installation

Posts tagged
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Art

Museum Visitors Invited to Crawl and Slide Inside Massive Suspended Tape Structure

January 23, 2018

Laura Staugaitis

Photographs by Dan Hodges and Rich Sanders

The Des Moines Art Center’s recent exhibit, Drawing in Space, highlighted four artists working in the medium of tape. The show included Numen/For Use (previously), an artist collective based in Vienna and Zagreb. Their interactive sculpture, called simply “Tape,” is made exclusively of clear packing tape, suspended within the art center’s I.M. Pei-designed architecture. Museum visitors are encouraged to explore the piece from the inside out—as long as they wear socks and move through the structure in a clockwise direction. Numen’s exhibit at the Art Center closed on January 21st, and we’re looking forward to seeing where it appears next. Previous iterations have been built in Paris, Frankfurt, and Vienna. See more of Numen/For Use’s work on their website and Facebook.

 

 



Art

Walk Inside a Warehouse-Sized Kaleidoscopic Painting by Katharina Grosse

January 19, 2018

Kate Sierzputowski

The newest work by German artist Katharina Grosse encompasses an entire warehouse, transforming its raw interior into a soft maze of kaleidoscopic color. The installation, titled The Horse Trotted Another Couple of Metres, Then it Stopped, responds to the architecture of Sydney’s contemporary art center Carriageworks, filling the industrial space with nearly 90,000 square feet of painted fabric.

“I was fascinated by the thought of folding space,” explained Grosse in a statement about the work. “I was interested in taking this vast surface and shrinking it by folding or, actually, hiding the entirety of what’s there. I understand a painting as something that, as we view it, travels through us and realigns our connections with the world.”

To produce the piece Grosse first suspended the multitude of fabric from Carriageworks’ ceiling, creating a series of drapes and folds. The artist then used a spray gun to paint the work in a series of gestural strokes, creating an immersive site-specific environment that obscures the historic building’s architecture in a dense mass of swirling color.

The work was mounted as a part of Sydney Festival 2018, and is on view through April 8, 2018. You can view more of Grosse’s large-scale paintings (including this 2016 in situ installation at Rockaway Beach) on her website.  (via Juxtapoz)

 

 



Art

Explosive Light-Based Installations by Adela Andea

January 2, 2018

Kate Sierzputowski

Romanian-born artist Adela Andea creates futuristic light installations that range from wall-based works to immersive environments. The pieces appears as lit explosions, with LED lights, magnifying lenses, and flex neon springing outwards in a blend of chaos and control. Despite their composition of electrified material, each work is inspired by a natural phenomena. Andea looks to bioluminescent sea life, melting icebergs, and cosmological events to shape the composition and meaning of her large-scale installations.

Andea is currently represented by Anya Tish Gallery in Houston and Cris Worley Fine Arts in Dallas. You can see more of her neon-based installations on her website. (via The Jealous Curator)

 

 



Art

Step Inside a Swirling Mirror Room of Interactive Ocean Vortices by teamLab

December 28, 2017

Christopher Jobson

For their latest dizzying interactive installation, Japanese collective teamLab (previously) brought the ocean indoors, creating a projected environment that reacts to the movements of visitors, all encased within the infinite space of a mirror room. Titled “Moving Creates Vortices and Vortices Create Movement” the work is inspired in part by the life cycle of the ocean, particularly the movement of plankton as represented by the reactive particle effects that spin like whirlpools as you pass through the exhibition space. The speed and direction of people’s movements are all factored into the projections and in the absence of motion the room gradually reverts to darkness.

The Vortices installation just opened at the National Gallery of Victoria in Melbourne, Australia where it will remain on view through April 15, 2018. You can learn more on teamLab’s website. (via Designboom)

All images © teamLab.

 

 



Art Dance

Hundreds of Swinging Pendulums Subtly Choreograph Visitors’ Movements at the Paris Autumn Festival

December 27, 2017

Kate Sierzputowski

Hundreds of pendulums swing through Paris’ Grande halle de la Villette for choreographer and artist William Forsythe‘s installation Nowhere and Everywhere at the Same Time No. 2. The hanging plumbobs sway together in a series of timed sequences, which force visitors into choreographed movements as they avoid the ceiling-mounted works.

“The spectators are free to attempt a navigation of this statistically unpredictable environment, but are requested to avoid coming in contact with any of the swinging pendulums,” says an artist statement regarding Forsythe’s choreographic object. “This task, which automatically intimates and alerts the spectators innate predictive faculties, produces a lively choreography of manifold and intricate avoidance strategies.”

The work has previously been installed at the Circus Street Market as part of the Brighton Festival, the Turbine Hall of the Tate Modern, the Arsenale of the Venice Biennale, and will be displayed at la Grande halle de La Villette for le Festival d’Automne à Paris through December 31, 2017. You can see footage from an iteration of the installation at the Museum Folkwang in Essen, Germany in the video above. (via The Kid Should See This)

@audre.l

Image via @audre.l

Image via @tam_qubiqstudio

Image via @tam_qubiqstudio

Image via @_cedric_v

Image via @_cedric_v

Image via @ziyue_j

Image via @ziyue_j

Image via @studiomm_paris

Image via @studiomm_paris

 

 



Art Design Science

Artist Philip Beesley Merges Chemistry, Artificial Intelligence, and Interactivity to Create “Living” Architecture

December 8, 2017

Christopher Jobson

Astrocyte, 2017. All images by Philip Beesley and Alex Willms / PBAI.

Multidisciplinary artist and architect Philip Beesley weaves together such a broad array of technologies and systems in his artworks that they legitimately defy description, but the immediate impact of encountering these sprawling interactive installations is visceral and awe-inspiring. His latest work, Astrocyte, connects chemistry, artificial intelligence, and an immersive soundscape to create a living piece of architecture that responds to the presence of viewers. Comprised of 300,000 individual components, the piece was on view against the industrial backdrop at Toronto’s port lands for EDIT: Expo for Design, Innovation & Technology last October. From a statement about the project:

The structure is made up of resilient, lightweight meshworks of thermally formed acrylic, laser-cut into geometrical patterns optimized for production with minimal waste. This unique space truss system is part of the Living Architecture Systems’ pioneering research into resilient and adaptable structures. Astrocyte’s structural mesh components use overlapping strands of material in doubly-curved conical forms that achieve extraordinary strength from minimal material. These innovative forms are clustered together in bundles that are similar to the multiple filaments spanning between outer and inner shells of natural bone structures.

The piece further incorporates 3D-printed lighting components and masses of custom glasswork that contain a combination of oil, inorganic chemicals, and other solutions to form a sort of chemical skin. At the core of Beesley research is the question of whether architecture can truly be “alive,” opening the possibility for self-repairing structures or deeply responsive organic environments, where artificial intelligence exists at almost every level of design. Regardless of the complexity and heady ideas, the works are deeply aesthetically intriguing, something directly out of science fiction.

Beesley is the director of the Living Architecture Systems Group and a professor at the School of Architecture at the University of Waterloo. You can explore much more of his work on his website and along with several videos and interviews on Vimeo. (via Colossal Submissions)

 

 



Art

Danish Street Art Project Has Built Over 3,500 Urban Bird Houses Since 2006

November 22, 2017

Kate Sierzputowski

Artist and designer Thomas Dambo (previously) specializes in building family-friendly installations from upcycled materials. One of Dambo’s many interactive projects is Happy City Birds, a ongoing series that lies at the intersection of street art and community development. The Danish artist builds bird houses across urban centers, installing the new homes against buildings, grouped on tall poles, or spaced throughout existing trees.

Since 2006, Dambo and his crew have constructed more than 3,500 birdhouses with recycled wood and paint. Although a large percentage of his works are concentrated in Arken (you can see a Google map of the bird house locations here), many more of them can be found dotting Copenhagen, Aarhus, Odense, Horsens, Beirut, and Berlin. You can see more of Dambo’s bird houses, including this human-size build, and a collection of camoflauged homes, on Dambo’s website.