Artist Jeremy Miranda (previously) paints in a space between worlds: reality and memory, indoor and outdoor, past and present. Ideas and concepts bleed together within his acrylic paintings like the fuzzy edges of a dream, where powerful images exist amongst unexpected locations and backdrops. The New Hampshire-based artist is heavily influenced by his surroundings in the American Northeast, apparent in his depiction of dense woods, crashing waves, and the recurring motif of lush greenhouses—a more literal depiction of his mixing of environments.
Miranda has an upcoming exhibition next month with Michelle Morin at Nahcotta Gallery, and he has a number of works or prints available through Etsy, Nahcotta, and his online shop. (via The Creators Project)
Mirror 11, 2017
Since 2003, Australian photographer Murray Fredericks has made at least twenty journeys to the center of Lake Eyre, a desert lake with an extremely high concentration of salt. Fredericks drags all of his equipment out into the barren landscape, capturing the dramatic sky reflected in both the inch-deep water and his rectangular mirror. The images are breathtaking color-based works, my favorites featuring a double horizon locked within the mirror and the water below.
“In the ‘Vanity’ series, rather than reflecting our own ‘surface’ image, the mirror is positioned to draw our gaze out and away from ourselves, into the environment, driving us towards an emotional engagement with light, colour and space,” said Fredericks about the series.
Images from Vanity are included in his solo exhibition titled Salt:Vanity at Hamiltons Gallery in London through June 14, 2017. You can see a behind-the-scenes look at Fredericks’ photographic process and journey into Lake Eyre in the short video above. (via Ignant)
Mirror 13, 2017
Mirror 30, 2017
Mirror 6, 2017
Mirror 12, 2017, all images © Murray Fredericks
Mirror 18, 2017
Montreal-based artist Guy Laramée (previously) recently unveiled a new body of sculptural work, highlighting his evolving ability to excavate mountainous landscapes, cavernous hollows, and sloping watersheds from the dense pages of repurposed books. One of his favorite mediums are bound stacks of old dictionaries and encyclopedias which he carves using a method of sandblasting to which he later applies oil paints, inks, pigments and dry pastels, crayon, adhesives, and beeswax. When photographed up close the works appear almost realistic, as if the viewer is looking at aerial or satellite topographies of Earth. You can explore more of Laramée’s latest work at JHB Gallery.
Photographer Zack Seckler's latest series took him 2,000 miles through South Africa, each piece shot from the passenger seat of a two-seater sport plane. The works feature animal tracks and shadows as compositional elements, capturing herds of flamingos, gemsbok, and even a solo turtle resting in the dazzling blue water.
“From elevations between 50 and 500 feet, the landscape hovers on the line between things looking very real and recognizable and being more abstract,” said Seckler. “That’s what really draws me in—the line between reality and abstraction.”
Seckler’s aerial photographs will be exhibited in a solo show of his work titled Zack Seckler: South Africa at ClampArt in New York City opening April 13. You can see more of his work (including this series of horse portraits) on his Instagram and Facebook, and a behind-the-scenes video of the week-long journey below. (via Colossal Submissions)
Turkish digital artist and photographer Aydin Büyüktas continues his dizzying landscape series Flatland with this new collection of collages shot in various locations around the United States including Texas, Arizona, New Mexico, and California. Each image requires around 18-20 aerial drone shots which are then stitched together digitally to form sweeping landscapes that curl upward without a visible horizon. As we’ve noted before, Büyüktas found inspiration in a century-old satirical novel titled Flatland about a two-dimensional world inhabited by geometric figures. You can see more from the series on his Facebook page.
Scottish painter Andrew McIntosh (aka Mackie) takes ubiquitous structures often abandoned on rural homesteads like travel campers or sheds and reveals hidden worlds within: radiant sunsets and expansive skies that appear like portals into another place. Drawing inspiration from a childhood spent in the Highlands of Scotland, the London-based painter gives unexpected life to derelict buildings set against the backdrop of mist-filled woods and frozen mountains. From his artist statement:
My paintings are an exercise in attraction. Through them I am constantly searching for new ways of communicating with the viewer. By seducing them with my imagery, I try to create a new visual language with the power to pique their attention and make them stop to ask: why? Desolate landscapes, decrepit houses, and incongruous moments of glory come together to suggest the presence of a narrative that exists as much in the viewer’s mind as in the painting. This is how I aim to use my works: as the space for an imaginary dialogue between strangers.
McIntosh most recently exhibited a new body of work with bo.lee gallery last month titled “Where we Belong” at Pulse Miami. You can see many more recent paintings in his online portfolio. (via The Jealous Curator)