Photography

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Photography

Remote Landscapes Illuminated by Geometric Drone Flight Paths in Photographs by Reuben Wu

October 7, 2019

Laura Staugaitis

Chicago-based artist Reuben Wu (previously) blurs the lines between photography and art in his unique images. Wu’s work brings him to remote locations around the world to capture rugged landscapes. But rather than focusing on purely documenting local topography, Wu uses lighted drones to create geometric shapes in the air, accenting the natural surroundings. Featured here are images from Wu’s Lux Noctis and Aeroglyphs series, showcasing the artist’s interplay of organic and constructed shapes.

Lux Noctis started as a means to present landscapes in a different way to conventional photography. The use of artificial lighting in a natural landscape came to me at Trona Pinnacles in 2014 when a random truck drove into my time lapse, unexpectedly illuminating the pinnacles in a way that shouldn’t exist,” Wu tells Colossal. “This expanded into the idea of introducing my own look and feel to a landscape using very nuanced aerial lighting. Rather than rely on the sun, and timing, to light my images, I was able to light it myself, like I would in a studio environment.” For his most recent Lux Noctis images, Wu traveled to Bolivia with sponsorship from Phase One, to use the company’s new XT camera platform.

For Aeroglyphs, the artist draws inspiration from the Land Art movement to create interventions without physically touching the earth. Images from the series are currently on view at photo-eye in Santa Fe, New Mexico through November 16, 2019. A catalogue from the show is available for preorder from Kris Graves Projects. Stay up to date with Wu’s new work and travels on Instagram and Facebook.

Wu traveled to Chile to document the eclipse as part of his “Arca Lux” work

 

 



Photography

A Photographic Survey by Jessica Wynne of Chalkboards Filled by Mathematicians

October 6, 2019

Andrew LaSane

Amie Wilkinson, of the University of Chicago, at the Institut Henri Poincaré in Paris. Images courtesy of Jessica Wynne

Photographer and Fashion Institute of Technology professor Jessica Wynne has spent the last year documenting the numbers, symbols, and models drawn by mathematicians onto chalkboards. The photos capture the thought processes and physical efforts of professionals in a medium that has been largely abandoned.

Wynne tells Colossal that she enjoys photographing the dusty work surfaces because of “their beauty, mystery and the pleasure of creating a permanent document of something that is ephemeral.” The “Do Not Erase” photo series, soon to be published in a book by Princeton University Press for release in 2020, includes boards from institutions and universities around the world. Wynne hopes that viewers can appreciate the aesthetic of the worked surfaces while “simultaneously appreciating that the work on the board represents something much deeper, beyond the surface.”

Wynne adds that she feels a “kinship” with the mathematicians. “Their imagination guides them and similar to an artist they have the higher aspiration to create, discover, and find truth.” For updates on the release of her book and for more interesting photo series, head over to Jessica Wynne’s website.

Shuai Wang, Columbia University.

David Gabai, Princeton University.

Andre Neves, then at the Institute for Advanced Study, Princeton, N.J.

Sahar Khan, Columbia University.

David Damanik, Rice University.

Institut des Hautes Etudes Scientifiques, outside Paris.

Noga Alon, Princeton University.

Alex Zhongyi Zhang, Columbia University.

Tadashi Tokieda, Stanford University.

 

 



Photography

Miniature Houses Become Life-Size Desert Dwellings in Samy Al Olabi’s Imaginative Photographs

October 3, 2019

Laura Staugaitis

Real and imagined worlds come together in photographer Samy Al Olabi’s nighttime landscapes. Miniature structures like log cabins, light houses, and abandoned ships are set against a backdrop of the United Arab Emirates desert with distant galaxies glimmering in the night sky. Olabi’s lifelong interest in astronomy inspired his professional affinity for astrophotography, along with a sense of wonder and play. The photographer, who is based in Dubai, sets out with an equipment-packed SUV to camp out and shoot his fanciful images on-site. By stitching together multiple photos to get the correct blend of lighting and focus—which he explains in detail on PetaPixel—Olabi’s final images create new visual narratives. See more of the artist’s work on Instagram and Facebook. (via PetaPixel)

 

 



Art Photography

Multiple Exposure Photographs by Ellen Cantor Evoke the Pleasure of Childhood Reading

September 30, 2019

Laura Staugaitis

Still life photographer Ellen Cantor meditates on memories imbued in familiar objects. In her series ‘Prior Pleasures’, Cantor uses her childhood book collection to create multiple exposure images documenting the literary loves of her youth. Each image features a single book on a black background, with the pages ablur between the illustrations, cover,  and end page art.

The photographer shares that she finds inspiration in Abelardo Morell’s camera obscura work, challenging her to “explore the myth of the photographic truth and… create a new way of looking at childhood icons.” Cantor seeks to capture the pleasure of losing oneself within the page of a book, a tactile experience that has become more rare with the advent of e-readers and the competing content on smartphones.

“My photographs are about time, loss and memory. I seek to understand how life proceeds and then ultimately disappears, the artist explains. “I document the artifacts of the past to enrich the present. I am interested in reimagining the family photo album and objects that hold personal histories in order to explore the distillation and persistence of memory.”

Cantor is based in southern California, and is represented by dnj gallery and Susan Spiritus Gallery in California and Truth + Beauty in Vancouver. The ‘Prior Pleasures’ series was most recently exhibited at the West Hollywood Library in spring 2019. You can explore more of Cantor’s memory-soaked photography on her website.

 

 



Photography

Quirky Juxtapositions Capture Imperfect Human Moments in Photographs by Shin Noguchi

September 27, 2019

Laura Staugaitis

All photographs shared with permission of the artist

Photographer Shin Noguchi spends his time, camera in hand, in Japan’s public spaces, observing and seeking out candid moments that reflect the humorous, heartbreaking, and bizarre realities of the human experience. Noguchi shares with Colossal that he values the existential affirmation of human life that he gleans from his work, accepting his and others’ situations as they are. The artist shies away from the term ‘street photographer’, as he views his work as more of a sociological experience.

“To shoot people with a camera is, for me, is like saying hello,” the photographer explains. “Sometime I use my mouth for it, sometime I use my eyes, and sometimes my camera, that’s it. I just really enjoy ‘talking’ or making conversation with people in the street, and if I use a camera for it, I always use the viewfinder; I never use hip-shots to hide myself.”

Noguchi tells Colossal that he was raised in a very creative household, and quickly fell in love with photography as a teen when his father gave him an old Fujica camera. Of the innumerable memorable moments Noguchi has encountered over the years, two memories stand out in particular.

After an exhausting day one February, in which the photographer had spent four hours shooting during heavy snowfall in Kamakura, he passed by a life-size mascot of a Kentucky Fried Chicken store, with the snow-crested Colonel Sanders offering a quiet, seemingly reassuring smile. On another winter’s day, Noguchi observed a craftsman carrying dozens of shoji (paper-paned interior doors) out of a Shibakoen temple for routine re-covering. Growing tired from his repetitive labors, the man finally punched a hole in the paper to make the shoji easier to carry.

You can follow along with Noguchi’s visual discoveries on Instagram and explore his extensive portfolio on his website. (via The Guardian)

 

 



Art Photography

Flower Blossoms Envelop Solitary Figures in Fares Micue’s Self-Portrait Photographs

September 26, 2019

Laura Staugaitis

“Golden Girl”, All photographs shared with permission of the artist

Spain-based photographer Fares Micue uses herself as a muse in spare, otherworldly portraits. Mostly set on plain backgroundsthough Micue does occasionally shoot on locationeach photograph depicts the artist incorporated with a botanical element. In some works, Micue’s face is obscured in a glass bowl sphere bursting with flowers; in others, blossoms cascade down her shoulders.

“It always starts with an idea in my head and the feeling I want to portray. Most times I create a sketch of the image I want to create together with as many details as I can get like colors, mood, location, clothing, props, etc… as well as a short story about the image,” Micue says. Even when working indoors, the artist uses exclusively natural light, and also utilized Photoshop to edit her final images in a way that matches her inner vision.

The photographer shares with Colossal that she is self-taught and started exploring the medium as a hobby in 2009. Micue grew to love the process of creating and critiquing each image as a conceptual work. In pursuing her work more seriously, the artist explains, she hopes to cultivate a range of emotional responses in viewers similar to how she feels in conceptualizing her photographs.

You can see more of Micue’s self-portraits on Instagram and her Saatchi Art profile, where limited edition prints are available for purchase. (via The Jealous Curator)

“Overthinking”

“Hunted”

“Eternal Sunshine”

“Lovely Us”

“Utopia”

“Celestial Girl”

“Deeply in Love”

“Tree of Life”

“Hanabi”

 

 



Photography Science

Lightning Scribbles Across the Sky in Dramatic Footage of Extreme Storms Around the U.S.

September 23, 2019

Laura Staugaitis

Arizona-based storm chaser and videographer Dustin Farrell just released “Transient 2”, the sequel to his 2017 film. For roughly three and a half minutes, the skies open up to reveal flashes of lightning and billowing clouds rolling across open plains. Farrell shares that he traveled 35,000 miles over two years to shoot the raw footage, and spent about 300 hours editing. To capture the brief but powerful flashes of lightning, Farrell relied on his Phantom Flex 4K, shooting at very high speeds. The short film’s music is by Harry Lightfoot. You can tag along with Farrell’s travels from the safety of your couch via Instagram and YouTube.