Straddling a line between 2D and 3D, paper artist Calvin Nicholls forms carefully cut and layered paper sculptures of animals that seem to break free from the surrounding matboard and hover just above the surface. To achieve the haut-relief effect (a process he shares online), Nicholls first works from a drawing which he uses as a template for the various paper components. Using an X-ACTO knife, scalpels, and scissors he then carefully cuts pieces of paper and glues them in place. Each piece can take anywhere from a few weeks up to two years depending on scale and complexity.
Nicholls recently sculpted five birds of paradise as part of a private commission that are currently on view at the Society of Animal Artists annual ‘Art and the Animal’ show at the Roger Tory Peterson Institute in Jamestown, NY. The pieces won both an Award of Excellence and the “Artists’ Choice” awards. You can also keep an eye out for his work at the Leigh Yawkey Woodson Art Museum later this month for the Birds in Art exhibition.
Seen here is a collection of artworks from the last year or so, but you can explore hundreds of additional pieces on his website and Facebook.
London-based artist Elliot Walker uses molten glass to create a stunning variety sculptures including these arrangements of eating utensils, vessels, and cross sections of food. The stark outer surfaces of the surrounding objects contrasts with the vibrant interiors of the edible pieces, not unlike the effect of a cut geode. Walker currently has work at the Peter Layton Glass Blowing Studio as part of their current exhibition titled Essence that runs through the end of the week. You can see more photos of his work on Facebook.
Dietrich Wegner / Photo by Christopher Jobson for Colossal
The fun thing about Dismaland is that in addition to pieces by Banksy, you get to immerse yourself in the works of 58 additional artists, and films by 22 directors and animators. It’s impossible to grasp the scope of every last sculpture, painting, and installation, but included here is a small selection of pieces the crowds are buzzing about inside the three large indoor gallery spaces at Dismaland. You can see our additional coverage of the event here, and Evan over at Juxtapoz managed to get an exclusive interview with Banksy before the event.
Lastly, here are links to the 24 short films included in the hour-long Cinema program I helped with.
F*ck That: A Guided Meditation by Jason Headley; Bottle by Kristen Lepore; New York Park by Black Sheep Films; Symmetry by the Mercadantes; Magic Hats by Jake Sumner; Golden Age of Insect Aviation: The Great Grasshoppers by Wayne Unten; Walking on By by Mr. Freeman; Merry-go-round by Vladimír Turner; The Gap by Daniel Sax; 5 mètres 80 by Nicolas Deveaux; I’ve fallen, and I can’t get up! by Dave Fothergill [with audio added]; Danielle by Anthony Cerniello; Anamorphose Temporelle by Adrien M. & Claire B.; Stainless / Shinjuku (excerpt) by Adam Magyar; Collapsing Cooling Towers by Ecotricity; Liberty by Vincent Ullmann [edited with audio added]; The Employment by opusBou; Yawns by the Mercadantes; Rush Hour by Black Sheep Films; Pug Particles by Ramil Valiev; Shell’s priceless Grand Prix moment by Greenpeace Living With Jigsaw by Chris Capell; Teddy Has An Operation by Ze Frank; and Don’t Hug Me I’m Scared #1 by Becky and Joe.
Janus, 2015 (Courtesy of Maskull Lasserre)
Jimmy Cauty’s ADP installation / Photograph by Christopher Jobson for Colossal / Click for detail
Embroidered cars by Severija Inčirauskaite-Kriaunevičiene / Photo by Christopher Jobson for Colossal
Anatomical ceramics by Ronit Baranga
Tattooed Porcelain Figures by Jessica Harrison / Top photo by Christopher Jobson for Colossal
Paco Pomet / Photo by Christopher Jobson for Colossal
Artist Shirin Abedinirad (previously) just completed work on her latest sculpture, Mirrored Ziggurat, a pyramid of mirrors resting near a bay in Sydney, Australia as part of the Underbelly Arts Festival. Like her earlier mirror works, the Iranian artist is fascinated by stitching the sky to the ground (or vice versa, depending on your perspective) to create unusual optical illusions from almost every viewing angle. From her statement about the piece:
In this installation I have been inspired by the pyramidal structure of Ziggurat, a common form of temple in ancient Mesopotamia, attempting to connect earth and sky, so humans could be nearer to god. The Mirrored Ziggurat acts as a staircase, which seeks to connect nature with human beings and to create union of ancient history and today’s world. This installation offers a transformative view of the self.
You can see more views of the installation as well as a video on her website.
After witnessing the destruction brought on by hurricanes in Thailand, the Southern U.S. and around the world, Italian sculptor Lorenzo Quinn began creating a series of sculptures titled ‘Force of Nature’. Made from bronze, stainless steel and aluminum, the sculptures, full of life and energy, depict mother nature hurtling planet earth around in circles. The powerful and furious image is meant remind us of the power of nature and what Quinn describes as our “false sense of security” towards it.
“After having seen the ravaged coast of Thailand and the Hurricane that affected the Southern States I decided to create a sculpture dedicated to Mother Nature,” explains Quinn. At any moment in time, nature’s wrath could be awakened, bringing with it sudden destruction. The sculptures, which have been installed all around the world, remind us of this fact. And for Quinn they also harken back to something more ancient and primitive: “This would be reminiscent of the early statues made as peace offerings to the Gods in the hope of quenching their anger.” (via Bored Panda)
Glass artist Ben Young (previously here and here) just shared a glimpse of his latest sculptural works made from layers of cut laminate window panes. The bodies of water depicted in Young’s work are usually cut into cross-sections akin to textbook illustrations, creating translucent geometric islands that can appear both monolithic or chamsic.
“I hope viewers might imagine the work as something ‘living’ that creates the illusion of space, movement, depth and sense of spatial being,” Young says. “I like to play with the irony between the glass being a solid material and how I can form such natural and organic shapes.” The self-taught artist, furniture maker, and surfer has explored the properties of cut glass for over a decade at his Sydney studio. Here’s a bit more about his processes via Kirra Galleries:
Each of Young’s sculptural works are hand drawn, hand cut and handcrafted from clear sheet float glass made for windows, then laminated layer upon layer to create the final form. He constructs models, draws templates, makes custom jigs and then cuts the layers with a glazier’s hand-tool. The complexity comes from the planning phase, where he says “I do a lot of thinking before I even start to draw or cut.” He then sketches the concept by hand and creates a plan using traditional technical drawing techniques: “I work with 2D shapes and have to figure out how to translate that into a 3D finished piece. Sometimes my starting point changes dramatically as I have to find a way to layer the glass to create certain shapes.” The texture and colour of the glass varies in every piece according to its thickness and arrangement.
Young opens a new exhibition of work along with artist Peter Nilsson titled Float at Kirra Galleries this evening in Melbourne.
Canadian artist Guillaume Lachapelle explores the infinite in this series of mysterious 3D printed dioramas titled Visions. Sitting atop pedestals in a darkened gallery, the eerie “rooms” rely on lights and mirrors to create the illusion of vast spaces that seem to reflect into much larger open spaces. These pieces were on view last year as part of a solo show at Art Mur in Québec, and you can see more of them up close over on Artsy.