Concerned with the ways artworks relate to their surroundings, Yoshihiro Suda often tucks his naturalistic flowers inside small cracks and holes where they’d grow naturally. While his pieces are remarkable comparisons to living florals, though, their compositions differ: Suda carves each African violet, rose, and morning glory completely out of wood.
The Japanese artist includes intricate details like leaf veins and small punctures in the petals, adding to their realistic qualities. “I think art can change our perspective and ways of thinking. It encourages us to see things that we otherwise might miss,” he said in a statement.
Suda was raised in the Yamanashi prefecture near Mt. Fuji in a region full of natural beauty, prompting his admiration for “nature, materials, details, and small objects.” He works within the tradition of Japanese woodcarving and invokes the art of netsuke, the miniature sculptures that came into fashion in the 17th century.
Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!