flowers

Posts tagged
with flowers



Craft Food

Extraordinarily Realistic Flowers, Mushrooms, and Fruit Recreate Intricate Details in Paper

December 8, 2021

Grace Ebert

All images © Ann Wood, shared with permission

Make sure you’re plenty caffeinated before snacking on one of Ann Wood’s blackberries. The Minneapolis-based artist, who is half of the creative team behind Woodlucker (previously), crafts a vast array of florals, fruits, and insects so realistic that it takes a second glance to realize they’re made from paper. Delicate oyster mushrooms with wide caps and thinly folded gills grow from a hunk of wood, fuchsias with softly curved petals hang from a branch, and bundles of radishes with long, spindly roots appear like their plump, juicy counterparts.

Exquisitely sculpted and detailed with paint, wax, and colored pencils, Wood’s realistic creations are based on plants she grows in her garden and other forms she encounters. “I do this because I can see the intricate detail and have live fresh models longer. My paper botanicals take four days to a week to create each specimen,” she says, noting that she spends a significant amount of time observing the variations of a single bloom or sprout. “All plants are individuals, each with its own uniqueness. Many times it’s the flaws and the blemishes that make a specimen most interesting.”

Wood is currently working on shiitake mushrooms sprouting from a log, which you can keep an eye out for on Instagram. (via Creative Boom)

 

 

 

 



Art

From Intricate Stencils to Vibrant Flowers, Nine New Murals Transform Blank Facades in Tbilisi

November 29, 2021

Grace Ebert

MonkeyBird. All images courtesy of Tbilisi Mural Fest, shared with permission

Since Tbilisi Mural Fest began in 2019, the streets of Georgia’s capital have seen the towering, large-scale works of artists like Collin van der Sluijs (previously), Case Maclaim, and Faith XLVII (previously), whose celestial, intersecting circles are a highlight of this year’s event. The 2021 festival features nine pieces in total that range in aesthetic and subject matter, including a mythological, black-and-white stencil by MonkeyBird (previously), bold botanicals by Thiago Mazza (previously), and a striking trompe-l’œil papercut by 1010. Each monumental work addresses an environmental, social, or other relevant issue affecting today’s world, and you can find 2021’s lineup below. (via Street Art News)

 

Thiago Mazza

1010

Faith XLVII

JDL

Left: Kade90. Right: David Samkharadze

APHENOAH

 

 



Craft

Light Streams through Delicate Floral Bouquets Cast in Colorful Stained Glass

November 26, 2021

Grace Ebert

All images © Samantha Yates, shared with permission

From her workshop in Shipley, West Yorkshire, artist Samantha Yates crafts long-stemmed botanicals in colorful stained glass. She draws on her background in horticulture to shape the curved metallic borders and gleaming petals and leaves. “I love the limits with the copper foil technique (no painting, no fusing), the challenge of trying to recreate 3D with 2D, (and) asking myself what are the essential qualities of that plant, that flower, that leaf? Is it color, shape, the stem outline?” she explains.

Casting vibrant shadows, the stylized pieces are based on florals the artist picks from her garden or around her home—see examples on Instagram—and are paired to evoke moods similar to those of fresh bouquets, “I love light, the transparency of glass, the paper-thin quality of petals, light through leaves,” she says.

See more of Yates’s delicate botanicals and shop individual stems and bouquets on her site. (via Lustik)

 

 

 



Art

Hundreds of Hand-Sculpted Flowers and Leaves Envelop Porcelain Vessels by Artist Hitomi Hosono

November 2, 2021

Grace Ebert

“A Tall Tsutsuji Tower” (2021), molded, carved, and hand-built porcelain, 34 x 27 centimeters. All images courtesy of Adrian Sassoon, shared with permission

Japanese artist Hitomi Hosono (previously) translates the billowing leaves of an underwater plant or the clusters of Hawthorn tree flowers into intricate sculptural assemblages devoid of their natural colors. The monochromatic bowls and vases appear to sprout incredibly detailed botanicals that Hosono layers in tight wraps and dense bunches, and while stylized in presentation, each form is derived from hours of research and observation of real specimens.

Currently living in London, Hosono draws on memories of her home in Gifa Prefecture to inform much of her work, and she allows the medium itself to dictate her practice. While some of the botanical forms are inspired by specific encounters with the environment like walks through the city’s parks, others are spontaneous and spurred by a hunk of material already evocative of a leaf or petal. “When handling the porcelain clay itself, then my old memories of nature in Japan come flooding back through my hands—abstract and uncertain when it was in my mind. Kneading, brushing, patting, carving, there are many processes before the shape emerges from the porcelain clay and begins to take the form of my tactile memory,” she explains.

In a note to Colossal, Hosono says she’s been interested lately in combining small florals with larger foliage, a contrast evident in “A Tall Peony and Leaves Vase” and “A Tall Tsutsuji Tower.” She describes the process for the latter:

This flower is so much a part of my childhood memories; we had Tutsuji in our home garden, at school, along the street, nearby parks, almost everywhere in Japan. Making the delicate tip of the Tsutsuji petal is challenging. I use a very small fine brush to curl the end of each petal. This must be done slowly and gently as the ends become incredibly fragile. Then I assemble the petals by hand to make each flower and place these one-by-one.

No matter the size, every element is hand-sculpted and arranged with similar pieces into a floret or layered onto the larger vessel, which typically takes a year or more to complete.

Hosono is currently represented by Adrian Sassoon, where you can explore more of her most recent works, and follow her on Instagram to stay up-to-date with her practice.

 

Detail of “A Tall Tsutsuji Tower” (2021), molded, carved, and hand-built porcelain, 34 x 27 centimeters

“A Very Large Hawthorn Leaves Bowl” (2021), molded, carved, and hand-built porcelain, 34 x 39 centimeters

“A Hawthorn Tower” (2020), molded, carved, and hand-built porcelain, 24.5 x 22 centimeters

Detail of “A Tall Peony and Leaves Vase” (2021), molded, carved, and hand-built porcelain, 31.5 x 21 centimeters

“A Tall Peony and Leaves Vase” (2021), molded, carved, and hand-built porcelain , 31.5 x 21 centimeters

Detail of “A Tall Tsutsuji Tower” (2021), molded, carved, and hand-built porcelain, 34 x 27 centimeters

 

“A Hawthorn Tower” (2020), molded, carved, and hand-built porcelain, 24.5 x 22 centimeters

 

 



Art Craft

Innumerable Cuts Transform Single Sheets of Paper into Exquisite Flora and Fauna

November 2, 2021

Grace Ebert

All images © Pippa Dyrlaga, shared with permission

Cutting ornate lace patterns, spindly roots, and scaly chameleon skin with meticulous detail, Yorkshire-based artist Pippa Dyrlaga (previously) continues to turn single sheets of paper into elaborate works. Her process involves drawing a design that typically features a floral motif before slicing each component by hand with a scalpel. Once the excess paper is removed, the resulting works unveil intricate patches of wildflowers and painstakingly sliced fur and fins.

Dyrlaga’s works will be included in an exhibition in Paris next month, and she’s in the midst of a collaborative project with origami artist Ankon Mitra. To add one of her exquisitely cut pieces to your collection, check out her shop, and dive into her process on Instagram.

 

 

 



Illustration

Dizzying Patterns Envelop Imagined Characters in Portraits by Sofia Bonati

October 22, 2021

Grace Ebert

All images © Sofia Bonati, shared with permission

In the hypnotic portraits of Argentinian artist Sofia Bonati (previously), women find themselves embraced by backgrounds of black-and-white linework, foliage, and abstract geometries. The feminine characters often have rosy cheeks and earnest expressions, and they seamlessly meld with their patterned environments, which sometimes conceal the outlines of their figures and accentuate their unique facial features.

Now based in Oxfordshire, Bonati will show some of her dizzying drawings in a group exhibition with Wow x Wow this December. You can explore more of her works and recent commissions on Instagram and Behance, and pick up prints and other goods from Society6.