For Salman Khoshroo, carefully fashioning thick fibers into masculine portraits has a therapeutic effect. The Iranian artist, whose impasto paintings we’ve written about previously on Colossal, says his Wool on Foam series is born out of recent trauma and experience in quarantine. By sculpting the wool rovings into slight noses, puckered lips, and flowing hair, Khoshroo has evoked the delicacy and vulnerability humans face in precarious situations.
We live in fragile times, and I feel the need to find new materials and the mindset to reinvent my practice. Wool brings warmth and intimacy to these portraits and plays with provoking the nurture instinct. Making male portraits with this habitually perceived feminine material is part of a personal journey in re-interpreting the masculine condition.
The artist tells Colossal that he preferred to keep the pigmented rovings in their natural form, rather than spinning them into thread or paring them down before use. “I laid the wool like floating brush strokes and these are the results. I guess coming to a new material without any predisposition makes it easier to create something without the burden of established techniques,” he says. Khoshroo sees these works as an extension of his established practice that produces similarly abstract portraits.
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