Taller than trees and towering over buildings, Johanna Goodman's pieced together female forms appear to stretch far above the landscapes before them. The collaged works, which combine elements of art, design, and architecture, are a part Goodman’s series titled The Catalogue of Imaginary Beings, which aims to explore the individual’s role in history and popular culture.
“[The Catalogue of Imaginary Beings] draws its inspiration from a wide spectrum of sources—including magical realism, surrealism and symbolism—and more specifically references such cultural artifacts as talismans, idols, totems and all of the material detritus that surrounds all of us all the time,” Goodman told Ms. “These characters are composites embodying notions of ‘the warrior,’ vulnerability, industry, the universal and the personal. They reference these identities as they’ve been depicted historically through art, literature and commerce.”
Recently Goodman has created works that commemorate the strong women involved in the Women’s March on Washington and its sister marches across the globe. She has also created work inspired by the Climate March that occurred this past April (like the figure seen erupting from a smoke stack below). You can view more of Goodman’s elongated collages on her Instagram and Tumblr. (via Tu Recepcja)
Artist Justyna Wołodkiewicz mixes embroidery with abstract clay forms in order to produce three-dimensional works that spring from traditional hoops. The pieces weave together bold threads with equally bright polymer clay shapes, creating multi-textured surfaces from the diverse materials.
The artist typically starts with a miniature sketch before embarking on molding the clay structures she wishes to include in each piece, stitching the final clay works into the surface of the embroidered hoop. Wołodkiewicz sells her works on her Etsy shop “Nibyniebo” which means “just like the sky.” You can see more of her sculptural embroidery on her Instagram and Facebook. (via Colossal Submissions)
Schrodinger’s Wood. Ash tree trunk, chain hoist, gantry. 156 x 16 x 15 inches
If you had to summarize an all-encompassing theme to describe Maskull Lasserre’s artistic practice, the word would probably be tension. From the balance of life and death to the opposing forces of war and peace, the Candian artist explores tension not only metaphorically but physically as well. Case in point, his latest piece titled Schrodinger’s Wood carved from the trunk of an Ash tree that relies on the tree’s inner core to serve as a tangled mass of rope in the process of fraying from the weight of itself. The work appears to share a kindred spirit to his sliced piano artwork, Improbable Worlds. You can see more views on his website.
Cavity Mechanism #12 w/ Glass Dome. 2013. Mixed. 23″ x 13″ x 13″. All images via Dan Grayber.
Dan Grayber‘s works exist at the intersection of sculpture and physics, pieces carefully designed to solve the problems created by their own existence. The sculptures each include a rock suspended within a glass enclosure, the rock’s weight perfectly balanced by the mechanisms, systems, and pulleys that surround it.
Grayber relates this play of tension and balance to personal relationships, which serves as another influence to his work outside of visual interests in industrial design, construction machinery, and the children’s game Cat’s Cradle.
“Cavity Mechanism #6, from 2009, [seen below] is one of the most obvious pieces to speak about interpersonal relationships that I’ve made,” said Grayber to Venison Magazine. “There are two identical mechanisms inside of a glass display dome, and one small cable that runs between the two mechanisms. This cable holds all of the tension between the two mechanisms, and they both need to remain in place to maintain the tension. I was really thinking about co-dependence when I made the piece. If either mechanism were to slip, or the connection between them to break, it would cause both to fail.”
You can see more of Grayber’s experiments in equilibrium on his Instagram and Facebook. (via Boing Boing and Makezine)
Cavity Mechanism #21. 2016. Mixed. 13″ x 14″ x 14″
Cavity Mechanism #24. 2016. Mixed. 13.5″ x 6.5″ x 6.5″
Cavity Mechanism #18. 2015. Mixed. 11″ x 5″ x 5″
Cavity Mechanism #23. 2016. Mixed. 7.5″ x 5″ x 5″
Display Case Mechanism #6. 2016. Mixed. 24.5″ x 16″ x 11″
Display Case Mechanism #6. 2016. Mixed. 24.5″ x 16″ x 11″
Cavity Mechanism #20. 2016. Mixed. 29.5″ x 12″ x 12″
Director Thomas Blanchard (previously) has teamed up with photographer Oilhack to create this dizzying new video of paint, soap, and oil mixing together titled Galaxy Gates. We’ve seen more than a handful of videos like these here on Colossal the last few years, but these guys somehow manage to push the envelope quite a bit into an entirely new realm of visual experimentation. The duo filmed for almost 4 months and included only around 2% of their work in the final edit. You can see more of their collaborative work on We Are Color.
WoodSwimmer is a new short film by engineer and stop-motion animator Brett Foxwell, who has built armatures for films such as Boxtrolls and Star Wars: The Force Awakens. Created in collaboration with musician and animator bedtimes, the work follows a piece of raw wood through a milling machine, capturing its unique growth rings, knots, and weathered spots through a series of cross-sectional photographic scans. Due the speed at which the images are animated, the log’s grains begin to flow like granules of sand—shifting, mixing, and flowing in a vibrant dance that seems completely removed from its rigid material.
“Fascinated with the shapes and textures found in both newly-cut and long-dead pieces of wood, I envisioned a world composed entirely of these forms,” Foxwell told Colossal. “As I began to engage with the material, I conceived a method using a milling machine and an animation camera setup to scan through a wood sample photographically and capture its entire structure. Although a difficult and tedious technique to refine, it yielded gorgeous imagery at once abstract and very real. Between the twisting growth rings, swirling rays, knot holes, termites and rot, I found there is a lot going on inside of wood.”
Heads up: watching this full-screen in HD with sound makes all the difference. You can see more of Foxwell’s works, like his 19-minute film Fabricated, on his Vimeo.