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Photography Science

Lake Waves Appear Frozen in Time Amidst the Rocky Mountains in Photographs by Eric Gross

March 9, 2020

Grace Ebert

All images © Eric Gross, shared with permission

Shot at an elevation nearing 10,000 feet in Colorado’s Rocky Mountains, a series of images by Eric Gross capture a high-alpine lake covered in icy ridges and dips that mimic sleek waves. The Colorado-based photographer tells Colossal that local experts believe the phenomenon is caused by snowdrifts blowing onto the already frozen lake, melting there, and then refreezing. “Through multiple melt/freeze cycles and after periods of high winds, the mounds and divots are shaped into deep curves, sometimes with sharp ridges and lines that give the appearance of regular lake waves, frozen in time,” Gross says. “Composing images from ground level revealed that the dark ice waves exhibit psychedelic reflections of the surrounding mountainous landscape.” To see more of the photographer’s phenomenological works, head to Instagram.

 

 



Animation

A New Short Film Demonstrates the Difficulty of Escaping City Life

January 23, 2020

Grace Ebert

Breaking free from urban life is no easy feat for the main figure in “Le Silence de la rue,” or “The Silence of the street.” The monochromatic film produced by Miyu Productions, which is led by Emmanuel-Alain Raynal and Pierre Baussaron, details the stark dichotomy of spending time in unaltered natural spaces and in a dirty, bustling neighborhood. Opening with a blooming flower, the gloomy film turns to a black being who struggles to stay afoot in the dense streets as a horde of anonymous figures push by. Wave-like elements envelop him until he’s transported to a tiny boat at sea, where he momentarily finds peace. But soon enough, he’s hurled back into the crowd before finally losing his dark hue and joining others as they pile onto the public bus, proving his inability to escape city life.

The 2D digital animation was directed by Marie Opron in 2019 and is set to music by composer Francois Poitou. Find more of the company’s illustrated projects on Vimeo.

 

 



Animation

A Bustling Coastline is Disguised as a Peaceful Bedroom in Short Film by Charlotte Arene

January 14, 2020

Grace Ebert

Paris-based director and animator Charlotte Arene has created an uncanny stop-motion film centered on sleep that wavers between a nightmare and a peaceful slumber. Released in December 2019, “La mer à boire,” or “Unrealizable,” is shot in a typical bedroom, although the sheets, closet doors, and slippers move similarly to an energetic coastline. The animated work is set to sounds of waves and birds calling to each other, and it features a young woman who glides up and down her bed, seemingly retreating back into the water, and under the blankets, with the ripples. Canonical sea literature, like Jules Verne’s Voyages Extraordinaires and Herman Melville’s Moby Dick, occupies the bookshelf that resembles lapping waves, as well. Find more of Arene’s short animated projects on Vimeo.

 

 



Photography

Powerful Portraits of Enormous Ocean Waves by Luke Shadbolt

October 30, 2019

Laura Staugaitis

“Maelstrom 9” (2016)

Luke Shadbolt captures the roiling majesty of ocean waves in his large-scale aquatic photographs. Printed at 150 x 100 cm (nearly 6 feet by 3.3 feet), the color and black-and-white images show the dramatic shapes and dynamic textures of open water when agitated by major weather events.

In a statement on the artist’s website, the Maelstrom series is described as “a cursory glimpse of the exchange, cycle and balance of power fundamental to the functioning of our planet and its oceans… Maelstrom encourages the viewer to reflect upon our own naivety and place as a species within the greater natural balance of power.”

The Acquiesce the Front series similarly seeks to draw connections between the human experience and our natural environment. “The physical manifestations portrayed are a deft reflection of those storms that are implicit to the human condition,” and our individual frailty in the face of big events. Yet Shadbolt finds hope in the potential “to learn and grow from these events. While we may be powerless to stop the storm from approaching, we can work to redirect the flood.”

Shadbolt is represented by Michael Reid Gallery in Sydney and Berlin. The Sydney-based photographer and creative director tells Colossal that he is currently in the process of opening a studio in New York City. You can explore more of his dramatic photographs on Instagram and Facebook.

“Acquiesce 5” (2017)

“Acquiesce 2” (2017)

“Maelstrom 1” (2016)

“Maelstrom 3” (2016)

“Maelstrom 5” (2016)

“North Avoca 1” (2016)

“Maelstrom 4” (2016)

“Maelstrom 8” (2016)

 

 



Art

A Massive Wooden Wave Surges From a Gallery Floor in an Installation by Wade Kavanaugh and Stephen B. Nguyen

July 1, 2019

Laura Staugaitis

In a gallery at the Center for Maine Contemporary Art (CMCA) this spring, an all-encompassing wave of wood surrounded visitors as they walk across gangplanks that bisect the space. The installation, Hubris Atë Nemesis, was by Maine-based artist duo Wade Kavanaugh and Stephen B. Nguyen. Kavanaugh and Nguyen have been collaborating since 2005 and working exclusively with paper. “One of the foundations of our collaborative art practice is the act of shared seeing, the artists shared. “We find common ground by actively investigating our own visual reference points, memories and assumptions.”

For this installation, the artists pushed their practice to include new media and techniques: Hubris Atë Nemesis is their first piece in wood, and the first in which the pathway through the piece is an actual part of the installation. The artists explained in a statement that the title and concept of the work is derived from a three-part narrative arc common in Greek tragic plays:

Hubris, characterized as an arrogant confidence, transforms to Atë, a ruinous folly or madness, then ultimately to Nemesis, a force of retribution that resets the natural order. Like many paintings of the Maine coast, we hope this work captures a moment of suspense in a dynamic system—a snapshot with an uncertain future—and that it appears to be unwritten what the restored natural order should or might become.

Hubris Atë Nemesis was created with the support of the Ellis-Beauregard Foundation: Kavanaugh and Nguyen were selected from a blind jury of over two hundred applicants. The installation was on view through June 16, 2019 at the CMCA. If you did not get a chance to experience the work in person, an impressive 360° virtual tour by Dave Clough is available. You can explore more of Kavanaugh and Nguyen’s archive of monochromatic installations, like White Stag and The Experience of Green, on the duo’s website.

 

 

 



Art

Japanese Art Collective ‘Mé’ Creates a Hyperrealistic Landscape of Ocean Waves at the Mori Art Museum

March 4, 2019

Kate Sierzputowski

It’s hard to comprehend Contact, the new installation by Japanese art collective  (pronounced Mé), headed by Haruka Kojin, director Kenji Minamigawa, and production manager Hirofumi Masui. Light from a window behind the work dapples sculptural waves with pockets of sunlight, making it appear as if it is actually rippling before your eyes. If it wasn’t for the walls that contain the deep blue piece, one might assume they’ve created a real wave machine inside the Mori Art Museum where the work is currently installed.

The work is a part of Roppongi Crossing, a triennial series of exhibitions that provide an overview of Japan’s contemporary art scene. You can see more works from this year’s presentation of works from 25 artists and collectives on Mori Art Museum’s website, which founded the exhibition series in 2004. Contact is on view through May 26, 2019. (via Spoon&Tamago)

 

 



Design

Hokusai’s ‘Great Wave’ Emerges on a Giant Building Facade

December 26, 2018

Johnny Waldman

Hokusai’s “The Great Wave off Kanagawa”

Hokusai’s “The Great Wave off Kanagawa,” all images via @etaloncity

Katsushika Hokusai’s “The Great Wave off Kanagawa” is perhaps one of the most iconic images that Japan has ever exported. And it’s now emerged as a giant mural on the facade of a new development in Moscow. Called Etalon City, the development, which comprises 9 buildings, is located in the South Butovo region in south-west Moscow. While the rectangular buildings will feature the silhouettes of New York, Chicago, Barcelona, and Monaco, a decision was made to include Katsushika Hokusai’s “The Great Wave off Kanagawa” on the 6 square-shaped towers that are situated along the highway and most visible. The total area of the facade is almost 60,000 square meters. (Syndicated from Spoon & Tamago)

 

 

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