While on a trip to visit the Ijen and Bromo Tengger Semeru volcanoes in East Java last month, Chicago-based photographer Reuben Wu captured the unusual sight of molten sulphur that flows from fumaroles at the base of the Blue Fire Crater at Ijen. The area is usually swarming with tourists, but Wu stayed after sunset until the moon rose to capture these otherworldly images.
The journey into the Ijen Caldera is not for the feint hearted. A two-hour trek up the side of the rocky volcano is followed by another 45-minute hike down to the bank of the crater. The blue fire found at the base is the result of ignited sulphuric gas that burns up to 600 degrees Celsius (1,112 degrees Fahrenheit) and can flare up to 5 meters (16 feet) into the air. It is the largest “blue flame” area on Earth.
Additional photos from Wu’s trek through Indonesia can be seen here. (via Colossal Submissions)
Earth View is a giant collection of 1,500 curated images that represent the most striking images found through Google Earth. You can can click or swipe randomly through the far flung reaches of the planet as captured from satellites as captured from the world. All the images are available as wallpaper images for mobile and desktop, and they even have a Chrome app that loads a random image for each new tab. See also: Aerial Wallpapers. (thnx, Xavier!)
Xhariep, South Africa
Al Jowf, Saudi Arabia
Saint John, United States
For Guillaume Amat's “Open Fields” project he placed a mirrored stand in various landscapes, reflecting the opposing environment back within the image to create a double interpretation of the surrounding scene. These reflections contain dark figures against bright fields, homes in barren landscapes, bits of foliage contained within stretches of industry, and even a horse that pops into the frame.
Each image is taken with a 4×5 inch camera, the included mirror measuring 31.5 x 47.2 inches. Amat wanted to concentrate on the double interpretation of the landscape seen outside and within the mirror, working on the concept of territory as space.
Independent curator and writer Paul Wombell compared this series to the Greek myth of Orpheus and Eurydice saying, “With the use of the camera and a mirror Guillaume Amat has made photographic images that simultaneously look forward and backwards. They create a strange dreamlike landscape where buildings and figures float in the center of the picture and suggest that he has two sets of eyes, both at the front and back of his head. Orpheus would have been impressed.”
Amat lives and works in Paris where he mostly focuses on long-term projects to produce cohesive photographic narratives existing somewhere between documentary and poetry. (via vjeranski)
Making-Off Open Fields /#2 Le Calvaire des Dunes.
Brooklyn-based graphic designer Victoria Siemer (previously) explores the idea of fractured landscapes through photo manipulations and collages. Siemer makes use of reflected geometric shapes suspended over gloomy natural landscapes shrouded in fog and clouds resulting in portal-like mirrors. She says much of her work is guided by the idea of emotional fragmentation and “fragmentation of the self,” a topic she explored in-depth while studying design at SUNY Buffalo. You can keep up with her work on Instagram and some of her pieces are available as prints.
Often I use the windows of airplanes as frames in which to view the landscapes just beyond the thick glass— scenes featuring rolling clouds, rich gradient skies, and patchwork fields. Jim Darling has taken this idea of the window as frame and created paintings that place the audience as passenger, showcasing vague yet nostalgic landscapes within his constructed airplane windows.
Darling’s paintings are from this sky-high perspective, painted cities, clouds, and oceans with the occasional wing creeping into the painting from the far edges. Each work includes layered woodwork, acrylic, and aerosol to build the tromp l’oeil nature of the piece, allowing one to finally experience these atmospheric views without the turbulence. (via Stop, Drop & Vogue)
Ellie Davies' studio is the forest, creating magical, fairytale-like stills throughout the UK. Davies has been exploring this terrain for the past seven years, attempting to uncover the complex interrelationships between landscape and the individual.
Davies creates both temporary and non-invasive interventions within each forested scene. By incorporating pools of light, smoke, and craft materials she places the viewer in the liminal space between reality and fantasy, a re-exploration of the natural world around us. In her series Stars, the artist overlays her own photography with stars plucked from imagery taken by the Hubble space telescope. These mystical images are created in order to encourage pause, and provoke thoughts about how landscapes influences our identity.
Davies lives in London and received her MA in Photography from London College of Communications in 2008. She is represented by several international galleries including A.Galerie in Paris, Crane Kalman Brighton, Sophie Maree Gallery in The Netherlands, Brucie Collections in Kiev, and Art Gemini, Singapore. Recently Crane Kalman Gallery Brighton took her work to the Photo London Art Fair at Somerset House from May 21st through 24th, 2015. (via Kateoplis, My Modern Met)
A Finnish photographer who goes by the name of Janne recently perfected a technique for shooting a “moon trail,” similar to long exposures you’ve probably seen of stars in the night sky. The photograph required over 37 minutes to shoot as the moon made its way slowly across the landscape. Michael Zhang from PetaPixel explains a bit of the technical details:
Janne was shooting with a Nikon D800 and 100-300mm lens at 300mm, f/8, and ISO 100. The trick behind the shot was a 10-stop neutral density filter, which greatly cut down the amount of light hitting the sensor and allowed Janne to shoot a 2258-second exposure.
You can see the moon trail a bit larger here, and see more of Janne’s photos from around Finland on Flickr. (via PetaPixel)