With dizzying wall graphics reminiscent of warped funhouse mirrors, artist Peter Kogler transforms ordinary galleries, transit centers, and lobbies into near hallucinatory experiences. For over 30 years, the Austrian artist has worked at the intersection of architecture and new media to construct both immersive environments and sculptural elements that seems to redefine physical spaces. By plastering walls with optical illusions he challenges a viewer’s sense of depth (and sanity) with his ambitious monochromatic installations of repeating patterns that incorporate pipes, ants, and bold snake-like patterns.
Thanks to French artist Benedetto Bufalino, you can now dance the night away at a construction site turned night club with the help of his new Diso Ball Cement Mixer. The truck was parked from December 8-10 in Lyon, France where bright spotlights pointed at the truck turned the streets and building facades into swirling dance party. The spectacle apparently grabbed the attention of quite a few passersby who stopped to take photos and film the otherwise mundane work site that was transformed for a few hours each night.
Bufalino is known for his unconventional approach to urban interventions, frequently installing active aquariums into phone booths and creating a variety of public art pieces in unexpected places. (via Designboom)
Photographer Charles Pétillon (previously) captures arranged configurations of balloons in a variety of environments—trapping the illuminated organic shapes momentarily in his photographs. The huddles of balloons are metaphors for Pétillon, a nod to the objects, buildings, and structures we often pass by in our busy lives without taking the time to really notice them. Last year he produced a 177-foot-long installation for London’s Covent Garden, a work that he titled Heartbeat.
“Each balloon has its own dimensions and yet is part of a giant but fragile composition that creates a floating cloud above the energy of the market below,” explained Pétillon about his 2015 installation. “This fragility is represented by contrasting materials and also the whiteness of the balloons that move and pulse appearing as alive and vibrant as the area itself.”
Pétillon’s words can also be applied to his current oeuvre, a selection of which is currently on display in a solo exhibition titled Invasions. The works are featured at Magda Danysz Gallery in Paris through January 14, 2017, and also includes a site-specific installation of balloons to mirror those within his photographs. You can see a behind-the-scenes shoot below, as well as more final images of his balloon series on his website and Instagram. His work is also seen in the book Public Art Now.
From the mass of Taipei’s urban waste comes the project “Swings Park,” a public playground area constructed from dozens of unwanted lamp posts. The project is a collaboration between Taipei-based design studio City Yeast and Spanish art collective Basurma, two groups that aim to produce experimental design as positive activations for a city’s infrastructure and its residents. Fabricated in response to Design Capital 2016, the project was one of six selected proposals from the contest whose mission is to provoke urban evolution through public design.
The playground, located directly below one of the city’s busiest overpasses, is painted bright yellow—a way to break from the monotony of the surrounding architecture. In addition to swings built at four different heights, the structure also includes a multifunctional platform and two hammock-like nets, providing areas for both activity and respite.
Mexican-born mixed media and installation artist Gabriel Dawe (previously here, here, and here) produces rainbow installations that appear as refracted light beams, ethereal works composed of thousands of multicolor threads. His most recent installation, Plexus no. 35, graces the Toledo Museum of Art’s Great Gallery, its brightly colored composition contrasting the surrounding rich shades found in the paintings of old masters.
The site-specific work was designed especially for the museum and will be on display through January 22, 2017. You can see previous installations a part of Dawe’s Plexus series on his website and Instagram.
Nestled within a courtyard at the Hôtel de Griffy in Montpellier, France, this 2015 installation of pink and white balloons attempts to capture the feeling of spring by mimicking the color and feel of cherry blossoms as they fall from the ceiling. The 6-day installation titled “Un dixième Printemps” (The 10th Spring) was created by Margaux Rodot, Benoit Tastet, and Mickaël Martin, and draws inspiration from Hanami, a Japanese tradition of enjoying the abundance of blooming flowers across the country from the end of March to early May.
Netting secured across the courtyard ceiling effectively contained the helium-filled balloons that were gradually replenished each day as they gradually fell to a patch of grass below. Sunlight from above cast a pink hue into the space that filled windows and balconies surrounding the installation space. Un dixième Printemps was created for the 10th annual Lively Architecture Festival and went on to win the 2015 Jury Award. (via Designboom)