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Photography

Eerie Photos Frame the Dense Fog Shrouding Waves as They Swell Along the Los Angeles Coast

September 3, 2021

Grace Ebert

All images © Raf Maes, shared with permission

Through a thick blanket of morning mist, Raf Maes documents the serene waves that surge along the coastline near Venice, Los Angeles. The moody, eerie images capture the powerful energy of the ocean as it ripples across the frame in a single, long line. “I love the juxtaposition between the roughness of the ever-changing sea and the calming effect it has on me. Somehow I manage to translate that calmness also in my images, while the subject is pretty wild,” he says.

Along with his photography practice, Maes is the co-founder of the accessory brand KOMONO and currently lives in Antwerp. You can find more of his landscape and dreamy interior shots, which he recently finished compiling for a forthcoming book, on Instagram. (via This Isn’t Happiness)

 

 

 



Art

Interlocking Cable Ties Form Undulating Water and Biomorphic Sculptures by Sui Park

July 28, 2021

Grace Ebert

“Undulating Beauty” (2018), black cable ties, 21 x 7.5 x 2.5 fee. All images © Sui Park, shared with permission

Artist Sui Park (previously) zips together simple nylon cable ties to create sprawling biomorphic sculptures and site-specific installations that resemble heaving nighttime seas, prickly moss, and vibrant amorphous creatures. Park, who was born in Seoul and currently lives in New York, started hand-dying the uniform fasteners a few years ago to deepen the contrast between the mass-produced material and her spiky organic masses. “Each has a subtle difference in shape and angle, and when grouped and connected together to develop into a larger form, the subtlety creates a dynamic and a characteristic of my work,” she says.

Whether suspended in a gallery or staked into a patch of grass, Park’s abstract pieces are porous, each revealing the surrounding environment through its body. This focus on permeability “opens the inner space of my work and makes the inside visible. At the same time, I think it opens and creates a moment to pause, reflect, and ponder personal imageries surrounding nature. Different shapes and angles of modules provide various perspectives of the inner space,” she shares.

Park has multiple upcoming exhibitions, including shows running August 11 to November 27 at Cahoon Museum of American Art, September 7 to December 11 at Suwon Museum of Art, September 2021 to August 2023 at the Site-Responsive Art Biennale at I-Park Foundation, and another at Poikilo Museot starting in September. Until then, explore more of her sprawling installations and standalone pieces on Behance and Instagram.

 

“Summer Vibe” (2021), hand-dyed cable ties and tent stakes, 
78th Street at Riverside Park, New York

“Summer Vibe” (2021), hand-dyed cable ties and tent stakes, 
78th Street at Riverside Park, New York

Detail of “Undulating Beauty” (2018), black cable ties, 21 x 7.5 x 2.5 feet

“Experiment (Untitled)” (2021), monofilament

“Experiment (Untitled)” (2021), monofilament

Detail of “Where the Wind Stays” (2021), cable ties and monofilament
, I-Park Foundation, East Haddam, Connecticut

“Where the Wind Stays” (2021), cable ties and monofilament
, I-Park Foundation, East Haddam, Connecticut

Detail of “Moss” (2018), hand-dyed cable ties and tent stakes

“Moss” (2018), hand-dyed cable ties and tent stakes

“Where the Wind Stays” (2021), cable ties and monofilament
, I-Park Foundation, East Haddam, Connecticut

 

 



Art Photography

Nine Massive Waves of Deadwood Surge Across a Forest Floor Near Hamburg

June 8, 2021

Grace Ebert

All images © Jörg Gläscher, shared with permission

As the fear of a second wave of COVID-19 swept through Germany in the fall of 2020, photographer and artist Jörg Gläscher decided to channel his own worry into a project that felt similarly vast and domineering. “I was working (with the idea of) the pure power of nature, the all-destroying force, which brings one of the richest countries in the world to a completely still stand,” he tells Colossal. “A wave is a periodic oscillation or a unique disturbance the state of a system.”

Between November 2020 and March 2021, Gläscher spent his days in a secluded location near Hamburg, where he gathered deadwood and constructed nine massive crests—the largest of which spans four meters high and nine meters wide—that overwhelm the forest floor in undulating layers of branches and twigs. Each iteration, which he photographed and then promptly destroyed in order to reuse the materials, overwhelms the existing landscape with pools of the formerly thriving matter.

Gläscher’s installations are part of a larger diaristic project he began at the beginning of the pandemic. Since then, he published a few magazines to present the works that range from photography to sculpture in one place, which you purchase along with prints in his shop. Find more of his multi-media projects on his site and Instagram. (via This Isn’t Happiness)

 

 

 



Art

A Tiled Wave Ripples Across Olafur Eliasson's New Installation in Downtown Chicago

January 19, 2021

Grace Ebert

“Atmospheric wave wall” (2021), 30 x 60 feet. All images courtesy of CNL Projects, shared with permission

Last week, artist Olafur Eliasson (previously) unveiled a massive, wave-like artwork that mimics the rippled surfaces of the Chicago River and Lake Michigan. Comprised of 1,963 curved tiles, “Atmospheric wave wall” sits between the two bodies of water at Willis Tower and shifts in appearance based on the sunlight, time of year, and position of the viewer. It’s the Danish-Icelandic artist’s first public project, which was curated by CNL Projects and commissioned by EQ Office, in Chicago.

Speckled with orange pieces, the blue-and-green motif is constructed with powder-coated steel and based on Penrose tiling, a design with fivefold symmetry, which fills the undulating border. At night, a light shines through the street-side work, emitting a glow through the tile seams and further altering the appearance of the textured facade. Eliasson says about the work:

Inspired by the unpredictable weather that I witnessed stirring up the surface of Lake Michigan, ‘Atmospheric wave wall’ appears to change according to your position and to the time of day and year. What we see depends on our point of view: understanding this is an important step toward realizing that we can change reality.

Follow Eliasson’s latest projects on his studio’s site and Instagram.

 

 

 



Photography

Tides and Tempests: Photographs from the English Coastline Document the Rhythms of a Tumultuous Sea

January 5, 2021

Grace Ebert

“Clearing Fog.” All images © Rachael Talibart, shared with permission

To introduce her new body of work, Rachael Talibart writes that “the rhythm of the tides, tethered to the waxing and waning of the moon, shapes our very sense of time.” The U.K.-based photographer captures the ebb and flow of the English coastline through photographs that frame both erupting waves and the days surrounding violent storms. An extension of her previous collection that framed what appears to be otherworldly creatures jumping from the water, Talibart’s recent work has culminated in a book titled Tides and Tempests.

While her subject matter is similar, she shares with Colossal that limiting herself to southern coastlines has been fruitful. “I think that what at first may seem like a restriction has actually made me more creative—it has forced me to dig deeper and look for images where I might perhaps not have found them if I was more of a generalist,” she says.

While Tides and Tempests at times displays the mythical qualities and creatures of the water, it also includes the quieter moments. Talibart writes that this broader focus has taught her patience and to find as much interest and delight in the slow sunsets and discarded shells as the frenzied storms. She expands on how the lengthy and varied story of the ocean has shifted her view of time:

The tidal cycle, the sound of waves, the shapes carved by wind and water on the shore, the call of sea birds, the curl of seafoam around a pebble, the shape of a shell, these all have a rhythm or pattern that I find both energizing and soothing. But they don’t always reveal themselves to you straight away—you have to be willing to invest time.

If you’re in the U.K., Talibart teaches photography workshops that focus on various aspects of her coastal subject matter. Otherwise, pick up a copy of Tides and Tempests, which features more than 120 images, from Kozu Books, and follow Talibart on Instagram.

 

“Apollo”

“Etain”

“Jade”

“Makara”

“Fringe II”

“The Lost World”

“Surf Study”

“Touch”

 

 



Art

An Undulating Sculpture Recreates Hokusai's 'Great Wave' in 50,000 LEGO Pieces

December 14, 2020

Grace Ebert

All images © Jumpei Mitsui, shared with permission

Japan-based artist Jumpei Mitsui is one of just 21 LEGO Certified Professionals in the world—this means his full-time job is to create artworks with the plastic building blocks—and is the youngest of the renowned group. He’s fulfilled this title most recently with a sculptural recreation of Katsushika Hokusai’s “The Great Wave off Kanagawa.” During the course of 400 hours, Mitsui snapped together 50,000 cobalt and white LEGO into an undulating wave that mimics the original woodblock print.

To recreate this iconic work in three-dimensions, Mitsui studied videos of waves crashing and pored over academic papers on the topic. He then sketched a detailed model before assembling the textured water, three boats, and Mount Fuji that span more than five feet.

If you’re in Osaka, Mitsui’s wave is on view permanently at the Hankyu Brick Museum. Otherwise, find a decade’s worth of the artist’s LEGO tutorials on YouTube, and follow his work on Twitter and Instagram. (via Spoon & Tamago)