Barcelona-based artist and set designer Raya Sader Bujana (previously) continues to explore sports through paper in her ongoing series of paper athlete sculptures that celebrate a wide range of popular sports. In timing with the Summer Olympic Games in Rio, Bujana created a number of new paper sculptures that she photographed and released as 12 limited edition Giclee prints in her online shop. You can see much more of her editorial work on Instagram.
Montreal-based artist Laurent Craste (previously) has a penchant for decorative objects, exploring their meaning by more or less beating up the porcelain sculptures. Craste intervenes with history, morphing the staid and decorative nature of each vase or dish into a moment of comical misfortune. These accidents that are not necessarily happy ones, but ones that involve knives, bats, and nails penetrating each piece.
“I regard the inventory of original models from the main 18th and 19th century European porcelain manufacturers and use these models as a basis for research on the status of the collectibles, by subjecting them to a practice of deconstruction and violent alteration of their formal structures, or by contaminating their traditional decorations through a subversive process of subject substitution,” said Craste in his artist statement.
Some of Craste’s work was recently featured by Back Gallery Project at the Seattle Art Fair from August 4-7. You can see more damaged vessels on his website. (via Fubiz)
Indonesian sculptor Ichwan Noor (previously) takes the iconic components of vintage VW vehicles and warps them into perfect spheres and cubes. The large-scale sculptures leave the uncanny impression of being instantly recognizable, yet leaving you wondering just how the artist constructed them. It’s the immediate familiarity that initially attracted Noor to using the cars as a medium in the first place. “I see the VW Beetle as one of the most successful designs, one that people will always be familiar with,” he says about the ongoing sculpture series. The artist most recently exhibited a new Beetle Sphere at Art Stage Jakarta 2016, and you can see more of his recent artwork on his website.
For artist Amy Genser, paper is pigment. The Connecticut-based artist cuts, rolls, and arranges countless tubes of mulberry paper mounted to Masonite boards to produce vibrant reef-like canvases. The tightly rolled papers perfectly mimc the forms of sea coral that appears to grow organically in every direction across (and on the sides of) each canvas. Since we last explored her work several years ago Genser was commissioned to create a massive 150 ft. mural for the Nemours/Alfred I. duPont Hospital for Children and has exhibited all across the US and Europe with Elisa Contemporary Art and Galerie NUMMER40. You can see more of her recent work in her portfolio.
Mechanical Horn Centaur Beetle, 2015. 100 x 100 x 150 cm. Jati Wood, Pine Wood, Electric Dynamo.
Indonesian artist Dedy Shofianto creates unusual kinetic sculptures of insect-like creatures by carving almost every component from wood. Though powered by hidden electronics it’s the exquisitely detailed mandibles, wings, antennae, and gears of these hybrid creatures crafted from locally sourced jati (teak) wood that take center stage. It would seem that a lifetime of wood craftsmanship would have been brought to bear on each piece, all the more impressive considering Shofianto created these pieces when he was only 24 years old while still in school—he graduated from the Art Institute of Indonesia just last year. You can see more of his kinetic works at Redbase Contemporary Art.
Evolution, 2015. 120 x 100 x 144 cm. Jati Wood, Pine Wood, Electric Dynamo, Ultrasound System.
Nyanyian Kumbang Tanduk, 2015. 100 x 80 x 150 cm. Jati Wood, Electric Motor, Ultrasonic Sensor.
Seeking Identity, 2015. 70 x 50 x 125 cm. Jati Wood, Gamelina Wood.
With layers of porcelain surgically peeled back like skin, UK artist Beccy Ridsdel (previously) reveals the colorful internal workings of ceramic dishes. The artist refers to the pieces as “dissections in progress” and displayed earlier iterations alongside actual surgical implements to further heighten their anatomical nature. Titled “Under the Surface,” the ongoing series suggests each porcelain cup or plate has an internal biology of floral decorations that can be explored by removing bits of exterior. Many of Ridsdel’s latest pieces are currently available in her online shop.