posters and prints

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Design

A Chart Chronicles the Colors of Mister Rogers' Cardigans from 1969 to 2001

April 6, 2021

Grace Ebert

Image © Owen Phillips

It’s a beautiful day for a chronological look at the colorful range of cardigans beloved television host Fred Rogers slipped on during each episode of Mister Rogers’ Neighborhood. Starting with blue near the beginning of the show’s run—the soft-spoken icon seems to have favored more pastels during these early days—the chart spans all the way to the red he wore for his last airing on August 31, 2001. Rogers’ legacy is synonymous with the cozy garment, many of which were hand-knitted by his mother. One is part of the collection at the Smithsonian’s National Museum of American History.

Pick up a print of the graph, which was created by Owen Phillips who runs the data-centric F5 Newsletter in honor of Rogers’ birthday on March 20, from the F5 shop. (via Laughing Squid)

 

 



Photography

More Than 90 Archival Photographs Celebrate the Unpredictable in Magnum's Next Print Sale

March 15, 2021

Grace Ebert

Khalik Allah/Magnum Photos. From the 125th & Lexington series. Harlem, New York City, USA. 2018.

Next week, Magnum Photos (previously) is pulling more than 90 photographs from its archive for a print sale that pays tribute to chance moments and serendipity. The Unexpected launches March 22 with a range of compositions documenting more than seven decades worth of “under-explored issues, reporting of events unfurling in far-flung locations, or single frames capturing split seconds of levity.” All prints are 6 x 6-inches, signed or estate-stamped, museum-quality, and available for $100. See some of Colossal’s favorites below—including Ian Berry’s shot of children at play in Oman, Ernst Haas’s image of an energetic horse leaping on set of The Misfits, and René Burri’s wilting lotus flowers—and shop the full collection during the one-week sale.

 

Ian Berry/Magnum Photos. Ras al-Hadd near Sur, Oman. 2004.

René Burri/Magnum Photos. Wilting lotus flowers on Kunming Lake. The Summer Palace, Beijing, China. 1964.

Left: Steve McCurry/Magnum Photos. Flower Seller. Dal Lake, Srinagar, Kashmir. 1996. Right: Ernst Haas/Magnum Photos. “Leaping horse”, on the set of The Misfits. Nevada, USA. 1960.

Philippe Halsman/Magnum Photos. Tippi Hedren. Hollywood, Los Angeles, USA. 1962.

Constantin Manos/Magnum Photos. Daytona Beach, Florida, USA. 1997.

 

Lindokuhle Sobekwa/Magnum Photos. “Bhayi alembathwa lembathwa ngabalaziyo.” 2020.

Ruth Bains Hartmann/Magnum Photos. Shadows on sea and sand. Santa Monica, California, USA. 1979.

Harry Gruyaert/Magnum Photos. Gao, Mali. 1988.

 

 



Illustration

Life on the Line: 10 Artists Spread Mental Health Awareness Across Toronto's Subway

November 17, 2020

Grace Ebert

“Birdcage” by Marcia Diaz. All images © Twentytwenty Arts, shared with permission

Through an eclectic array of illustrations and photographs, ten Canada-based artists are collaborating in an effort to boost awareness of mental health struggles. Life on the Line is a new public art campaign spearheaded by Twentytwenty Arts that recently installed 200 posters across the Toronto TTC Subway. From portraits to abstract renderings, the vivid works will be on display through January 16, 2021.

Each piece is informed by the artists’ own experiences with mental health issues, including depression, agoraphobia, and anxiety, among others, that the storytelling platform Unsinkable will share throughout the coming weeks. “We hope that this campaign will bring people joy and comfort in an otherwise stressful and anxious time (especially if they have to be on public transit!),” Megan Kee, the director and founder of Twentytwenty Arts, tells Colossal.

If you’re not hopping on the subway in Toronto any time soon, 50 limited-edition prints—which are signed and numbered—of each of the works are available in Twentytwenty Arts’ shop. Seventy-five percent of all sales will be donated to the Canadian Mental Health Association’s Family Outreach and Response Program. You also can follow Twentytwenty Arts’ outreach efforts on Instagram.

 

“The Fatherless Son” by Alexander Robinson

Left: “Load” by Dina Belaia. RIght: “I Remember It All” by Eric Pause

“I’M ON TOP OF IT!” by Faye Harnest

“Empty” by Julieta Christy

Left: “Untitled” by Ramune Luminaire. Right: “Agoraphobia” by Seri Stinson

 

 



Design History Illustration Music

Inside Information: Cross-Sections of Retro Technology Reveal Historical Moments of Iconic Objects

October 2, 2020

Christopher Jobson

The distinctive Arriflex 35 IIC is one of the most significant motion picture cameras of all time, and a favourite of the Hollywood new wave of cinematographers of the 60’s ad 70’s. The hand held camera was famously beloved by Stanley Kubrick whose 1971 cult classic, A Clockwork Orange, was shot almost entirely on the Arri 35 IIC.

As part of an ongoing series titled Inside Information, UK-based design studio Dorothy explores some of the most iconic designs in the areas of film, music, personal computing, and fashion through clever “cutaway” infographics. Each illustration reveals a miniature isometric world packed with historical moments from famous concerts that used the Vox AC30 amplifier to films that utilized the Arriflex 35 IIC handheld camera, which transformed movies forever. All five of the Inside Information graphics are available as three-color litho prints on its website. (via Colossal Submissions)

 

Released in 1959 to meet the demand for louder amplifiers, the Vox AC30 was quickly adopted as the amp of choice for bands like The Beatles, The Kinks and The Stones, helping to define the sound of the ‘British Invasion’ when the popularity of British rock ’n’ roll bands spread to the States. Its appeal has continued through the decades with bands like Queen, U2, The Smiths, Oasis, Blur, Radiohead, Arctic Monkeys all counted as loyal Vox fans.

The Nike Air Max is a bona fide design classic. Designed by Tinker Hatfield and released in 1987 it has, in its 30 plus years of existence, established a cult following. Inspired by the architecture of the Centre Pompidou, it was the first trainer to offer a window to the sole, kickstarting a revolution in sneaker design.

The Minimoog was the world’s first portable (and affordable) synthesiser. Billed as ’The Moog for the road’, it revolutionized music, acquired a cult-like following (which it still enjoys to this day) and quickly became the most popular synth of its time.

The Apple Macintosh (later know as the Macintosh 128k) was launched with an Orwell inspired commercial directed by Ridley Scott, and introduced to the world by Steve Jobs on 24th January 1984. It blew our tiny little minds and for many heralded the beginning of a lifelong love affair with all things Apple.

 

 



Design History Science

An Interactive Display Color-Codes Hundreds of Historical Mineral Illustrations

August 14, 2020

Grace Ebert

All images © Nicholas Rougeux

Throughout the early 19th century, naturalist, illustrator, and mineralogist James Sowerby published 718 color renderings of minerals, which he accompanied with their characteristics, classifications, and other names. A Chicago-based designer recently reproduced those centuries-old illustrations in an expansive interactive arrangement. Nicholas Rougeux (previously) color-coded Sowerby’s depictions—a tedious process that required the designer to restore each mineral to its original hue and took four months to complete—from two compendia, British Mineralogy and Exotic Mineralogy, which were published between 1802 and 1817. The result is a magnifiable exhibit that captures the incredible diversity and detail of Sowerby’s geological studies.

Check out the eye-catching display on Rougeux’s site, and for those who want a physical copy categorizing the diverse materials, the designer is selling posters, too. Keep up with his contemporary approaches to historical scholarship on Twitter, Behance, and Instagram. (via Kottke)

 

 

 



Design

Hundreds of Symbols From Prehistory to Modern Day Comprise a Gold 'S' Screenprint by Seb Lester

August 4, 2020

Grace Ebert

“S” (2020), metallic rose gold screenprint on black Plike art paper, 330 gsm, 24.4 x 24.4 inches. All images © Seb Lester, shared with permission

Centered on the letter “S,” an anachronistic print from Seb Lester (previously) blends hundreds of symbols into one embellished form. Rendered in metallic on black paper, the typographic piece captures an incredibly long timeline, from prehistory to the Dark Ages to the Renaissance to present day. Look closely and you’ll spot snippets of cave paintings, Egyptian hieroglyphics, emojis, and modern logos.

Based in Lewes, England, the artist and calligrapher channeled the heavily detailed marginalia and flourishes of illuminated manuscripts. “I have spent two decades studying the most beautiful examples of intricate letterform and ornamental design I can find. This letter ‘S’ is arguably the most intricate letterform that has ever been drawn,” he shares with Colossal.

Lester released a limited run of 150 gold screenprints, which currently are available in his shop. Check out the video below to see all of the piece’s gleaming intricacies, and follow the artist on Instagram to keep up with his latest releases.

 

 

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A post shared by Seb Lester (@seblester) on

 

 

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