Línea de horizonte is a 2006 sculpture by artist Javier Perez depicting a sequence of 60 heads as they gradually morph into (and out of) detail. The multidisciplinary artist frequently explores aspects of mortality through anatomical forms in sculpture, painting and other mediums. Perez has upcoming solo shows at both the Mario Mauroner Contemporary Art in Austria and the Centre d’Arts des Pénitents Noirs in France later this year. You can follow his work on Tumblr and over on Facebook. (via My Amp Goes to 11)
There’s been a tremendous amount of coverage online and off about artist Li Hongbo’s astounding paper sculptures constructed from stacks of layered paper that can flex and contort into eye-popping shapes. You can read previousposts here on Colossal for more detail about his work, but if you just can’t get enough, you’re in luck. Kid Guy Collective in collaboration with Eli Klein from Klein Sun Gallery, have finally documented the artist’s sculptures in a truly artful way. Shot at 240 frames per second, the video finally captures the fine details of Hongbo’s work for those of us unable to see them up close. Want even more? Here’s an extended cut.
UK-based artist Beccy Ridsdel creates fun yet strangely macabre interventions where ceramics have been surgically altered to reveal additional layers of detail. Where the metaphor of surgery might normally evoke blood and guts, Ridsdel instead reveals further floral patterns inside bone china plates and cups. The pieces are part of an ongoing examination regarding the perception of ceramics as craft or art. You can see more of her work over on Facebook and she has a few pieces for sale in her shop. (via Slow Art Day)
Barcelona-based sculptor Jordi Diez Fernandez works pimarily with welded steel fragments to create monumental human forms. His most recent piece is a tribute to civil engineer Ildefons Cerdà (top) who was largely responsible for designing the 19th-century extension of Barcelona called the Eixample, a memorial now on view in the municipality of Centelles. You can see much more of Fernandez’s work on his website and over on Behance.
In North America, Europe and many other parts of the world, bee populations have plummeted 30-50% due to colony collapse disorder, a fact not lost on artist Aganetha Dyck who for years has been working with the industrious insects to create delicate sculptures using porcelain figurines, shoes, sports equipment, and other objects left in specially designed apiaries. As the weeks and months pass the ordinary objects are slowly transformed with the bees’ wax honeycomb. It’s almost impossible to look at final pieces without smiling in wonder, imagining the unwitting bees toiling away on a piece of art. And yet it’s our own ignorance of humanity’s connection to bees and nature that Dyck calls into question, two completely different life forms whose fate is inextricably intertwined.
Born in Manitoba in 1937, the Canadian artist has long been interested in inter-species communication and her research has closely examined the the ramifications of honeybees disappearing from Earth. Working with the insects results in completely unexpected forms which can be surprising and even humorous. “They remind us that we and our constructions are temporary in relation to the lifespan of earth and the processes of nature,” comments curator Cathi Charles Wherry. “This raises ideas about our shared vulnerability, while at the same time elevating the ordinariness of our humanity.”
If you want to learn more I suggest watching the video above from the Confederation Centre of the Arts, and if you want to see her work up close Dyck opens an exhibition titled Honeybee Alterations at the Ottawa School of Art on March 3, 2014. A huge thanks to Gibson Gallery as well as Aganetha and Deborah Dyck for their help. All photos courtesy Peter Dyck and William Eakin.
Vienna-based designer Andreas Scheiger created this fun series of faux taxidermy heads using a bunch of found bicycle seats and handlebars. The pieces can serve as fun art objects, or as functional hooks for holding bags, coats, and even other bicycles. Several of them are for sale over on his website, or you can see how he did it and maybe attempt your own. (via Fubiz)
Update: Several of you have mentioned that these are pieces appear to be a modern interpretation of Picasso’s Tête de taureau.
New York-based sandcastle artist Calvin Seibert (previously) just returned from a 10-day trip to Hawaii where he completed a number of his abstract, geometric sandcastles. For the past 30 years Seibert has worked as a sculptor’s assistant and puts some of his acquired skills in construction and basic carpentry to use while executing these perfect, angular sand structures. You can see more of his recent work here.
Using dismembered plastic parts from old dolls and other toys, artist Freya Jobbins assembles these exceedingly strange portraits of people and pop culture icons. Chances are when viewing these you fall firmly into one of two camps: the highly amused or the highly disturbed. Regardless, it’s hard to deny the incredible amount of labor that goes into each piece, from the exploration of form and the use of color to make each anatomical amalgamation.
Born in Johannesburg, South Africa and raised in West Sydney, Jobbins is influenced in part by Guiseppe Archimboldo’s fruit and vegetable paintings as well as Ron Mueck’s oversized humans. I first encountered Jobbins’ work close-up at the Toy Cycle exhibition in Tel Aviv back in December courtesy of Kinetis, and despite the mild case of heebie-jeebies it was impossible to look away as I tried to figure out how each piece came together.