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Georgian Culture and Ukrainian Pride Highlight the 2022 Tbilisi Mural Fest

December 6, 2022

Grace Ebert

A photo of a mural portrait of a woman holding a bouquet of flowers

By Sasha Korban. All images by Tiku Kobiashvili, courtesy of Tbilisi Mural Fest, shared with permission

For the last four years, Tbilisi Mural Fest has facilitated more than 40 public artworks around the Georgian capitol, and the 2022 event brought a spate of new projects to the city. Given the nation’s proximity to Russia and that country’s groundless war against Ukraine, festival organizers highlighted renowned Ukrainian muralist Sasha Korban who painted a large-scale portrait of a woman in customary clothing facing the Russian embassy. Other works include celebrations of Georgian culture and history, like a large-scale tablecloth with traditional motifs by Chertova Tina and Mohamed l’Ghacham’s dreamlike rendering of the living room of Georgian thinker and author Ilia Chavchavadze.

See some of the 2022 additions below and those from previous years on Instagram.


A photo of a large blue mural with ornamental white motifs

By Chertova Tina

A photo of a black and white portrait mural of a woman with colorful doodles on her face

“Circus” by Luis Gomez de Teran

A photo of a mural of a dreamlike living room

“Illia’s Room” by Mohamed l’Ghacham

A photo of a mural with two women and a plant, repeated three times vertically

“Growth” by Artez

A photo of an abstract mural on an urban building

By Kera

A photo of a mural with two figures and a portal

“M3D3A” by Vesod

A photo of a mural with two regal figures and city

By Dato Machavariani and Irakli Qadeishvili





A New Book Repaints the Legacy of Street Art by Spotlighting Women Leading the Genre

December 1, 2022

Kate Mothes

A photograph of a mural of a woman wearing a scarf on the end of a building.

Medianeras, “The Crystal Ship” (2021) in Ostend, Belgium. All images courtesy of the artists and Prestel, shared with permission

For street artists, the urban landscape is an infinite canvas. Whether wheat pasted, sprayed, or layered with brushes, vibrant compositions revitalize public spaces and provide an ever-evolving barometer of the political climate and current affairs. The genre has been historically dominated by men, but a new book by journalist Alessandra Mattanza and Museum of Urban and Contemporary Art founder Stephanie Utz shifts the dial.

Women Street Artists spotlights the diverse practices of 24 graffiti and mural artists hailing from around the globe who work in a variety of styles, from large-scale public projects like Camilla Falsini’s vibrant pavement composition in Milan to striking interventions like Olek’s pink, crocheted coverlet for “Charging Bull,” Wall Street’s masculine bronze sculpture. Each finds walls, sidewalks, demolished structures, prison cells, grain silos, and other nontraditional surfaces to express ideas around feminism and empowerment, body imagery, racism, the climate crisis, and other critical issues.

You can find a copy of Women Street Artists on, available now in the U.K. and scheduled for release in the U.S. on December 6.


A mural of Ruth Bader-Ginsberg and symbols of American democracy.

Elle, “Ruth Bader Ginsburg” (2020) in New York City

An aerial image of a colorful geometric public art piece on a Milan street.

Camilla Falsini, “Tactical Urban Planning Intervention” (2020) in Milan, Italy. Photo by Jungle Agency

A detail of graffiti featuring two women wearing hijabs with Superman logos on their torsos.

#LEDIESIS, “Superwomen” (2019) in Italy

A pink crocheted coverlet sewn over the "Charging Bull" sculpture on Wall Street.

Olek, “Charging Bull” (2010), Wall Street, New York City

A blue and black portrait of a young woman on the site of a disused diner in Miami.

Christina Angelina in collaboration with Ease One (2015) in Miami, Florida

The cover of 'Women Street Artists' book.




So Far So Good: Vivid Paintings by Murmure Take a Wry Perspective on the Climate Crisis

November 22, 2022

Kate Mothes

“Faille (Crack)” (2022), acrylic on canvas. All images © Murmure, shared with permission courtesy of Galerie LJ

Artists Paul Ressencourt and Simon Roche, a.k.a. Murmure (previously), have worked collaboratively for the past twelve years to synthesize a studio-based practice with large-scale street art. In high-contrast acrylic paintings, the duo reference the climate crisis and enduring problems of overconsumption, especially regarding the immense impact that humans have on marine life and rising sea levels. The artists’ new exhibition Jusqu’ici tout va bien, which translates to “So far so good,” approaches environmental catastrophes like thawing glaciers and overfishing from a characteristically sardonic perspective.

Ressencourt and Roche focus on the absurdity of capitalist systems in the face of destruction. Paradoxes abound as surveyors plot developments on a melting ice sheet, supine whales are served up as giant sushi rolls, and oblivious holiday-makers dive from icebergs and wade around shorelines devoid of flora and fauna. “In spite of everything, Murmure favors in their art a form of beauty which contrasts with the cruelty, the stupidity, and the urgency of the situations depicted in their works,” the exhibition statement explains.

Jusqu’ici tout va bien is on view at Galerie LJ in Paris through November 26. You can find more of Murmure’s work on their website and Instagram.


A painting by Murmure of a whale being served up as sushi with chopsticks.

“Whale Sushi” (2022), acrylic on canvas

A painting by Murmure of people swimming by an iceberg.

“Jusqu’ici tout va bien (Banquise)” or “So far so good (Ice)” (2022), acrylic on canvas

A painting by Murmure of people swimming by an iceberg.

“Joyau” (2022)

A painting by Murmure of people swimming by an iceberg.

Detail of “Joyau (Jewel)” (2022), acrylic on canvas

A painting by Murmure of a whale underwater that is sliced into maki rolls.

“Whale Maki” (2022), acrylic on canvas

A painting by Murmure of two surveyors plotting lines on an ice sheet.

“Marquages (Markings)” (2022), acrylic on canvas

Two details of paintings by Murmure.

Left: Detail of “Whale Sushi.” Right: Detail of “Joyau”

Detail of “Faille”

A painting by Murmure of people swimming by an iceberg.

Detail of “Joyau”

A painting by Murmure of people swimming by an iceberg.

Detail of “Jusqu’ici tout va bien (Grande Banquise)”




New Banksy Works Emerge Among the Destruction in Ukraine

November 14, 2022

Grace Ebert

A photo of a stenciled Banksy mural on a damaged building in Ukraine

All images shared with permission

Banksy (previously) has been traveling through the battle-scarred streets of Ukraine, producing a slew of works directly confronting Russia’s unwarranted and unjust aggression. The elusive street artist’s signature stencils have been spotted among the rubble of bombed buildings and barricades in Borodyanka and Gorenka, both in the Bucha Region, while others are just outside the capital city of Kyiv. Each centers on the strength and resiliency of the Ukrainian people.

The works broadly criticize the ongoing war and its disastrous effects on the everyday lives of citizens, depicting a woman outfitted with hair rollers, a bathrobe, and a gas mask grasping a fire extinguisher, a bearded man scrubbing his back in an open-air bathtub, and silhouettes of young children teeter-tottering on a left-behind hunk of steel. Perhaps the most pointed piece is that of a young boy slamming Russian President Vladimir Putin to the ground during a judo match—according to the BBC, Putin has projected an interest in the sport.

Watch Banksy at work on these pieces in a recent YouTube video, and find more on Instagram. This is the first time the artist has emerged since the Spraycation series 15 months ago.


A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged barricade in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine

A photo of a stenciled Banksy mural on a damaged building in Ukraine



Art Design

Vibrant Letters Drift and Twist in Bold Typographic Murals by Pref

October 31, 2022

Kate Mothes

“Shake Hands” in Leige, Belgium. All images © Pref, shared with permission

For British artist Pref, the art of decipherment is as integral to his murals as the expressively layered designs. Known for looping and layering blocky text to give the illusion of floating forms, contrasting letters wriggle, tilt, overlap, and cast bold shadows. His training in graphic design spurred an abiding fascination with typography, and while much that field is oriented toward clear communication, Pref is interested in literally twisting messages. He meticulously arranges each letter to form puzzle-like compositions, encouraging the viewer to work out a word or phrase. “The wording for my pieces are usually autobiographical,” he explains, “like clues and relics from my past or a commentary on current times.”

You can see more of Pref’s work on his website and follow updates on Instagram.


“Put you in a box” in Liège, Belgium

“Nuture, Nature” in Sand City, California

Left: “You are the one.” Right: “Off and on”

“Remarkable” in Jackson, Michigan

“Here we are” in Los Angeles, California

Left: “Blah blah blah.” Right: “Say bye”

“Drifting” in Ostend, Belgium

“Inspire, Expire” in Bayonne, France




More Than 70 International Artists Descend on Cincinnati for BLINK, a Massive Mural and Light Festival

October 20, 2022

Grace Ebert

Max Sansing. All images by Halopigg, courtesy of BLINK, shared with permission

For the first time since 2019, the largest public art and light festival in the U.S. brought a spate of new works to Cincinnati. More than 70 artists from around the world gathered in mid-October for BLINK, a four-day event that spanned 30 blocks across the Midwestern city. In attendance were quite a few artists featured previously on Colossal, including Max Sansing (previously), PichiAvo (previously), Shantell Martin (previously), Nespoon (previously), and Faith XLVII (previously).

We’ve gathered some of our favorite works created during this year’s event—you’ll find Martin’s signature line-drawn figures encircling a cityscape, PichiAvo’s vibrant amalgam of art history and graffiti, and a new delicate lace design from Nespoon—although it’s worth heading to BLINK’s Instagram to take a peek at the light projections, immersive projects, and other murals, as well.


Insane 51

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Shantell Martin

Jenny Ustick