art history

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Art History Illustration

Salvador Dalí’s Surreal Tarot Card Designs from the 1970’s to be Released as a Complete Deck

November 8, 2019

Laura Staugaitis

The surrealist master Salvador Dalí often dabbled in modes of mainstream culture, whether designing wine guides, appearing on game shows, or—in this instance—designing a deck of tarot cards for a James Bond film. Dalí undertook the project in the early 1970’s for Live and Let Die, starring Roger Moore and Jane Seymour. The deck didn’t end up appearing in the film, apparently due to Dalí’s high fees, but the artist continued to work on the cards for a decade and completed them in 1984. Art book publisher Taschen is releasing the deck, along with an instructional book that Dalí made to accompany it. Dalí.Tarot will be published on November 15, 2019, and is available for preorder on the Taschen website. (via Hyperallergic)

 

 

 



Art History

A 21 Foot-Long Painting of The Last Supper by 16th Century Nun and Artist Plautilla Nelli Has Just Been Painstakingly Restored

October 24, 2019

Laura Staugaitis

In the 1500’s self-taught artist and nun Plautilla Nelli created a life-size mural of Jesus and the twelve apostles at the Last Supper. Spanning 21 feet feet, the vibrantly colored painting includes carefully rendered details including wine chalices, salt cellars, wood panelling, and a rhythmically creased tablecloth. In addition to the inanimate objects depicted, Nelli demonstrated impressive facility with human anatomy in her renderings of the religious figures—at the time, women were barred from studying the field of anatomy.

Nelli’s masterpiece stayed for two centuries at her convent, Santa Caterina, and then changed locations a few times before being unstretched, rolled, and put in storage about a hundred years ago. After an initial restoration and then additional damage due to flooding in the 1960’s, The Last Supper has been undergoing restoration for the past four years. Brought back to life by an all-female team of curators, restorers, and scientists at Advancing Women Artists, it is now on permanent display at the Santa Maria Novella Museum in Florence, Italy. (via artnet, Smithsonian Magazine)

 

 



Documentary History

Watch Art Conservator Diana Hartman Painstakingly Re-Weave and Patch a Century-Old Canvas

September 30, 2019

Laura Staugaitis

Step into the conservation and restoration studios at the Museum of Modern Art (MoMA) in this short documentary following the restoration of a 1907 painting. Featuring conservator Diana Hartman, the video follows Hartman’s problem-solving, tool acquisition, and hands-on work. The hundred year-old canvas, painted by Paula Modersohn-Becker, is unusual in that it is still on its original wood stretchers, and was presumably stretched by the artist herself. This also presents some complex logistical hurdles, as normally a canvas on non-original stretchers would simply be removed from its wooden structural support for repairs. After several months of planning the repair, Hartman re-weaves the canvas using eye surgery needles and tones a custom-shaped canvas patch with precisely matched watercolors.

MoMA reopens to the public on October 21, 2019, after several months of extensive renovations and expansions, including two new ground-floor galleries that are free to visit. (via The Kid Should See This)

 

 



Illustration

Perfectly Round Tattoos by Eva Encompass Miniature Worlds Inspired by Art History

September 18, 2019

Laura Staugaitis

Turkish tattoo artist Havva Karabudak (who goes by Eva in the U.S.) creates incredibly detailed illustrations on clients’ limbs, all carefully rendered within the confines of perfect circles. The artist, who splits her times between residencies in Brooklyn and Los Angeles, has been honing her craft for almost nine years. Previously, Eva worked as an art teacher and muralist; she got into tattooing through a friend who worked in the industry.

Using almost impossibly small lines, Eva inks interpretations of famed paintings by Matisse, van Gogh, and Klimt, as well as Hokusai’s The Great Wave woodblock print and Maurice Sendak’s illustrations in Where The Wild Things Are. The artist also specializes in water scenes and evening skies, giving a suggestion of infinite depth to her petite tattoos.

Eva is currently booked through November, but you can see more of her recent illustrative tattoos on Instagram.

 

 



Art

A Stadium in Austria is Filled with 300 Trees to Highlight the Tenuous Future of Natural Spaces

September 9, 2019

Laura Staugaitis

“FOR FOREST – The Unending Attraction of Nature” (2019), Wörthersee Stadium, Klagenfurt, Austria. All photographs by Gerhard Maurer unless otherwise noted

Beyoncé, Bruce Springsteen, Taylor Swift: all typical headliners for stadium attractions. Less common? 300 trees. In Klaus Littman’s public art installation, “FOR FOREST – The Unending Attraction of Nature”, at Wörthersee Stadium in Klagenfurt, Austria, an arboreal group takes center stage. The Swiss curator worked with landscape architect Enzo Enea to arrange the temporary forest, which is comprised of a range of trees typical in the woods of central Europe.

Littmann was inspired by artist Max Peintner’s work, circa 1970, titled “The Unending Attraction of Nature” (some translations use unbroken instead of unending), which depicts a dystopian future where a group of trees is penned in like zoo animals, as a rare artifact and spectacle. The curator first saw Peintner’s drawing more than 30 years, ago and the concept of bringing it to life remained with Littmann over the past three decades.

Visitors to “FOR FOREST” can stop by any time between 10am and 10pm from today through October 27, 2019. Admission is free. Follow the project on its dedicated website and Instagram.

Max Peintner “The Unending Attraction of Nature” (1970/1971)

Photograph: UNANIMO

Photograph: UNANIMO

 

 



Art History

400 Artists, 54 Countries, 500 Years: ‘Great Women Artists’ is the Largest Collection of Female Artists Ever Published

August 29, 2019

Laura Staugaitis

Great Women Artists celebrates the centuries-long lineage of artistic brilliance amongst artists who happen to be female. Featuring a vast array of aesthetics and movements spanning 500 years, included artists range from Nina Chanel Abney and Eva Hesse to Shoplifter and Sofonisba Anguissola. The 464-page book from Phaidon is the largest compilation of female artists ever published, with 450 illustrations of 400 artists from more than 50 countries. Great Women Artists will be released on September 25, 2019, and is currently available for preorder on Amazon and Phaidon’s website.

 

 



Art

Detailed Portraits of Tahiti’s Third Gender by Kehinde Wiley Challenge Gauguin’s Problematic Depictions

May 25, 2019

Andrew LaSane

Portrait of Geysha Kaua, 2019 Huile sur lin / Oil on linen 151,5 x 122,5 cm 59 3/4 x 48 1/4 in. photo : Diane Arques / ADAGP, Paris, 2019

American artist Kehinde Wiley (previously) has unveiled a new series of paintings of Tahiti’s Māhū community, a group of Polynesians classified as a third gender between male and female. Presented at Galerie Templon in Paris, the colorful portrait series challenges a collection of 20th century works by Paul Gauguin, removing elements that Wiley considers problematic and exploitative side effects of colonialism.

Wiley takes issues with Gauguin’s depictions of the Māhū for being unrealistic fantasies that sexually objectify the community for the sake of his White audience back home. The paintings in his “Tahiti” series incorporate tribal patterns, bright colors, plants, and poses inspired by Gauguin’s work, but these distinctive elements were chosen by the models themselves as a form of “self-presentation.”

Portrait of Kea Loha Mahuta,II, 2019 Huile sur lin / Oil on linen 162,5 x 213,5 cm 64 x 84 in. photo : Diane Arques / ADAGP, Paris, 2019

“I am interested in transformation and artifice,” the artist said in a statement. “My newest exhibition will engage with the history of France and its outward facing relationship to black and brown bodies, specifically relating to sexual proclivity. Gauguin features heavily in the imagination of France and her global interface–with that comes an entire history of complicated gazing. I interrogate, subsume, and participate in discourse about Māhū, about France, and about the invention of gender.”

The “Tahiti” exhibition opened on May 18 and will remain on view at the gallery (along with a new video work) through July 20, 2019. Follow Kehinde Wiley on Instagram to see what else he has been up to, including preparing for his upcoming Black Rock Senegal residency.

Portrait of Kea Loha Mahuta, 2019 Huile sur lin / Oil on linen 92 x 78 cm 36 1/4 x 30 3/4 in. photo : Diane Arques / ADAGP, Paris, 2019

Portrait of Moerai Matuanui, 2019 Huile sur lin/ Oil on linen 183 x 153,2 cm 72 x 60 3/8 in. photo : Diane Arques / ADAGP, Paris, 2019

Portrait of Shelby Hunter, 2019 Huile sur lin / Oil on linen 183 x 244 cm 72 x 96 1/8 in. photo : Diane Arques / ADAGP, Paris, 2019

Portrait of Tuatini Manate,III, 2019 Huile sur lin / Oil on linen 180 x 241,5 cm 70 7/8 x 95 1/8 in. photo : Diane Arques / ADAGP, Paris, 2019

Portrait of Tuatini Manate, 2019 Huile sur lin / Oil on linen 114,5 x 92 cm 45 1/8 x 36 1/4 in. photo : Diane Arques / ADAGP, Paris, 2019

The Siesta, 2019 Huile sur lin / Oil on linen 183 x 244 cm 72 x 96 1/8 in. photo : Diane Arques / ADAGP, Paris, 2019