Originally inspired by the form and function of a sea urchin, artist Jennifer Maestre constructs unwieldy organic forms using pencils and pencil shavings that bloom like unworldly flowers. Some of her latest pieces appear to have grown tentacles and rest atop pedestals like scaley octopi. The artworks are designed to simultaneously attract the viewer but also offer a certain aesthetic defense. She shares in her artist statement:
The spines of the urchin, so dangerous yet beautiful, serve as an explicit warning against contact. The alluring texture of the spines draws the touch in spite of the possible consequences. The tension unveiled, we feel push and pull, desire and repulsion. The sections of pencils present aspects of sharp and smooth for two very different textural and aesthetic experiences. Paradox and surprise are integral in my choice of materials.
Several pieces by Maestre were recently on view as part of an exhibition titled “Waste to Art” in Baku, Azerbaijan.
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