For the Peinture Fraiche Festival, Chilean street artist INTI recently painted a large-scale mural on a building in Lyon, France. Titled “SOLEIL” (Blinded by the Light), the piece features a sun-shaped bouquet of flowers framing, obstructing, and fusing with the face of a cosmic figure that stands several stories tall.
The wall art uses INTI’s signature violet and orange-gold hues to draw the eye to the top of the building. Varied shades of orange give the flowers depth as they become the figure’s face and shirt. The purple of her neck provides a glimpse of space littered with plastics and other objects, and a closer look past the scissors and down the streaking grey tones of the arms reveals a bird clutched in one of the hands of the mysterious giant.
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Minnesota-based artistic collective JUDiTH + ROLFE sculpt paper into voluptuous plant and flower motifs blossoming with movement and character. Featuring many botanical species including magnolias, irises and begonias, the duo’s work is a reminder of the diversity of plant structure and form. Each of their floral forms is ‘quilled’ into its shape, from the delicate veins making up the plant’s skeleton, to the fleshy petals exploding with color.
The duo’s business name JUDITH + ROLFE is derived from their middle names; and JUDITH (Daphne Lee) is the artist while her partner, ROLFE (Jamie Sneed), runs the business and logistics. “Before embarking on this journey as a paper artist, I worked for over a decade as an architect in New York City, which is also where I met my husband, Rolfe,” Lee tells Colossal.
Lee and Sneed were drawn to paper as a medium due to its availability and transformability: depending on light, shadows and perspective, their artworks change shape and form. “The technique I use most can broadly be called ‘quilling’ since I work with strips of paper and lay them on edge to form designs,” says Lee. Paper quilling is an artistic practice dating back to the 15th century, which was initially used to decorate religious objects. Basing her technique on the ancient craft, Lee gives her work a contemporary twist by creating big and bold pieces of single flowers or plants. In her process, Lee treats each strip of paper as its own line, from which she ‘sculpts’ her floral artworks. “The paper strips are glued individually to create the artwork, not unlike sketching with paper,” Lee explains. But unlike sketching with paper, Lee’s 3D artworks blossom out of their frame, mirroring the fragile flowers they resemble.
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Dramatic Decaying Flowers in Tiffanie Turner’s Solo Show “What Befell Us” Challenge Notions of Beauty and Perfection
In her latest solo exhibition, What Befell Us, California-based artist Tiffanie Turner explores notions of aging, imperfection, and perishability. Massive flower blossoms including dahlias, garden roses, ranunculus, and strawflowers are formed from Italian crepe paper and span more than five feet across. While in her previous work Turner strove for the ideal phenotype of each flower, in What Befell Us the artist pushes past perfection to investigate our collective relationship to flaws and damage.
The artist shares with Colossal that she felt strongly pulled to focus on climate change and environmental peril in her latest show. She expresses concern that humans’ resistance to perishability with plastic and preservatives also hastens irreparable damage to the earth. And, as a woman experiencing aging in a superficial society, Turner saw personal parallels with our global obsession with freshness and perfection. She explains:
When I started to choose my specimens for this show, instead of superimposing formal imperfections onto these pieces, I sought out flowers that are beautiful even though they are not perfect. For example, the two strawflowers in the show are two sides of the same coin. One is still bright and colorful, but its center is deformed as it starts to lose moisture. The other is older, its petals slumped back from the fading, greying center. Each are “imperfect”, but both are undeniably still beautiful. Why just keep trying to create more beauty. Why can’t we just see more things as beautiful?
What Befell Us is on view at Eleanor Harwood Gallery in San Francisco through June 15, 2019. Follow along with Turner’s latest work via Instagram. And if you’re inspired to create paper flowers of your own, the artist’s in-depth instructional book is available in The Colossal Shop.
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Glass Lilac, Daffodil, and Magnolia Blossoms Thrive Underground at New York City’s 28th Street Subway Station
A new mosaic mural breathes life into the recently reopened 28th Street Station in New York City thanks to a cheerful design of blossoming glass flowers by artist Nancy Blum. ROAMING UNDERFOOT depicts plants that were chosen from the Madison Square Park Conservancy’s Perennial Collection because of their ability to withstand climate change, such as Red Buds, Magnolias, Hellebores, Witch Hazel, Daffodils, and Camellia. “Blum’s intent was to capture some of the magic of the nearby park, regarded as an urban sanctuary, and to enhance the station environment for transit riders,” explains the Metropolitan Transportation Authority (MTA) in a statement about the new work. If you live in NYC, take the Lexington Ave Line to visit the newly sprouted station, and check out more of Blum’s floral drawings and public art on her website. (via Gothamist)
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In The Tentacles project, by Chinese artist Hu Weiyi, bright sparks and fiery electrical waves flow through a series of freshly blossomed flowers against matte gray backgrounds. To produce the images, Hu uses high-voltage capacitors to create electrical currents that run through the pink and maroon roses, showcasing the power of electricity in all its beauty and danger.
The photo series was inspired by a previous project Hu created in 2014, called Flirt, which introduced cold light to various objects to manipulate viewers’ perception without using digital software. “I then began to study the high-voltage arc and made a high-voltage capacitor which can instantaneously penetrate through the air,” says Hu. “The principle is similar to that of the electric baton, but much stronger.”
The research behind The Tentacles took Hu over a year. He worked with various technicians to try different types of electric discharge devices that would exert the right amount of electrical flow to be captured by his camera. In this experimental phase, Hu used dozens of roses and took hundreds of photographs before finding the right images and settings for his final collection. “My studio is therefore filled with the unpleasant smell of rotten flowers, just like a morgue,” says the artist.
Hu’s work illustrates the aesthetic beauty and diversity of physical forms; the softness and stillness of the spongy rose petals in comparison to the dangerous allure of the electrical spark. “The moment of discharge is wonderful and sexy, but it can also be a cold-blooded tool for torture and execution,” he explains. Hu’s combination of materials illustrate the impermanence of natural plant matter, much like the fragile nature of the human body when exposed to lightning. “The flowers in full bloom remind me of my own fragility and powerlessness,” says Hu.
In comparison to manipulating photographs with software such as Photoshop, the time, precision and research in Hu’s work gives the subjects in his images more weight, their electricity more tangible. You can see more of Hu’s photographs on A+ Contemporary’s website.
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Brooklyn-based photographer Brooke DiDonato (previously) poses bodies in twisting forms, skewing the viewer’s perception of where one body ends and the next begins. DiDonato also combines subjects and scenes in surreal ways that question the division between human and nature, presenting limbs popping up from a field of sun-baked crops, or capturing a stream of bountiful flowers spilling generously out of an open spout.
The above image of two men’s intertwined bodies was inspired by a previous image DiDonato made for a shoe campaign that featured two separate subjects wearing the same pair of shoes. She wanted to revisit this concept while incorporating full bodies to play on the idea that “the whole is greater than the sum of its parts.”
A selection of DiDonato’s images from her series “As Usual” is included in The Fence, one of the largest traveling photography exhibitions in the world. Upcoming locations for the open-air experience are Boston, Denver, Houston, and Calgary, Canada. You can keep up-to-date with her portraits and other images by visiting her website or Instagram.
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Artist and self-described craftsperson Maude White (previously) captures gentle moments of beauty and grace in her meticulously detailed paper cut artworks. White has worked in paper for the last several years, first exploring her signature medium with simple silhouettes and popup books. The New York-based artist now focuses on the organic forms of female portraits, flowers, and birds. “Every piece I create has its own identity,” White explains. “The knife, and me, and the paper are all in a dialog together, all talking and getting along. The last thing I do is cut it out of the surrounding paper. It comes alive, or is born, and we meet each other for the first time. It’s a completely living thing apart from me.”
“When I first started cutting paper it was not a career,” White explains to Colossal. “That’s really the way to approach anything, to do it for the joy of it and use it as a way to learn.” By sharing her work online with a Squarespace portfolio site, the self-taught artist has been able to reach a worldwide audience and find success. In addition to her gallery-ready original papercuts, White has partnered with Abrams Books and Paralax Press to release two books—Leading with Love and Brave Birds—that bring her artwork and message of uplift to life.
She shares that the methodical and meditative practice of cutting paper has been a healthy way to express her desire for order and control. In shaping her online presence as an in-demand artist, White explains that it’s very important to her to share this sense of safety and wellbeing with others: “I like all of my work to be comforting or a safe space. Beauty is a form of love. Creating something beautiful allows people to experience love when they look at it.”
White shares that creating her website on Squarespace allows her to feel assured that her website stands up to the finesse of her artwork. “I like things to look the same, flow together, and stay consistent. I love black and white. I like having control and knowing exactly what i’m looking at and what i’m going to get, and it’s always going to look beautiful.”
Ready to set your portfolio site apart? Head to Squarespace.com for a free trial and when you’re ready to launch, use the offer code COLOSSAL to save 10% off your first purchase.
This post was sponsored by Squarespace.
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