Photography

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Photography

A Lounging Humpback Whale and Her Newborn Garner Top Prize in International Photography Contest

June 17, 2020

Grace Ebert

“Essence of Life” by Jasmine Carey, of Australia. All images © HIPA and the photographers, shared with permission

Photographer Jasmine Carey, of Australia, captured a heartwarming moment between a mother humpback whale and her baby as they relax in the waters of the Kingdom of Tonga. Titled “Essence of Life,” the underwater shot recently won the top prize in the 2020 HIPA contest. “As we floated and watched them, the sound of the rhythm (of rain) faded just a little and the ocean calmed just enough for the tranquil pair to rise up, meeting the light rays just starting to break through the surface,” Carey said.

The international contest features dozens of winning entries from photographers around the world, all with a central focus. “Water may be the oldest and the perfect companion of humankind. Not only [are] our bodies predominantly made of water, but water is a necessity within our daily lives. From nature to nurture to science and discovery; water is central to our universe,” organizers said.

In its ninth year, the contest, which formally is named the Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award, granted winning photographers a total of $450,000. Explore the full collection of photographs on Instagram. (via PetaPixel)

 

“A Journey Outside Our World,” Apratim Pal, of India

“The Downpour” by François Bogaerts, of Belgium

“Snow Monalisa,” Fahad Al Enezi, of Kuwait

“Spirituality of Colors,” Abdullah Alshathri, of Saudi Arabia

“King of the North,” Talal Al Rabah, of Kuwait

“One Soul Opposite Direction,” Rashed Al Sumaiti, of the UAE

“The Secret of Life,” Yousef Shakar Al Zaabi, of the UAE

 

 



Art Photography

Sprawling Roots and Richly Hued Gowns Permeate Mary Sibande's Postcolonial Artworks

June 15, 2020

Grace Ebert

From “A Terrible Beauty is Born” (2013), archival digital print, 43 1/4 × 126 × 3 inches. All images © Mary Sibande, shared with permission

The immensity and depth of Mary Sibande’s multi-media artworks reflect the magnitude of her subject matter, which explicitly entwines the enduring effects of British imperialism and the apartheid. Through photographs, sculptures, and sprawling installations that scale floor to ceiling, the South African artist most often features a central Black woman, who is shown enveloped in purple roots or grasping thick, black thread dangling from a nearby portrait.

Named Sophie, the figure’s role is subversive and one that sheds light on the particularly “cruel history of Black female oppression and its implications in contemporary life—in particular, perception and ownership of freedom.” Sophie is dressed in color-specific costumes resembling Victorian-era clothing and often is wrapped in an apron, a garment synonymous with domestic work. Each bold hue is rich with cultural and historical contexts.

(Sophie) is first encountered in the traditional blue uniform of a domestic servant as she dreams of the possibilities denied to her by discrimination and inequality. Sophie is then transformed into a fantastical figure, enveloped in purple representing the bitter struggle against apartheid and the promise of equality. In her most recent incarnation, Sophie wears red, the color of anger, as she gives form to popular disaffection and continued civil unrest across South Africa.

Living and working in Johannesburg, Sibande shares many of her postcolonial projects and news about future exhibitions on Instagram. Get a deeper look into her work on Artsy.

 

“Conversation with Madam CJ Walker” (2009), fiberglass, resin, fabric, and steel, 104 1/2 × 104 1/2 × 10 inches

“Conversation with Madam CJ Walker” (2009), fiberglass, resin, fabric, and steel, 104 1/2 × 104 1/2 × 10 inches

“A Reversed Retrogress: Scene 1” (2013)

“A Reversed Retrogress: Scene 1” (2013)

“A Terrible Beauty is Born” (2013), archival digital print, 43 1/4 × 126 × 3 inches

 

 



Food Photography

A Model Morphs into a Rotund Tomato, Peeled Banana, and a Hoagie in a Bizarre Photographic Series

June 12, 2020

Grace Ebert

All images © Annie Collinge, with styling and art direction by Rottingdean Bazaar, shared with permission

A new photo series, titled Table For One, takes the proverbial saying that “you are what you eat” literally as it transforms model Tin Gao by sandwiching her between layers of cheese, lunchmeat, shredded lettuce, and sliced tomato in a bulging hoagie. Shot by photographer Annie Collinge, the bizarre series sees Gao morph from one food group to the next, whether as a stout tomato fashioned from a red jacket that covers the model from chin to ankle or stuffed into a peeled banana that mimics a sleeping bag.

With styling and art direction by James Theseus Buck and Luke Brooks of Rottingdean Bazaar, the humorous photographs were shot for Luncheon Magazine. Watch the video of the resting chicken below to see a somewhat unsettling part of the project, and follow Collinge and Rottingdean Bazaar’s future collaborations on Instagram. (via Inag)

 

 

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Art Photography

Hundreds of Photos of the New York Sky Pinned to a Massive, Spherical Sculpture by Sarah Sze

June 11, 2020

Grace Ebert

” Shorter than the Day” (2020), powder-coated aluminum and steel, 48 x 30 x 30 feet. All images © Sarah Sze by Nicholas Knight

Artist Sarah Sze explores the myriad conceptions of time and space through a tremendous, new spherical sculpture. Titled “Shorter than the Day” —a reference to Emily Dickinson’s poem “Because I could not stop for Death,” which considers the comfort found in life’s finality—Sze’s piece weighs five tons and was unveiled Thursday at LaGuardia Airport. It is suspended above an atrium in Terminal B.

The New York-based artist captures the magnitude of the upper atmosphere as it changes from bright blue morning to a vibrant sunset to the rich hues of the night through nearly 1,000 photographs of the sky. Each printed image is fastened to the aluminum and steel with alligator clips and is revealed as viewers move around the massive work, just like the earth circles the sun to mark a day. The piece was fabricated in collaboration with Amuneal.

Along with three other projects from artists Jeppe Hein, Laura Owens, Sabine Hornig, “Shorter than the Day” was commissioned by LaGuardia Gateway Partners and Public Art Fund. To find out more about Sze, whose work involves countless individual objects positioned in precise arrangements, watch her TED Talk and visit her site. (via ArtNet)

 

 

 



Photography

Dive Into a Never-Ending Sequence of Jumps and Tucks in an Olympic-Games Compilation

June 11, 2020

Grace Ebert

Although devotees of the Olympic games will have to wait until 2021 for the next round of competitions, Donato Sansone channels the same excitement, energy, and displays of strength into an extravagant new mashup. A second iteration of his previous video by the same name, Sansone’s latest motion sequence is comprised of short clips of athletes completing tucks, dives, and pikes. Each bit of footage seamlessly blends into the next, making the competitors appear to be joined in a single, nearly minute-long jump.

For more of Sansone’s Rube Goldberg-esque sequences, head to Tumblr and Vimeo.

 

 

 



Photography

Graceful Photographs of Solitary Figures by Oye Diran Explore Beauty and Empowerment

June 11, 2020

Grace Ebert

“Dakota.” All images © Oye Diran, shared with permission

Oye Diran describes his distinctly elegant photographs as “conceptual with a degree of minimalism and fantasy.” The New York City-based photographer captures refined images of women dressed in pastel gowns of billowing tulle and surrounded by wide swathes of blush fabric—like in “Maktub,” an arresting photograph (shown below) that recently won a first-place LensCulture Exposure Award.

Whether a profile or wider, scenic shot, Diran’s work frames solitary subjects who often are closing their eyes or looking away from the camera. The photographs highlight the grace of the female body without veering into the sensual. “I try to convey the many truths and beauty of people of color, empowerment, and life ideologies in my images,” he tells Colossal.

Diran begins each stylized photograph, which he often shares on Instagram, with a mood board of notes and inspiration from nature, art, and movies. Choices about the color palette, models, poses, props, and scenery reflect that spirit. “I can come up with a message I’m trying to channel to my audience and then build the imagery that conveys that message. Inversely, I can create imagery without any intended message, purely from a mood or expressive creativity where interpretation is left to the audience,” he says.

 

“Maktub”

“Blue Thoughts”

“Lucid”

“Verity”