Designer Dave Gorum (previously) recently stopped by the Lincoln Park Zoo in Chicago to capture the carousel in this fun pair of gifs. The strobe effect of the lights moving in the opposite direction of the platform is uncanny.
Inspired in part by the classic horror literature of H.P. Lovecraft, artist Jim Kazanjian (previously) assembles foreboding buildings using snippets of photographs found in the Library of Congress archives. Equal parts secret lair, insane asylum, and the work of a deranged architect, Kazanjian’s collages are created from 50-70 separate photographs taken over the last century. Each piece takes nearly three months to complete as he painstakingly searches for just the right elements, a process he likens to “solving a puzzle, except in reverse.” From his artist statement:
I’ve chosen photography as a medium because of the cultural misunderstanding that it has a sort of built-in objectivity. This allows me to set up a visual tension within the work, to make it resonate and lure the viewer further inside. My current series is inspired by the classic horror literature of H.P. Lovecraft, Algernon Blackwood and similar authors. I am intrigued with the narrative archetypes these writers utilize to transform the commonplace into something sinister and foreboding. In my work, I prefer to use these devices as a means to generate entry points for the viewer. I’m interested in occupying a space where the mundane intersects the strange, and the familiar becomes alien. In a sense, I am attempting to render the sublime.
Founded by photographer Levi Bettwieser, the Rescued Film Project obtains unclaimed film rolls from the 1930s to the 1990s and develops them for the first time, salvaging hidden memories than might have otherwise been completely lost to time. In late 2014 at an auction in Ohio, Bettwieser discovered a lot of 31 undeveloped film rolls dating back to WWII with labels including Boston Harbor, La Havre Harbor, and Lucky Strike Camp. After acquiring the rolls of film, he set to work and developed dozens of usable negatives that somehow survived the last 70 years. The process was captured in this 10-minute film by Tucker Debevec.
Bettwieser says that although many of the rolls were too damaged to develop, the majority of them resulted in usable prints, and he still has one larger format roll to develop that requires special supplies. Staring carefully at so many photos may have also resulted in an additional discovery. Bettwieser noticed a single unidentified soldier seems to appear in several different shots, and he suspects this may be the photographer who lent the camera to others in order to get shots of himself. You can scroll through dozens more photos over on the project’s website.
Part of the Rescued Film Project’s mission is to connect photos with relevant places and people, so if you recognize anything, or if you have rolls of old undeveloped film, be sure to get in touch. (via PetaPixel)
Brothers Grimm’s Wanderings is the second in a series of European landscape photographs by Kilian Schönberger (previously) intended to reflect the feeling of Brothers Grimm folk tales. Schönberger travels to locations around central Europe and imagines what the real-life backdrop of stories like Rapunzel, Hansel and Gretel, or Snow White would look like. To see the first part of the series check out Brothers Grimm’s Homeland.
While on an expedition to Antarctica last month, photographer Alex Cornell witnessed a massive iceberg flip, revealing a strangely translucent blue underside that’s completely free of snow and debris. According to Science World, almost 90% of any given iceberg is below the surface, making iceberg flips extremely rare. Much larger iceberg flips are even capable of causing tsunamis that can overtake nearby ships. You can see more photos from Cornells trip on his website. (via Colossal Submissions)
Within the small confines of her 3 x 6 meter studio in Seoul, JeeYoung Lee‘s imagination is without boundaries. For each of her photographs the artist fills every square inch of space with hand-made props, set pieces, and backdrops and never edits or modifies the image digitally post-shoot. We first featured Lee’s work on Colossal last year, and OPIOM Gallery has since shared several more installations spanning from 2008 to 2014. Via OPIOM:
She does so with infinite minutiae and extraordinary patience, in order to exclude any ulterior photographic alteration. Thus materialised, these worlds turn real and concretise; imagination reverts to the tangible and the photo imagery of such fiction testify as to their reality. In the midst of each of these sets stands the artist, those self-portraits however are never frontal, since it is never her visual aspect she shows, but rather her quest for an identity, her desires and her frame of mind. Her creations act as a catharsis which allows her to accept social repression and frustrations.
It should be noted that Lee’s photography seems to be influenced, at least conceptually, by artist Sandy Skoglund. Her latest exhibition titled Stage of Mind will appear in both Bogota and Belfast later this summer. (via My Modern Met)
Update: Lee will also be exhibiting several pieces at Gallery Nine 5 in New York later this week.