Jeffrey Tsang is a maritime vlogger, sailor, and photographer on a container ship that travels across the globe. His latest video is a timelapse that captures 30 days of the barge’s journey, tracing its path from the Red Sea all the way to Hong Kong. The 4K video is composed of nearly 80,000 photos which capture breathtaking views of quickly shifting skies, deep red sunsets, and brilliant blue lightening amidst ferocious storms.
“Sailing in the open sea is a truly unique way to grasp how significantly small we are in the beautiful world,” says the Canadian photographer. “Chasing the endless horizon, witnessing the ever changing weather, and appreciating the bright stars and galaxies.”
We highly recommend you watch the video in full screen, a viewing experience that transports you directly to the bow of the globe-trotting ship. You can see more of Tsang’s maritime photography on his Instagram and Youtube. (via Coudal)
2047 Apologue is a concept performance by Chinese director Zhang Yimou, the director of the opening and closing ceremonies for the 2008 Beijing Olympics. The video is a teaser for the final part of the show titled the Weaving Machine, one of eight acts that combine traditional Chinese craft, music, or dance with modern technology such as lasers, robots, and drones. The combination of ancient and modern technology aims to comment on how much the later has taken over life in the 21st century.
For this particular segment Zhang places an ancient Chinese weaving machine on stage with 640 kinetic LED spheres designed and produced by WHITEvoid. Moving together in an elegant wave, the lights interact with a dancer performing underneath. Throughout the segment the lights change both pattern and color, as a soundtrack matches their increasing energy and movement.
There’s simply no compelling way to describe this unusual short film from director Daihei Shibata which attempts to plot the movement of everyday objects such as a light switch or a spring as a real-time graph. Sibata explains this as a film that expresses “the various thresholds hidden in everyday life.” OK, interesting enough, but when paired with a score by the EX NOVO Chamber Choir—turn up the volume—it suddenly becomes completely amazing. I’d love to see a whole series of these. If you like this, all check out The Beauty of Mathematics. (via The Awesomer)
Photographer Melanie Barboni is an assistant researcher at UCLA’s Earth, Planetary and Space Science Program where she installed a hummingbird feeder outside her office window in hopes of seeing the elusive birds and maybe snapping a photo. Two years and several feeders later, she estimates there are over 200 birds that now stop by her window every day, over 50 of which she’s bestowed with names because she can recognize them on sight. Barboni was raised in Switzerland where hummingbirds are practically non-existent and she only read about them in books. She likens the view from her office at UCLA as a dream come true, a place that she’s referred to as The Hummingbird Whisperer. (via Laughing Squid)
Elements, an experimental art film by Maxim Zhestkov, follows more than two billion black and white spheres through a series of experiments within several enclosed spaces. Throughout the film the particles swarm through different white rooms, each labeled with subtle wall text that broadly defines the physics of each animation such as flow, diffusion, and pressure. Set to a score of hauntingly hollow tones, Elements is intended to express laws of nature and mathematics, visually representing the composition of particles found in each of us.
“The film is a trial to explore the idea that everything around us and inside us is made from simple elements or blocks which can be arranged in complex relationships and become compound structures,” says Zhestkov. “We could project this idea into emotions, behaviors, thought processes, relationships, life, planets and the universe.”
Zhestkov is a visual artist and motion designer based in Russia working in animation, design, and cinematography. You can see more of his short film projects and illustrations on his Vimeo and Behance.
This four and a half minute-long video from Victoria & Albert Museum condenses the twelve months of meticulous labor that are required to make a traditional Korean inlaid lacquer box. Featuring skilled craftsman Lee Kwang-Woong, the video shows each of the many steps, starting with harvesting sap from a lacquer tree, and including fret sawing, charcoal polishing, and lacquer curing. Although we’re just spectators in the process, the behind-the-scenes footage makes the final product shots that much more satisfying. (via Core77)