In 2017, one of the most talked-about works seen during the Venice Biennale was Lorenzo Quinn’s Support, which was not an official part of the iconic art fair. The sculptural installation of hands emerged from Venice’s waterways and appeared to hold up an old building. His follow-up piece to Support, which has been installed with backing from London-based Halcyon Gallery, is again not officially associated with the Biennale. Constructed with white resin, Building Bridges features six sets of reaching arms with hands clasped over a waterway, meant to represent people and cultures coming together over differences.
In an interview with the Associated Press, Quinn explained, “Humanity has never grown by creating barriers. It always grows when it opens up its borders and it welcomes new cultures. Venice is a testament to that… It has been a driving force of European growth always.” The location of the towering white appendages at a former shipyard provided viewers with multiple vantage points, and at night Building Bridges was illuminated from below. A photo gallery on Quinn’s website shows the artist at work on his large-scale sculptures, and you can follow along with his new projects on Instagram.