Perched high atop the city of Guilin, China, photographer Kyon.J had an extraordinary view of the Li River as it winds through an unusually steep mountainscape. Early in the morning the area is often filled with fog or haze trapped in the mountains, certainly a dream scenario for any landscape photographer. You can see more of Kyon.J’s work on her 500px page where she also shares equally impressive photos of her native Japan.
All photos © Denis Cherim
With an eye for unusual juxtapositions and serendipitous moments where the universe seems to synchronize itself just so, photographer Denis Cherim is there with his camera seeing what the rest of us do not. The ongoing series called the Coincidence Project incorporates a wide variety of photographic approaches from landscapes to street photography and occasionally portraiture. Gathered here are some of our favorites from the last few years, but you can see hundreds more photos by Cherim over on Flickr and Facebook. (via Booooooom)
Photographer and graphic designer Paolo Pettigiani recently took a stroll through New York’s Central Park armed with an infrared lens and took a number of fantastic shots that show the iconic park in a whole new light. The usual green grass and trees are transformed into a bright cotton candy pink which vividly contrasts with the aquamarine sky. The 24-year-old photographer moved to New York from Turin, Italy only two weeks ago and has been busy documenting his views of the city on Instagram. (via Behance, This Isn’t Happiness)
Collaborative duo Anna Heinrich and Leon Palmer were so impressed by the view overlooking the rolling hills of Hadleigh Country Park in Essex, England that they decided to capture it in perpetuity. Instead of simply taking a photograph, Heinrich & Palmer decided to submerge a camera obscura into the ground, imbedding an 11.5-foot Weholite pipe into the side of a hill to be easily accessible by the nearby bike path.
“The Reveal” was created to fit four to five people, and the 260 mm lens of the camera is fixed within the door, which needs to be closed tight in order for the “live” image to appear bright. Once you are securely inside, the bright scenery from outdoors comes in, snapping into focus on the back wall. Because of its location against the vast southern skies, Heinrich & Palmer explain that the landscape seems to fall away in the distance, and the passing ships give the image the quality of a moving oil painting.
The two installation artists met while studying fine art in Cardiff in the late 80s and have now been collaborators for over 20 years. Their work focuses mostly on the large scale, including films, installations, photography, and light boxes. You can see more of the artists’ work on their website.
Art Director Liam Wong spends his days directing the visual identity of video games at Ubisoft, while his nights are spent exploring the neon-splashed streets of his city of Tokyo, and sometimes London. Wong places these images, that seem to mimic the appearance of a video game themselves, on Instagram. Here he has a huge archive that explores how the digital has embedded itself within the cities’ landscapes, meshing reality with flashing LED lights, scrolling messages, and neon signs. You can also see more of Wong’s imagery on his Facebook, and Society6 where you can buy his prints. (via My Modern Met)
All images via Ali Alamedy
Turkey-based artist Ali Alamedy had been building miniature sets for seven years when he came across documentation of Charles Miner's photography studio from the early 1900s. Inspired by the way sunlight was used to illuminate studio sets, Alamedy decided to build his own version in 1:12 scale. The project took him over nine months, using hundreds of feet of wood, and building more than 100 miniature objects designed specifically to fit the era.
Due to few images being available of photography studios at that time, Alamedy read extensively to figure out what tools, techniques, styles, and colors were used within the studios (all images were in black and white). One of the hardest challenges during the completion of the model was the camera, as each fold in the bellow in real life is just 3 cm. The final 1:12 scale camera has 124 2 mm folds that were all meticulously created by hand.
You can take a look at more of Alamedy’s miniature scenes on his Instagram and Facebook. (via PetaPixel).