Artist Li Hongbo, whose flexible paper sculptures we’ve admired many times here on Colossal, recently created a new series of silhouette artworks as part of a solo show at Contemporary by Angela Li in Hong Kong. Each piece is delicately cut from the knife leaving a complementary negative space from which it appears to rise. Hongbo says the pieces are meant as a warning, that “human beings will eventually destroy themselves because of their gluttony and their abuse of animals.” You can see more from the series here. If you liked this technique, also check out paper sculptures by Peter Callesen. (via My Amp Goes to 11)
Heirloom is a 2013 installation by artist Rena Detrixhe created from thousands of collected seeds that were applied in lace-like patterns to a large piece of sheer fabric. The resulting tablecloth makes it appear as if the seeds are hovering just above the surface. You can see much more of her environmental and textile-based artwork here.
In a poetic twist of fate, end-of-life paintbrushes are whittled down and sculpted into artwork by San Francisco-based artist Rebecca Szeto. Tools that were once used to create artwork, now bear the face of female portraits largely inspired by women of the Renaissance period and other female figures of art history. Szeto, who previously worked as a faux finisher, uses her skill and background to create playful objects that question our notions of beauty and value; trash and treasure. “The slow and repetitive nature of whittling becomes a meditative activity,” says Szeto, referring to her ongoing series of Paintbrush Portraits. For Szeto, the build-up of paint layers helps define their ultimate form as she reflects “on the idiosyncrasies of each individual brush.” (Via Lustik)
Working out of his one-man workshop inside a mid-19th century barn, artist Bob Potts (previously) builds wonderous kinetic sculptures that replicate the motions of birds, fish, or other natural motions. The 72-year-old artist utilizes hand-crafted gears, levers, cranks, and chains to create these minimalist pieces that are focused solely on motion rather than ornamentation. Each piece can consume nearly a year’s worth of labor in his upstate New York shop where he works without the aid of computer, instead relying on decades of carpentry and skills learned while collaborating with painter and sculptor George Rhoads.
You can learn much more about his work over at M.A.D.Gallery. The videos above were shot and edited by Bryan Root from Motherlode Pictures.
From heaps of scrap metal, old bike chains, and silverware, sculptor Igor Verniy creates birds, butterflies, and other unusual creations. Many of his steampunk and cyberpunk sculptures are made to be fully articulated, with dozens of moving or adjustable parts enabling each piece to be posed in several lifelike positions. These are some of my favorite pieces but you can see more over on his VK and Facebook pages.
New York-based artist Mary O’Malley (previously) continues her fantastic amalgamations of porcelain dishware encrusted with ocean life titled Bottom Feeders. Like any object resting on the ocean floor, her sculptures have become increasingly swarmed by flora and fauna over the years, with some of her most recent pieces appearing wholly consumed by coral, seaweed, crustaceans, and tentacles. O’Malley creates everything you see by hand, the teapots and other dishes are thrown and hand-built porcelain, to which she adds sculpted wildlife coated with red iron oxide. You can see more of her recent work on Facebook and Instagram.