While flying south of San Francisco recently, photographer Julieanne Kost managed to capture this beautiful series of photographs that look like something out of a Dr. Seuss book. The color in the photos isn’t altered, nor were the images taken with an infrared lens, instead what you’re seeing are countless trillions of microorganisms thriving away inside shallow salt ponds. It takes an average of five years to transform bay water into salt brine, during which the various organisms that live in the ponds undergo a dramatic chromatic shift as the salinity increases. You can a bit more about the process over on Amusing Planet, and see more of Kost’s photograhs on Behance. All photos courtesy the photographer. (via This Isn’t Happiness)
From the series Landscape Multiple, 2013. Reworked second hand ceramics. Dimensions 52 x 42 x 7 cm. Collection Röhsska Museum, Gothenburg (S)
From the series Landscape Multiple, 2007. Reworked second hand ceramics. Ø 26 cm
From the series Landscape Multiple, 2012. Reworked second hand ceramics. Ø 26 cm
From the series Landscape Multiple, 2009. Reworked second hand ceramics. Ø 33 cm
Helsinki-based artist Caroline Slotte manipulates artwork found on acquired antique ceramics to create layered landscapes and isolated images. One of her most striking bodies of work titled Landscape Multiple involves a process of carving and sanding through stacked dinner plates to create new, unexpected landscapes. From her artist statement:
The reworking of second hand objects play a pivotal role in Caroline Slotte´s practice. She manipulates found materials, primarily ceramic everyday items, so that they take on new meanings. The tensions between the recognizable and the enigmatic, the ordinary and the unexpected are recurring thematic concerns. More recent explorations reveal an expanded interest in material perception and material recognition, teasing out situations where the initial visual identification fails resulting in an unsettling state of material confusion. Demonstrating an engaged sensitivity towards the associations, memories and narratives inherent in the objects, Slotte´s intricate physical interventions allows us to see things we would otherwise not have seen.
While on a recent trip to Iceland, photographer Sarah Martinet had the opportunity to shoot these amazing landscapes from a plane with open windows. You can see much more of her work (as well as more from this trip) on 500px and Facebook.
Photographer Jérôme Berbigier moved from France to Australia in 2007 and soon after took up photography. Inspired by a childhood spent near the Atlantic Ocean and the natural beauty of areas surrounding Sydney, it wasn’t long before he was capturing stunning landscapes up and down the Australian coast. A 2012 trip took him to Iceland where he captured these amazing views of the country’s waterfalls, rivers, and seascapes, some of which he didn’t publish until just this year. You can see much more of his photography on Flickr and over on Facebook. Prints of all his work are available upon request. (via Colossal Submissions)
Although WWII ended almost 70 years ago, its legacy lives on: in photographs, memories and on our landscape. Walk through the forests of Germany and you’ll see craters or, scars, as German photographer Henning Rogge calls them, that are the aftermath of bombs being dropped from planes. Rogge has been tracking down these craters and photographing them, capturing moments, after decades have elapsed, of earth slowly healing her wounds. An unknowing hiker might easily mistake them for small ponds and nothing more, which is perhaps why these masked scars are so haunting. Rogge’s photographs are part of a group show titled The Beautiful Changes, which is on display at RH Contemporary Art in New York City through September 13, 2014. (via Hyperallergic)
To explore the photography of French art director and concept designer Nicolas Bouvier is to become lost in strange new world, the inhabitants of which are dwarfed by the towering silhouettes of tree and mountains, or swallowed completely by eerie fog and haze. Though these landscapes are indeed real, shot in locations mostly in the Pacific Northwestern U.S., it may not be surprising that Bouvier’s day job is pure science fiction: he creates stunning concept art and illustrations for video games like Halo and Assassin’s Creed. While his concept art has gathered wide acclaim (he’s currently publishing a third book of his own illustrations), his photographic work has also flourished, garnering a significant following over on Flickr. We’ve featured his images several times right here on Colossal as part of our Flickr Finds series.
Currently based in Seattle, Bouvier first picked up a camera in the 1990s while in school, but it wasn’t until 2007 that he began shooting again in earnest. He has since amassed a collection of nearly two dozen cameras (he mentions he picked up a Lumix ZS40 just yesterday), all of which he experiments with as he explores locations around California, Washington, Oregon, Mexico, and France with his family who often appear as subjects in his surreal photos.
It was nearly impossible to make a selection of work for this post, so I strongly urge you to click this link, grab some coffee, and then press the right arrow on your keyboard about 1,100 times. You won’t regret it.
From onion peels to kiwi seeds or even bits of chocolate, it seems any canvas is sufficient for Turkish artist Hasan Kale (previously) as long as it meets the requirement of being incredibly tiny. Hasan delights in the challenge of depicting landscapes of his native Istanbul in the most infinitesimal of brush strokes, a feat that requires the use of a magnifying glass to appreciate the details of each piece. While the longevity of each object he paints is questionable, the steadiness of his hand is impressive to witness. See much more over on Facebook. (via Illusion)