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Photography
Aerial Photographs by Kevin Krautgartner Capture the Magnificent Power of Crashing Waves Above Hawaii’s Banzai Pipeline

All images © Kevin Krautgartner, shared with permission
Nothing puts the enormous power of nature into perspective quite like the energy of our planet’s oceans. On a reef off of the North Short of O’ahu, Hawaii, some of the world’s most famously thrilling and dangerous waves present enticing conditions for surfing in an area known as the Banzai Pipeline. Photographer Kevin Krautgartner celebrates the mesmerizing, barrel-shaped breakers in Pipeline, a series of aerial images highlighting the formidable force of water crashing and whorling along the shore.
“Personally, waves always get my attention when I’m close to a coastline or the ocean,” Krautgartner says. “For me, they are especially unique because they are a natural phenomenon that can create a sense of awe and wonder… creating a rhythmic pattern that can be both soothing and exhilarating.” Going beyond documentation, he focuses on details like structure and form, examining the elemental interactions between light, water, and air. Taken from an aerial perspective and devoid of figures or landmarks for scale, he emphasizes how no two moments are the same: “Since nature is in a constant state of change, be it short or long term, each of my works captures a moment that will never happen again.”
Krautgartner recently released Water.Color, a book featuring his aerial photographs of surreal, watery landscapes. Find more of his work on his website, Behance, and on Instagram.
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Photography
Forceful Waves Rip Across Lake Erie in Tempestuous Photos by Trevor Pottelberg

All images © Trevor Pottelberg, shared with permission
When fall and winter storms send turbulent waves across Lake Erie, Canadian photographer Trevor Pottelberg documents the volatile eruptions that burst from the water’s surface. Facing winds up to 60 miles per hour, he frames massive waves as they emerge in dramatic outbursts, leaving sprays of icy mist and ripples in their wake. The monumental swells are energetic and immensely strong, showcasing the formidable power of nature.
Based in Brownsville, Ontario, Pottelberg teaches photography at Fanshawe College and will have a variety of landscape and animal images on view at Elm Hurst Inn & Spa in Ingersoll starting in December. Shop prints on his site, and find more of his works on Instagram and Facebook, some of which were recently recognized in the Professional Photographers of Canada Ontario Provincial Competition.
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Art
Nature and Nostalgia Merge in Assemblages Made from Vintage Boxes by David Cass

All images © David Cass, shared with permission
In the multi-media works of Athens-based artist David Cass, memories and tokens of bygone eras are assembled into compositions that evoke both nostalgia for the past and serve as a reminder of fluctuations in nature due to a changing climate. Cass collects a variety of items like old letters from flea markets, matchboxes, and tins, especially those associated with safekeeping. In some pieces, he accumulates small boxes into larger vessels like cabinet drawers, while in others, the item itself serves as the canvas for original paintings responding to the surface.
An ongoing theme in Cass’ practice is the way attitudes toward nature have shifted in recent generations, describing in a profile about his creative process that “ours is the first epoch in which the natural world has been seen as a problem, as itself in danger.” A recent exhibition called Where Once the Waters, which comprised dozens of tiny painted tins and was shown during the Venice Biennale, focused on a shifting horizon line. Water plays a central role in the connections he draws between past and present, highlighting the changeable nature of the sea and how oceans are rising around the world. A motif of flowing lines signifying the movement of the liquid appears in many of his works, responding to the texture, scale, and patina of each unique object.
You can find more of Cass’ work on his website and on Instagram. (via This Isn’t Happiness)
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Photography
Eerie Photos Frame the Dense Fog Shrouding Waves as They Swell Along the Los Angeles Coast

All images © Raf Maes, shared with permission
Through a thick blanket of morning mist, Raf Maes documents the serene waves that surge along the coastline near Venice, Los Angeles. The moody, eerie images capture the powerful energy of the ocean as it ripples across the frame in a single, long line. “I love the juxtaposition between the roughness of the ever-changing sea and the calming effect it has on me. Somehow I manage to translate that calmness also in my images, while the subject is pretty wild,” he says.
Along with his photography practice, Maes is the co-founder of the accessory brand KOMONO and currently lives in Antwerp. You can find more of his landscape and dreamy interior shots, which he recently finished compiling for a forthcoming book, on Instagram. (via This Isn’t Happiness)
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Art
Interlocking Cable Ties Form Undulating Water and Biomorphic Sculptures by Sui Park

“Undulating Beauty” (2018), black cable ties, 21 x 7.5 x 2.5 fee. All images © Sui Park, shared with permission
Artist Sui Park (previously) zips together simple nylon cable ties to create sprawling biomorphic sculptures and site-specific installations that resemble heaving nighttime seas, prickly moss, and vibrant amorphous creatures. Park, who was born in Seoul and currently lives in New York, started hand-dying the uniform fasteners a few years ago to deepen the contrast between the mass-produced material and her spiky organic masses. “Each has a subtle difference in shape and angle, and when grouped and connected together to develop into a larger form, the subtlety creates a dynamic and a characteristic of my work,” she says.
Whether suspended in a gallery or staked into a patch of grass, Park’s abstract pieces are porous, each revealing the surrounding environment through its body. This focus on permeability “opens the inner space of my work and makes the inside visible. At the same time, I think it opens and creates a moment to pause, reflect, and ponder personal imageries surrounding nature. Different shapes and angles of modules provide various perspectives of the inner space,” she shares.
Park has multiple upcoming exhibitions, including shows running August 11 to November 27 at Cahoon Museum of American Art, September 7 to December 11 at Suwon Museum of Art, September 2021 to August 2023 at the Site-Responsive Art Biennale at I-Park Foundation, and another at Poikilo Museot starting in September. Until then, explore more of her sprawling installations and standalone pieces on Behance and Instagram.

“Summer Vibe” (2021), hand-dyed cable ties and tent stakes, 78th Street at Riverside Park, New York

“Summer Vibe” (2021), hand-dyed cable ties and tent stakes, 78th Street at Riverside Park, New York

Detail of “Undulating Beauty” (2018), black cable ties, 21 x 7.5 x 2.5 feet

“Experiment (Untitled)” (2021), monofilament

“Experiment (Untitled)” (2021), monofilament

Detail of “Where the Wind Stays” (2021), cable ties and monofilament , I-Park Foundation, East Haddam, Connecticut

“Where the Wind Stays” (2021), cable ties and monofilament , I-Park Foundation, East Haddam, Connecticut

Detail of “Moss” (2018), hand-dyed cable ties and tent stakes

“Moss” (2018), hand-dyed cable ties and tent stakes

“Where the Wind Stays” (2021), cable ties and monofilament , I-Park Foundation, East Haddam, Connecticut
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Art Photography
Nine Massive Waves of Deadwood Surge Across a Forest Floor Near Hamburg

All images © Jörg Gläscher, shared with permission
As the fear of a second wave of COVID-19 swept through Germany in the fall of 2020, photographer and artist Jörg Gläscher decided to channel his own worry into a project that felt similarly vast and domineering. “I was working (with the idea of) the pure power of nature, the all-destroying force, which brings one of the richest countries in the world to a completely still stand,” he tells Colossal. “A wave is a periodic oscillation or a unique disturbance the state of a system.”
Between November 2020 and March 2021, Gläscher spent his days in a secluded location near Hamburg, where he gathered deadwood and constructed nine massive crests—the largest of which spans four meters high and nine meters wide—that overwhelm the forest floor in undulating layers of branches and twigs. Each iteration, which he photographed and then promptly destroyed in order to reuse the materials, overwhelms the existing landscape with pools of the formerly thriving matter.
Gläscher’s installations are part of a larger diaristic project he began at the beginning of the pandemic. Since then, he published a few magazines to present the works that range from photography to sculpture in one place, which you purchase along with prints in his shop. Find more of his multi-media projects on his site and Instagram. (via This Isn’t Happiness)
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