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Art

Melting Memories: A Data-Driven Installation that Shows the Brain’s Inner Workings

April 17, 2018

Laura Staugaitis

Media artist Refik Anadol’s work Melting Memories combines data paintings, light projections, and augmented data sculptures to visibly demonstrate how the brain recalls memories. The installation was created with a custom 16 x 20 foot LED media wall and CNC milled rigid foam, and was shown earlier in 2018 at Pilevneli Gallery in Istanbul. In the work, seething swirls move across the work’s surface, resembling cresting ocean waves, blossoming flowers, and shifting sand.

To generate the data, Anadol conducted experiments at the Neuroscape Laboratory at the University of California, San Francisco. An artist statement describes the technical process: “Anadol gathers data on the neural mechanisms of cognitive control from an EEG (electroencephalogram) that measures changes in brain wave activity and provides evidence of how the brain functions over time. These data sets constitute the building blocks for the unique algorithms that the artist needs for the multi-dimensional visual structures on display.”

Anadol is a media artist and director who specializes in site-specific public art that explores the intersection of physical and digital reality. Born in Istanbul, the artist is now based in Los Angeles, where he is a visiting researcher and lecturer at UCLA’s Department of Design Media Arts. You can see more of his work on his website, as well as on Instagram, Vimeo, and Behance.

 

 



Art

A Preview of the Second Annual Nuart Aberdeen Street Art Festival

March 30, 2018

Kate Sierzputowski

Mural by Fintan Magee, all images taken by Ian Cox

Mural by Fintan Magee (2017), all images taken by Ian Cox, courtesy of Nuart Aberdeen

Fintan Magee (2017)

The second annual Nuart Aberdeen kicks off next month, celebrating the work of international street artists with workshops, guided tours, and film screenings throughout the course of the four-day festival. The public art platform aims to activate its local art scene while also encouraging visiting artists to collaborate with its twin city of Stavanger, which has hosted the original Nuart Festival for the last 17 years.

In 2017 the Scotland-based festival presented site-specific murals and interventions by Fintan Magee, Martin Whatson, Add Fuel, Jaune, and more. This year’s installations and temporary exhibitions will center around the theme “A Revolution of the Ordinary,” and include work by international artists Bordalo II, Bortusk Leer, Carrie Reichardt, Dr. D, Elki, Ernest Zacharevic, Glöbel Bros., Hyuro, Milu Correch, Nimi & RH74, Phlegm, and Snik.

The opening of Inky Protest, a collaborative exhibition between Nuart and Peacock Visual Arts, kicks off the festival on Thursday, April 12. The exhibition will feature work by artists such as Brad Downey, Mike Giant and Ralph Steadman, Futura, Martha Cooper and Jamie Reid. You can view a preview of the upcoming festival in the video below. (StreetArtNews)

Martin Whatson

Martin Whatson (2017)

Isaac Cordal

Isaac Cordal (2017)

Add Fuel

Add Fuel (2017)

Julien de Casabianca

Julien de Casabianca (2017)

Herakut

Herakut (2017)

Jaune

Jaune (2017)

Robert Montgomery

Robert Montgomery (2017)

 

 



Art

A Madrid Plaza Transformed Into a Temporary Park With Over 35,000 Square Feet of Grass

March 27, 2018

Kate Sierzputowski

For the 400th anniversary of Madrid’s Plaza Mayor, urban artist SpY (previously) transformed the bustling square into a centralized place of respite. The temporary park titled Cesped, or “Grass,” was created by bringing in more than 35,000 square feet of sod, which formed a perfect green circle at the center of the pedestrian plaza. Over the course of its four day installation last fall more than 100,000 visitors lounged, played, and rested in the celebratory work.

You can watch a time-lapse installation of the project on the Madrid-based artist’s website, and view more urban interventions on his Instagram.  (via designboom)

 

 



Amazing Design

A Project Aims to Create the World’s Largest Hanging Garden Since Babylon Within the Branches of a 114-Foot Tree

March 12, 2018

Laura Staugaitis

The French masterminds of mechanical delight, Les Machines de L’ile, have an ambitious new project underway. L’Arbre aux Hérons (The Heron’s Tree) is set to be the largest hanging garden built since ancient Babylon, spanning over 160 feet in diameter and reaching 114 feet into the sky. Their Nantes-based team describes the historic muses behind the project:

Inspired by the worlds of Jules Verne and Leonardo Da Vinci, it is an unprecedented artistic project. After the Grand Elephant and the Machine Gallery in 2007, the Carousel of the Sea Worlds in 2012, the Herons’ Tree is the third phase of the Island’s Machines. Coming out of the minds of François Delaroziere and Pierre Orefice, it will be located along the banks of the Loire River, a few meters away from the house Jules Verne spent his teenage years in and where Jean-Jacques Audubon grew up and drew his first herons.

Les Machines de L’ile have been working on The Heron’s Tree since their inception in 2007, and in the spirit of democratic discovery, their team of skilled craftspeople have been sharing the prototypes with visitors to the Machine Gallery. The sketches and mock-ups for the project include a giant steel tree topped with two herons that each carry twenty passengers on circular flights. Half of the tree’s twenty-two branches can be traversed on foot by visitors, and all of the branches will support hanging terraces of plants and gardens to create a lush ecosystem. The tree itself will be set in an old granite quarry on the cliffs of Brittany.

The goal is to open The Heron’s Tree in 2022, and two thirds of the 35 million euro project cost is being covered by public funding. Les Machines de L’ile is seeking to fund the rest through crowdfunding: you can contribute via Kickstarter. You can also track the project’s progress on Facebook.

A small-scale prototype

A prototype branch

Prototype herons

Sketches for The Heron’s Tree

Sketches for The Heron’s Tree

Sketches for The Heron’s Tree

Digital rendering of walkways

 

 

 



Art Design

Art in Ad Places: A New Book Collects 52 Public Artworks Installed in Pay Phones Across NYC

February 20, 2018

Kate Sierzputowski

Artwork by Andrea Sonnenberg, all installation images by Luna Park

Artwork by Andrea Sonnenberg, all installation images by Luna Park

Frustrated by the daily bombardment of advertising on the streets of New York City, artist Caroline Caldwell and writer RJ Rushmore decided to produce a project that would dampen the sheer volume of visual marketing strewn throughout their environment. The pair didn’t have the budget to prompt an entire overhaul, but they did have the incentive to construct an intervention that would offer an alternative glimpse to the city’s high volume of print-based advertisements.

For their 2017 project, Art in Ad Places, the pair recruited 55 artists and collectives from across the country to produce 55 works to be temporarily displayed on pay phone booths across New York City. The installations were each presented for a week, and documented by their collaborator, street art photographer Luna Park.

“Pay phones were a perfect choice because they’re disappearing from the streets,” Rushmore told Colossal. “So I’d like to say that our ad takeovers were intended as a swan song for pay phones. Plus, contemporary pay phones serve no real function except to serve advertising, and that feels wrong. Nobody’s using pay phones to make calls, so why do we put up with their ads?”

The 52-week campaign ended in December of last year, however it has recently been compiled into a new book that documents the year-long installation. Art in Ad Places: 52 Week of Public Art Across New York City is available through Rushmore’s street art blog Vandalog and features statements from each artist alongside essays written by the project’s three collaborators. You can see the entire range of poster-sized artworks produced for Art in Ad Places on the project’s website or Instagram.

Bones Not Bombs by Pat Perry

Bones Not Bombs by Pat Perry

My Ad is No Ad by John Fekner

My Ad is No Ad by John Fekner

Artwork by For Freedoms with Hank Willis Thomas

Artwork by For Freedoms with Hank Willis Thomas

"I HATE THE SOUND OF SILENCE" by Cheryl Pope

“I HATE THE SOUND OF SILENCE” by Cheryl Pope

Artwork by Martha Cooper

Artwork by Martha Cooper

The Ecstasy of St Katsuhiro Otomo by Nomi Chi

The Ecstasy of St Katsuhiro Otomo by Nomi Chi

Stop Telling Women to Smile by Tatyana Fazlalizadeh

Stop Telling Women to Smile by Tatyana Fazlalizadeh

Artwork by Louise Chen aka Ouizi

Artwork by Louise Chen aka Ouizi

Blue Lady by Parker Day

Blue Lady by Parker Day

 

 



Art Photography

Temporary Calligraphy Illuminates Historic Sites Throughout Europe

August 22, 2017

Kate Sierzputowski

Mexican calligraffiti artist Said Dokins combines calligraphy writing with graffiti techniques to create public murals that address conflicts of power, destruction, and control imposed by both historic and contemporary regimes. His latest project, Heliographies of Memory, uses luminous tools to explore displaced memory, creating light paintings that use famous historic buildings or other iconic sites as temporary backdrops.

“‘Heliographies of Memory’ consist in a series of photographs that capture the calligraphic gesture, the very moment where the action of inscription is taking place,” said Dokins. “…The texts are written with light, so the words disappear as soon as they were suggested by the moves of the calligrapher, invisible to the simple eye, they just can be captured by a process of long-exposure photography, that reveal what happened, even though no one could see it.”

Dokins collaborates with photographer Leonardo Luna to capture each of his ephemeral interventions. Together they opened the 2017 OASTRALE Biennale of Contemporary Art in Dresden with a choreographed calligraphy presentation. You can see more images of their project Heliographies of Memory on Dokins’ Instagram and Facebook. (via I Support Street Art)

 

 



Art

Recent Surveillance Camera and Satellite Dish ‘Nests’ by Jakub Geltner

August 15, 2017

Kate Sierzputowski

Czech artist Jakub Geltner (previously) has been clustering groups of technological equipment in public spaces since 2011, creating installations that address the heightened state of surveillance in our contemporary world. Arranged as ‘nests,’ the sculptures interrupt both natural landscape and urban environments, making the viewer innately aware of how closely they are being watched.

One of Geltner’s latest installations is Nest 06, is a group of cameras installed alongside a pathway leading to the beach in Sydney, Australia created for Sculpture by the Sea. Attached to a curved pole, the devices stare directly down at any passersby with over a dozen watchful eyes. Nest 7, another recent work, dots the side of an aging brick building at Chateau Třebešice, bringing surveillance to the countryside rather than a bustling urban setting.