Japanese photographer Shin Noguchi’s series One Two Three follows the daily explorations, amusements, and tantrums of his three daughters, nine-year-old Yumeji, four-year-old Kotoyo, and two-year-old Hikono. The unplanned snapshots capture split-second moments of beauty such as a bubble floating perfectly in frame to surround his daughters’ faces in one image, or a photograph of his toddler at the table fast asleep behind a large cheese pizza.
“I just click the shutter when the moment is right during the life of my family,” explains Noguchi to Colossal. “I definitely hear a kind of music while clicking the shutter—the unposed, unstaged moments that exist. It’s like improvisations in Jazz. Like Eric Dolphy said, If I missed it, it’s gone in the air, I can never capture it again.”
Noguchi was inspired to start documenting his children after losing his father to stage four lung cancer in 2017. When packing up his father’s things he found previously unseen pictures of his own childhood taken by his mother which inspired him to engage in a more comprehensive documentation of his own family’s life. “If someone asks me, ‘Are these photos then art, or life?’ I want to say that ‘life is art,'” he explains. “I never called my photography ‘art,’ but definitely they show me what I feel art to be.”
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Peruvian artist Cecilia Paredes is the subject of her own richly patterned photographs, yet her figure is often difficult to locate at first. For each portrait she hangs boldly printed fabrics as the backdrop, which she then matches either with her painted skin, custom clothing, or both. Her torso, arms, and face fade into the background, as the curvature of her body and brown hair become some of the only indicators of her presence.
“I wrap, cover, or paint my body with the same pattern of the material and re-present myself as part of that landscape,” she explains. “Through this act, I am working on the theme of building my own identification with the entourage or part of the world where I live or where I feel I can call home. My bio has been described as nomadic so maybe this is also a need of addressing the process of constant relocation.”
Paredes was born in Lima, Peru and currently works between Philadelphia, Lima, and Costa Rica. Currently she has a solo exhibition at Museum of Latin America Art (MOLAA) in Los Angeles through December 30, 2018, and will open another solo exhibition at the Museum of the University of Navarra (MUN) in Spain on March 27, 2019. (via LensCulture)
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Photographer Diego Moreno incorporates ancestral imagery with a familiar contemporary universe in his series “In My Mind There is Never Silence.” The artist shares with Colossal that the characters that populate the series draw from his personal family history along with pre-Hispanic Mexican traditions. Each photograph depicts a normal domestic scene: gathering around a table for coffee, getting a hair cut, or playing in the living room with television on in the background. Moreno’s grotesque guardians are participants in or witnesses to these everyday tableaux, which doesn’t seem to surprise or alarm the humans in the room.
Each large, monstrous character, the Panzudo (which translates roughly to “paunchy”) guards a neighborhood in Chiapas, Mexico, and their size and grotesqueness reflects each individual’s scale of sin. He explains, “This work gives new meaning to the intricate tangle of the concealed and the visible, the individual and the collective subconscious, on the highly complex map of coexisting cultures and beliefs in contemporary Mexico.”
The series will be released as a photobook in 2019. The images will also be on view, representing Latin America, in the 5th African photo biennial in Ethiopia in December, 2018, in the Photo Vogue Festival in Milan, Italy on November 15, 2018. (via Lens Culture)
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Nanny and self-taught photographer Vivian Maier (1926–2009) (previously here and here) kept nearly 150,000 photographic images, including street photography and self-portraits, hidden from the world until an estate sale in 2007 revealed a large bulk of her secretive hobby. Since 2010 her photographs have been widely exhibited in galleries and museums across the world, and were the subject of the 2013 documentary Finding Vivian Maier, which was nominated for an Academy Award.
Although her mostly Chicago and New York-based photographs have become infamous in the decade since their discovery, her color images have been less prevalent due to the technical challenges involved in their development and recovery. This month the largest monograph of her full-color photographs was published by Harper Collins, which includes images pulled from the roughly 40,000 Ektachrome color slides spanning the last 30 years of her life. Vivian Maier: The Color Work explores over 150 of her colorful images with details that have been gathered about her story and photographic process. The book also features a forward by photographer Joel Meyerowitz and text by Colin Westerbeck, a former curator of photography at the Art Institute of Chicago.
“Maier was a self-invented polymath of a photographer,” writes Westerbeck in the book. “The one advantage Maier gained from keeping her photography to herself was an exemption from contradiction and condescension. She didn’t have to worry about either the orthodoxy or the approval of her peers.”
Vivian Maier: The Color Work was created in partnership with Howard Greenberg Gallery in New York City, who will be presenting an exhibition of the same title opening November 14, 2018 and running through January 5, 2019. Several of the color photographs included in the exhibition will be presented for the first time. You can see more of Maier’s black and white and color photography on this portfolio site dedicated to her collection, and you can purchase a copy of the new book on Amazon. (via Chicago Magazine)
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A Sharp Look at the Surprisingly Complex Process of Pencil Manufacturing by Photographer Christopher Payne
Photographer Christopher Payne (previously) spent several years building a relationship with the owners of General Pencil Company in Jersey City, New Jersey, one of the last remaining pencil factories in the United States. His dedication to working with the factory paid off, and between fall 2015 and summer 2017 Payne was granted access to the production floor for photo-documentation more than thirty times.
The photographer, renowned for his cinematic images that show the architectural grace of manufacturing spaces, shares that he has held a lifelong fascination with design, assembly, and industrial processes. “The pencil is so simple and ubiquitous that we take it for granted,” Payne tells Colossal. “But making one is a surprisingly complex process, and when I saw all the steps involved, many of which are done by hand, I knew it would make for a compelling visual narrative.”
Payne received both his bachelor’s and master’s degrees in architecture, though he has long focused on photography in his professional life. He has published three books and exhibited his work widely, most recently at the Wellcome Collection in London, U.K. and the Museum of the City of New York. You can see more of his work on Facebook and Instagram.
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While in town for a shoot for Shanghai Photofairs this past summer, photographer Florian Mueller would wander through the city’s streets, meeting the owners of food stalls and other businesses that stayed open into the night. The series, Nightshift, observes the inviting glow that emanates from Shanghai’s after-hours operations in addition to showcasing those that staff the small shops during the humid evenings. Flowers, carbonated beverages, cell phone cases, and ripe citrus are just some of the illuminated items that appear in the suite of works. You can see more images from Nightshift on Mueller’s website and Behance, and follow his travels on Instagram.
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Photographer Camille Seaman travels the world capturing fleeting moments of power in diverse landscapes. From melting icebergs at both poles to stormy states across America, Seaman showcases the beauty, terror, and fragility of nature in her digital and film images. Seaman began storm-chasing after her daughter, eight years old at the time, suggested it might be of interest while the two were watching the Storm Chasers TV show. Her newest book,The Big Cloud, focuses on supercell storms around the U.S. It includes a forward by New Yorker science writer Alan Burdick, and includes behind-the-scenes shots and written reflections from Seaman about the experience of being a storm chaser.
“Sometimes as we pulled into a local fuel station, we would be met with superstitious folks who were not glad to see us; some of those people had lost their homes or loved ones in storms,” Seaman writes in the preface. “It was important to remember that these people lived here year after year, never knowing if this would be the day when a tornado might come through their town. It taught me great empathy and compassion. It was important that our chasing storms not become some sort of disaster tourism… I always wanted my images to speak to the duality of all things—to speak to the essential truth that there can be beauty in something terrible and vice versa, that there is no creation without destruction.”
In addition to authoring three books, Seaman is also a TED Senior Fellow, and has published works in National Geographic, The New York Times, and Outside Magazine. You can find The Big Cloud, published by Princeton Architectural Press, on Amazon. Follow the photographer’s travels on Instagram and Twitter.
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Editor's Picks: Photography
Highlights below. For the full collection click here.