sculpture

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Art

Bordalo II Opens the Doors to ‘Attero,’ a Giant Exhibition of Animal Assemblages Built with Trash

November 17, 2017

Christopher Jobson

Within the confines of an abandoned warehouse in Lisbon, artist Bordalo II just opened the doors to his largest body of work to date, dozens of animalistic assemblages comprised of his trademark medium: trash. Using locally-sourced waste plastics, car parts, construction materials, and other found detritus, Bordalo has become famous for his uncanny depictions of animals—those most vulnerable to the side effects of our disposable economy. While scale often plays a large role in his outdoor wall-mounted street pieces, the artist also created considerably smaller assemblages attached to old doors, siding, and windowpanes.

“Whether on a large or small scale, his unusual sculptural creations oblige us to question and rethink our own role as actors in this static, consumerist and self-destructive society, which exploits, often in an abusive way, the resources that nature offers us,” shares Attero curator Lara Seixo Rodrigues.

With well over 8,000 visitors in its first week, Attero (Latin for waste) opened on November 4, 2017 and runs through November 26. You can see many more photos on Facebook and Instagram.

 

 



Art

Liquid Gold Appears to Flow, Drip, and Drain Through Galleries by Vanderlei Lopes

November 13, 2017

Christopher Jobson

In this ongoing body of sculptural works, Brazillian artist Vanderlei Lopes creates temporary interventions where his polished brass objects appear to pour and drain like gold from the walls or floors of galleries. Much of Lopes’ work plays with aspects of transformation, be it through the tension of liquid and solid forms seen here, by subtraction, or experimenting with orientation. You can see much more of his work on Artsy and Athena Contemporânea.

 

 



Art

Temporal Floral Structures Formed From Unfired Clay by Phoebe Cummings

November 13, 2017

Kate Sierzputowski

Artist Phoebe Cummings works primarily with unfired clay to create floral arrangements that are both performative and temporal. The malleable sculptures last only as long as the exhibition, and are made on-site to specifically respond to their temporary environment. The works’ forms are inspired by the natural world as well as botanical illustrations, yet their colors remain the monochromatic shade of raw clay.

The UK-based artist studied Three-Dimensional Crafts at the University of Brighton, and completed her MA in Ceramics & Glass at the Royal College of Art in 2005. Cummings has participated in several residencies across the UK and USA, including the Kohler Co. factory in Wisconsin and the Victoria and Albert Museum in London. Cummings was just awarded the BBC Radio 4 Woman’s Hour Craft Prize, in partnership with the Victoria & Albert Museum and the Crafts Council. You can take a behind-the-scenes peek into her practice on her Instagram. (via Patternbank Blog)

 

 



Art

New Stoneware Animals Fraught With Human Emotion by Beth Cavener

November 9, 2017

Kate Sierzputowski

Through an Empty Place (The Fox Emerging from Shadow), 2017. Stoneware, paint, wood. 47h x 67w x 12d in

Through an Empty Place, detail

Beth Cavener (previously here and here) creates large animals that each appear to wrestle against their implied captivity. The works can be viewed as animals in the throes of domestication, however beneath the surface lies a peek into our own human psychology. Cavener projects these emotions onto her sculpted clay figures, showcasing the primitive animal instincts that lie beneath our own exteriors.

“Both human and animal interactions show patterns of intricate, subliminal gestures that betray intent and motivation,” said Cavener in an artist statement. “The things we leave unsaid are far more important than the words spoken out-loud to one another. I have learned to read meaning in the subtler signs; a look, the way one holds one’s hands, the incline of the head, and the slightest unconscious gesture. I rely on animal body language in my work as a metaphor for these underlying patterns, transforming the animal subjects into human psychological portraits.

Cavener’s solo exhibition The Other opens on November 15th at Jason Jacques Gallery in NYC, and runs through December 5, 2017. You can view more of the artist’s work on her website.

Kept (Variation in Cream and Grey), 2017. Resin-infused refractory material, paint, rope, wooden base. 12h x 24w x 28d in

Beloved (Rearing Deer), 2017. Stoneware, paint, bone, rope, steel. 112h x 36w x 48d in

They (Hare on Fur Pillow), 2017. Stoneware, paint, rabbit fur, foam. 34h x 73w x 30d in

Tribute (Wolf and Monkey), 2017. Stoneware, paint, hand-forged steel collars and chain. 46h x 58w x 31d in

Commitment (Two Goat Heads), 2015. Stoneware, paint, leather, steel chain, mixed media. 28h x 78w x 26d in

Commitment, detail

Limerence, 2017. Stoneware, mixed media. 22h x 44w x 16d in

 

 



Art Craft

New Paper & Textile Wildlife Sculptures by Kate Kato

November 7, 2017

Laura Staugaitis

Botanical paper artist Kate Kato (previously) continues to use found and recycled paper to build intricate natural dioramas. A buzzing hive of bees makes a home in a matchbox, vintage books are overgrown with paper fungi and colorful wildflowers, and a shadow box is filled with butterflies and beetles. Rather than striving for exact scientific replication, Kato allows the original material to show through, lending a spirit of handcrafted whimsy to her work. Some of the pieces seen here can be purchased through Etsy, and you can explore more of the Wales-based artist’s work on Facebook, and Instagram.

 

 



Art

Figurative Sculptures Formed From Recycled Cardboard by James Lake

November 3, 2017

Kate Sierzputowski

Artist James Lake has used cardboard as his medium of choice for the last 20 years. The-UK based sculptor pieces together multiple layers of the recyclable material with hot glue to create free-standing  figural sculptures that are often a reflection of his own image. Lake was diagnosed with bone cancer at age 17, and began working the material after his right leg was amputated. During rehabilitation he searched for a material that could be easily accessible from his bedroom.

“I wanted a medium that can be used to sculpt beyond traditional material and without the need of an arts studio,” says Lake. “The end result was the fine crafting of an inexpensive common place and recyclable material. I manipulate cardboard into taking a form which is vastly beyond its original function as a container to transport food and commercial goods.”

Lake continues to discover the possibilities of the versatile material, and has become further interested in the value his time, effort, and care placed on the disposable packaging. Currently the artist runs art workshops in his community, providing a resource to propel sculptural artist practices in local schools and colleges. You can learn more about the cardboard sculptor and his practice in the short video below. (via Rajapack)

 

 



Art

Chandeliers Constructed From Recycled Plastic PET Bottles by Veronika Richterová

October 30, 2017

Kate Sierzputowski

Czech artist Veronika Richterová (previously) uses the near indestructible nature of plastic PET bottles to her advantage. By snipping, twisting, and heating the drinking vessels, she forms long-lasting sculptures that visually mirror the qualities of glass. This similarity inspired her series of PET luminaries, a project composed of fully functioning light systems in the form of chandeliers and lamps.

The included works are decorated with tulip-shaped light bulb covers, scalloped edges, and long, twisted segments of recycled bottles that imitate electrical cords. In order to protect these heat-sensitive sculptures, Richterová installs her works with bulbs and cables that produce minimal heat.

A few of Richterová’s plastic chandeliers are currently included in the 50-artist exhibition Eden Unearthed at Sydney’s Eden Gardens through February 2018. You can see more recycled works in the form of cacti, animals, and more on the artist’s website. (via Lustik)