Like the loop-de-loop scribbles of a child, artist Jung Lee (previously) constructed a series of neon light sculptures that were installed and photographed against cinematic landscapes as part of her series titled “No More“. Earlier neon works by the artist have focused on legible typographic phrases and words, with these new pieces taking a markedly abstract turn, perhaps in direct connection with the series’ title. The neon sculptures were installed on foggy snowbanks and reflective beaches, adding a bit of intrigue as to their intention. Photographs from the “No More” series were on view amongst several additional light installations last year at One and J Gallery. (via Fubiz)
Flying in a helicopter high above the coast of Greece, German photographer Bernhard Lang captures unusual networks of circular fish farms. The strange, ovoid enclosures appear like abstract geometric designs, hardly related to the thriving ecosystems of fish that lay just below the surface. Aquaculture is seen by many as a more efficient way to safely breed larger volumes of fish instead of harvesting wild populations, but concerns about the environmental impact near farming sites have raised a lot of questions.
“Greece’s aquaculture industry is important for the country,” Lang shares with Colossal. “Especially [because of] the bad economic situation in Greece. Fish, mainly sea bass and sea bream is one of their biggest agricultural exports, next to olive oil.” That said, fish prices have fallen sharply in recent years, further threatening a burgeoning industry.
Lang is known for his aerial studies of industry, wildlife, and landscapes around the world including a recent series of harbors in the Philippines and a colorful collection of beach umbrellas in the Italian resort town of Adria. You can follow more of his recent photography on Behance and Instagram.
Artist Jeremy Miranda (previously) paints in a space between worlds: reality and memory, indoor and outdoor, past and present. Ideas and concepts bleed together within his acrylic paintings like the fuzzy edges of a dream, where powerful images exist amongst unexpected locations and backdrops. The New Hampshire-based artist is heavily influenced by his surroundings in the American Northeast, apparent in his depiction of dense woods, crashing waves, and the recurring motif of lush greenhouses—a more literal depiction of his mixing of environments.
Miranda has an upcoming exhibition next month with Michelle Morin at Nahcotta Gallery, and he has a number of works or prints available through Etsy, Nahcotta, and his online shop. (via The Creators Project)
Since 2003, Australian photographer Murray Fredericks has made at least twenty journeys to the center of Lake Eyre, a desert lake with an extremely high concentration of salt. Fredericks drags all of his equipment out into the barren landscape, capturing the dramatic sky reflected in both the inch-deep water and his rectangular mirror. The images are breathtaking color-based works, my favorites featuring a double horizon locked within the mirror and the water below.
“In the ‘Vanity’ series, rather than reflecting our own ‘surface’ image, the mirror is positioned to draw our gaze out and away from ourselves, into the environment, driving us towards an emotional engagement with light, colour and space,” said Fredericks about the series.
Images from Vanity are included in his solo exhibition titled Salt:Vanity at Hamiltons Gallery in London through June 14, 2017. You can see a behind-the-scenes look at Fredericks’ photographic process and journey into Lake Eyre in the short video above. (via Ignant)
Montreal-based artist Guy Laramée (previously) recently unveiled a new body of sculptural work, highlighting his evolving ability to excavate mountainous landscapes, cavernous hollows, and sloping watersheds from the dense pages of repurposed books. One of his favorite mediums are bound stacks of old dictionaries and encyclopedias which he carves using a method of sandblasting to which he later applies oil paints, inks, pigments and dry pastels, crayon, adhesives, and beeswax. When photographed up close the works appear almost realistic, as if the viewer is looking at aerial or satellite topographies of Earth. You can explore more of Laramée’s latest work at JHB Gallery.
Photographer Zack Seckler's latest series took him 2,000 miles through South Africa, each piece shot from the passenger seat of a two-seater sport plane. The works feature animal tracks and shadows as compositional elements, capturing herds of flamingos, gemsbok, and even a solo turtle resting in the dazzling blue water.
“From elevations between 50 and 500 feet, the landscape hovers on the line between things looking very real and recognizable and being more abstract,” said Seckler. “That’s what really draws me in—the line between reality and abstraction.”
Seckler’s aerial photographs will be exhibited in a solo show of his work titled Zack Seckler: South Africa at ClampArt in New York City opening April 13. You can see more of his work (including this series of horse portraits) on his Instagram and Facebook, and a behind-the-scenes video of the week-long journey below. (via Colossal Submissions)