While on a recent trip to Iceland, photographer Sarah Martinet had the opportunity to shoot these amazing landscapes from a plane with open windows. You can see much more of her work (as well as more from this trip) on 500px and Facebook.
Artist Thomas Leveritt recently setup a special UV motion camera in Brooklyn’s Prospect Park with the intent of filming random passersby. Ultraviolet rays have the ability to expose not-yet-visible changes to human skin, namely freckles, that turn even the most unblemished faces into dark explosions of dots. Leveritt installed a monitor above the camera so people could instantly see the results, and then to heighten the effect, supplied them sunscreen in a vivid demonstration of why you should probably never again step outside without it. (via Laughing Squid, Co.Create)
Martin Kimbell is a photographer from England who utilizes LEDs and long exposure techniques to create airborne light forms that seem like trails of otherworldy spacecraft. My initial assumption was that Kimbell used some form of small drone with attached lights, similar to Andreas Feininger’s work with helicopters back in 1949, but the photographs are instead made with hoops lined with LEDs that are hurled into the air. Kimbell was inspired early on by the work of Arizona-based photographer Stu Jenks who uses light and fire to create similar tornado-like images. You can see more of Kimbell’s work over on Flickr.
Photographer Jérôme Berbigier moved from France to Australia in 2007 and soon after took up photography. Inspired by a childhood spent near the Atlantic Ocean and the natural beauty of areas surrounding Sydney, it wasn’t long before he was capturing stunning landscapes up and down the Australian coast. A 2012 trip took him to Iceland where he captured these amazing views of the country’s waterfalls, rivers, and seascapes, some of which he didn’t publish until just this year. You can see much more of his photography on Flickr and over on Facebook. Prints of all his work are available upon request. (via Colossal Submissions)
Photographer Oleg Oprisco (previously) who lives and works in Kiev, continues to wow us with his vivid style of conceptual photography that places subjects in the middle of surreal and fantastic tableaus. Oprisco spends large amounts of time scouring flea markets and resale shops to collect props, costumes, and other items for each shot which he often sketches beforehand in a sketchbook, with the final shoot requiring 2-3 days of preparation. I love this bit from an interview with 500px earlier this year where he was asked to give advice to amateur/student photographers:
I strongly advise to use your time wisely. Laziness is your worst enemy. Enough looking at photographs taken by your idols. You’ve commented on enough work that you hate. It’s time to take photos. Your best photos. Let go and shoot, shoot, shoot!
While climbing Mt. Fuji in 2012, photographer Kris J B managed to capture this crystal clear shot of the mountain’s shadow at sunrise. The 12,388 ft. Fuji is notoriously shy and is often obscured by low hanging clouds or fog. This was the photographer’s 4th attempt to climb the mountain, an ascent in 2011 left him with a tantalizing, but ultimately unsatisfactory photograph of the mountain’s perfectly triangular shadow stretching out toward the horizon. In 2012 he arrived prepared and returned with this amazing shot.
After posting it online two years ago, K B’s image spread like wildfire and he quickly lost control of his rights. The photo was used widely without his permission, a story he recently shared with PetaPixel. K B now lives and works in England, and you can follow more of his photography on his website and over on Facebook. Image courtesy the photographer.
Although WWII ended almost 70 years ago, its legacy lives on: in photographs, memories and on our landscape. Walk through the forests of Germany and you’ll see craters or, scars, as German photographer Henning Rogge calls them, that are the aftermath of bombs being dropped from planes. Rogge has been tracking down these craters and photographing them, capturing moments, after decades have elapsed, of earth slowly healing her wounds. An unknowing hiker might easily mistake them for small ponds and nothing more, which is perhaps why these masked scars are so haunting. Rogge’s photographs are part of a group show titled The Beautiful Changes, which is on display at RH Contemporary Art in New York City through September 13, 2014. (via Hyperallergic)