, many of which were hand-knitted by his mother. One is part of the collection at the Smithsonian’s National Museum of American History.

Pick up a print of the graph, which was created by Owen Phillips who runs the data-centric F5 Newsletter in honor of Rogers’ birthday on March 20, from the F5 shop. (via Laughing Squid)

 

 



Photography

More Than 90 Archival Photographs Celebrate the Unpredictable in Magnum's Next Print Sale

March 15, 2021

Grace Ebert

Khalik Allah/Magnum Photos. From the 125th & Lexington series. Harlem, New York City, USA. 2018.

Next week, Magnum Photos (previously) is pulling more than 90 photographs from its archive for a print sale that pays tribute to chance moments and serendipity. The Unexpected launches March 22 with a range of compositions documenting more than seven decades worth of “under-explored issues, reporting of events unfurling in far-flung locations, or single frames capturing split seconds of levity.” All prints are 6 x 6-inches, signed or estate-stamped, museum-quality, and available for $100. See some of Colossal’s favorites below—including Ian Berry’s shot of children at play in Oman, Ernst Haas’s image of an energetic horse leaping on set of The Misfits, and René Burri’s wilting lotus flowers—and shop the full collection during the one-week sale.

 

Ian Berry/Magnum Photos. Ras al-Hadd near Sur, Oman. 2004.

René Burri/Magnum Photos. Wilting lotus flowers on Kunming Lake. The Summer Palace, Beijing, China. 1964.

Left: Steve McCurry/Magnum Photos. Flower Seller. Dal Lake, Srinagar, Kashmir. 1996. Right: Ernst Haas/Magnum Photos. “Leaping horse”, on the set of The Misfits. Nevada, USA. 1960.

Philippe Halsman/Magnum Photos. Tippi Hedren. Hollywood, Los Angeles, USA. 1962.

Constantin Manos/Magnum Photos. Daytona Beach, Florida, USA. 1997.

 

Lindokuhle Sobekwa/Magnum Photos. “Bhayi alembathwa lembathwa ngabalaziyo.” 2020.

Ruth Bains Hartmann/Magnum Photos. Shadows on sea and sand. Santa Monica, California, USA. 1979.

Harry Gruyaert/Magnum Photos. Gao, Mali. 1988.

 

 



Illustration

Life on the Line: 10 Artists Spread Mental Health Awareness Across Toronto's Subway

November 17, 2020

Grace Ebert

“Birdcage” by Marcia Diaz. All images © Twentytwenty Arts, shared with permission

Through an eclectic array of illustrations and photographs, ten Canada-based artists are collaborating in an effort to boost awareness of mental health struggles. Life on the Line is a new public art campaign spearheaded by Twentytwenty Arts that recently installed 200 posters across the Toronto TTC Subway. From portraits to abstract renderings, the vivid works will be on display through January 16, 2021.

Each piece is informed by the artists’ own experiences with mental health issues, including depression, agoraphobia, and anxiety, among others, that the storytelling platform Unsinkable will share throughout the coming weeks. “We hope that this campaign will bring people joy and comfort in an otherwise stressful and anxious time (especially if they have to be on public transit!),” Megan Kee, the director and founder of Twentytwenty Arts, tells Colossal.

If you’re not hopping on the subway in Toronto any time soon, 50 limited-edition prints—which are signed and numbered—of each of the works are available in Twentytwenty Arts’ shop. Seventy-five percent of all sales will be donated to the Canadian Mental Health Association’s Family Outreach and Response Program. You also can follow Twentytwenty Arts’ outreach efforts on Instagram.

 

“The Fatherless Son” by Alexander Robinson

Left: “Load” by Dina Belaia. RIght: “I Remember It All” by Eric Pause

“I’M ON TOP OF IT!” by Faye Harnest

“Empty” by Julieta Christy

Left: “Untitled” by Ramune Luminaire. Right: “Agoraphobia” by Seri Stinson