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Craft Food
Who Are You Calling Peanut Brain? A Series of Quirky Dolls Imbues Snacks with Enigmatic Personalities

All images © Yulia, shared with permission
In her ongoing series of delightful fabric dolls, Ukrainian artist Yulia reimagines meals and snacks with playful personalities. Often conceived as families or groups united by a common theme like vegetables, tea bags, or breakfast items, her friendly figures don patterned apparel in a variety of colorful fabrics. Whether their heads are shaped like macaroni, ginger root, or bacon, all of the artist’s characters share beady, wide-set eyes and enigmatically sweet smiles.
Yulia occasionally releases new editions in her Etsy shop, and you can follow updates on Instagram.
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Art Food
Glitzy Rotting Fruit and Rusted Automobiles by Kathleen Ryan Consider the Tensions of American Consumerism

“Deluxe” (2023), agate, jasper, serpentine, garnet, lapis lazuli, smoky quartz, quartz, labradorite, tektite, aventurine, snowflake obsidian, onyx, tiger eye, turquoise, marble, glass, steel pins on coated polystyrene, wood, Datsun 1200 trunk, 53 x 45 x 73.5 inches. All photos by Lance Brewer, courtesy of the artist and François Ghebaly Gallery, shared with permission
In Beachcomber, artist Kathleen Ryan (previously) continues her inquiries into consumption and the unsightly remnants of American life. The solo exhibition, on view now at François Ghebaly in Los Angeles, brings together Ryan’s latest works that explore the tension between revulsion and delight, all imbued with a quintessentially California ethos.
Skewered fruits, beach umbrellas, and automotive parts exemplify this relationship between the beautiful and the grotesque through the artist’s signature gemstone treatment. Cobwebs of glimmering quartz crystal tether one side of a rusted Dodge trunk to the other, while precious materials like agate, lapis lazuli, and turquoise become the rotting patches of otherwise supple fare. Each of the sculptures references seaside objects and nostalgic coastal travel, whether through fruit garnishes as in “Deluxe” or the clam-shell folded Volkswagen trunks in “Generator VII.”
Created at life-size or larger, Ryan’s works question the rampant consumerism and a generalized sense of gluttony that pervades much of American sensibilities. She explores kitsch as it relates to class, evoking aspects of suburban life like backyard barbecues and the reverence of cars, road trips, and the wide expanses visible from open highways.
If you’re in Los Angeles, you can see Beachbomber through March 25. Otherwise, find more from Ryan on her site and Instagram.

“Generator VIII” (2023), quartz crystal, silver-plated stainless steel cable, silver crimps, steel, automotive paint, Dodge trunks, 38 x 32 x 41.5 inches

Detail of “Screwdriver” (2023), onyx, citrine, rhodonite, garnet, agate, tektite, lava rock, turquoise, aquamarine, serpentine, magnesite, amazonite, black tourmaline, jasper, prehnite, ruby in zoisite, marble, amber, labradorite, smoky quartz, quartz, acrylic, steel pins on coated polystyrene, aluminum umbrella, 68’ AMC Javelin trunk, 77 x 88 x 107 inches

Detail of “Generator VII” (2023), quartz crystal, silver-plated stainless steel cable, silver crimps, steel, Volkswagen trunks, 38 x 33 x 32 inches

“Screwdriver” (2023), onyx, citrine, rhodonite, garnet, agate, tektite, lava rock, turquoise, aquamarine, serpentine, magnesite, amazonite, black tourmaline, jasper, prehnite, ruby in zoisite, marble, amber, labradorite, smoky quartz, quartz, acrylic, steel pins on coated polystyrene, aluminum umbrella, 68’ AMC Javelin trunk, 77 x 88 x 107 inches

“Generator VII” (2023), quartz crystal, silver-plated stainless steel cable, silver crimps, steel, Volkswagen trunks, 38 x 33 x 32 inches

Detail of “Screwdriver” (2023), onyx, citrine, rhodonite, garnet, agate, tektite, lava rock, turquoise, aquamarine, serpentine, magnesite, amazonite, black tourmaline, jasper, prehnite, ruby in zoisite, marble, amber, labradorite, smoky quartz, quartz, acrylic, steel pins on coated polystyrene, aluminum umbrella, 68’ AMC Javelin trunk, 77 x 88 x 107 inches

Detail of “Screwdriver” (2023), onyx, citrine, rhodonite, garnet, agate, tektite, lava rock, turquoise, aquamarine, serpentine, magnesite, amazonite, black tourmaline, jasper, prehnite, ruby in zoisite, marble, amber, labradorite, smoky quartz, quartz, acrylic, steel pins on coated polystyrene, aluminum umbrella, 68’ AMC Javelin trunk, 77 x 88 x 107 inches
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Art Food
Mischievous Dogs, Moldy Fruit, and Crustacean Claws Unsettle Sabrina Bockler’s Still Lifes

“Table Manners” (2022), acrylic on linen over panel, 36 x 60 inches. All images © Sabrina Bockler, shared with permission
Two small dogs with long, silky hair stand atop an elegant table, one pawing at a basket of fruit and the other retrieving a fish from a platter. A bowl of strawberries has already been upturned, flowers pulled from their arrangement, a thickly piped slice of cake squashed by careless gluttony. Rendered in acrylic on linen, the still life (shown below) is titled “Decadence and Disaster,” an apt phrase to describe much of Sabrina Bockler’s body of work.
The Brooklyn-based artist relishes in mischief and disruption, painting scenes of opulence destroyed by pets or unsettled by an uncanny, foreboding feeling. Her works often imply a painstaking labor visible only through the resulting decorations, the crustacean towers, perfectly sliced melon, and floral bouquets cascading from their vases. Given the domestic nature of the settings, those preparations are coded feminine and part of Bockler’s broader inquiry into the value of women’s work.
She shares with Colossal that while she references the history of Dutch still lifes, her uncanny, surreal approach asks viewers “to think beyond the traditional aesthetic, creating a sense of chaos within a decorative still life.” Instead, Bockler strives “to encourage a reexamination of traditional gender assumptions surrounding labor and its division. My practice allows me to directly consider the ways my identity and experiences as a woman inform my identity as an artist.”
If you’re in Los Angeles, stop by Hashimoto Contemporary to see “Old Fruit” and “Decadence and Disaster” as part of the group exhibition Potluck running through March 11. Bockler is also currently preparing for a solo show titled Menagerie that opens on May 13 at BEERS London, which will “(draw) on the notion of animals being used as symbols of social power or for decorative purposes.” Find more of her lavish works on her site and Instagram.

“Decadence and Disaster” (2023), acrylic on linen over panel, 24 x 36 inches

“Centerpiece” (2022), acrylic on linen over panel, 30 x 30 inches

“Candelabra” (2022), acrylic on linen over panel, 18 x 18 inches

“Summer Solstice” (2022), acrylic on linen over panel, 18 x 18 inches

Detail of “Candelabra” (2022), acrylic on linen over panel, 18 x 18 inches

Detail of “Table Manners” (2022), acrylic on linen over panel, 36 x 60 inches

“Old Fruit” (2022), acrylic on linen over panel, 16 x 16 inches

Detail of “Decadence and Disaster” (2023), acrylic on linen over panel, 24 x 36 inches

“Overflow” (2022), acrylic and paperclay on linen over panel, 16 x 20 inches
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Design Food
Savor These Decadent Cakes, Pastries, and Other Sweet Treats in the Soft Glow of Candlelight

Photos by Julie Purpura, all images © Center of Order and Experimentation, shared with permission
Just like recipes are passed from one generation to the next, so are the methods behind the decadent cakes and pastries of Cereria Introna. Piped with thick pink frosting or dusted with sugar, the confections are handmade in Italy by a family that’s been whipping up creations since the mid-1800s. What differentiates their sweets from the bakery down the street, though, is how they’re consumed: rather than melt in your mouth, Cereria Introna’s desserts are candles made of paraffin wax. In addition to slices of cake and banana splits drizzled with chocolate, the company also crafts fruits, loaves of bread, and even garnished plates of spaghetti for savoring at home.
If you’re in Chicago, stop by the Center of Order and Experimentation to find an impeccably curated selection of the candles. Otherwise, check out the company’s site.

Photo by Paul Octavious
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Art Craft Food
Embroidered Snacks and Mass-Produced Food by Alicja Kozlowska Chew On Consumerist Culture

All images © Alicja Kozłowska, shared with permission
In the ongoing series Embroidered Ordinaries, Alicja Kozlowska translates the mass production of Pop Art into tightly stitched sculptures. The Polish artist sews packages of Oreos and half-eaten cookies, rusted cans with peeled-back tops, and 12-packs of Coca-Cola at full scale, recreating the recognizable logos and designs of ubiquitous snacks and goods. Each work begins with a felted structure the artist covers in myriad knots and stitches, which produces textured iterations that reflect on consumerism and the lasting impacts of over-consumption.
Find more of the Embroidered Ordinaries sculptures on Kozlowska’s site, and keep an eye on her Instagram for upcoming additions.
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Craft Food
Crocheted Toasts, Ramen, and Turkey Dinners Are Prepared with Rich Fibers by Maria Skog

All images © Maria Skog, shared with permission
Maria Skog guarantees her orange slices, turkey, and eggs won’t spoil. She crochets fiber-based creations with preservation in mind, ensuring that every berry and bagel stays as fresh as the day they were made.
Based in Närpes, Finland, Skog began crafting the fare for her two daughters about 12 years ago when she was diagnosed with breast cancer. The practice was meditative and calming. “If I wouldn’t survive, I wanted the girls to have living memories of me, and I thought that they would remember us playing together with the food I crocheted myself,” she says.
Skog sells her toasts and other treats, along with patterns for each piece, which you can find more about on Instagram.
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Editor's Picks: Food
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