art history

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Art

Historical Paintings Get a Pixelated Update

February 15, 2019

Laura Staugaitis

Based on “Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn, Princesse de Broglie” by Jean Auguste Dominique Ingres

Greek artist and art director Dimitris Ladopoulos (previously) continues to use the Houdini algorithm, referred to as treemapping, to interpret paintings from the art history canon. The program calculates the density of information in a user-provided image and then divides it based on selected parameters, creating a pixelated effect that forms distinct color tiles of varying heights. In a statement about the project, Ladopoulos draws a comparison between treemapping and the original painter’s use of varied brushstrokes to bring fine detail, color variation, and texture to select areas of the canvas. You can see more of Ladopoulos’s work on Behance and Instagram.

Based on “Mona Lisa” by Leonardo da Vinci

Based on “Portrait of a Young Man” by Titian

Based on “Vincent van Gogh” by John Peter Russell

Based on “Young Woman with a Water Pitcher” by Johannes Vermeer

 

 



Design History

A Dozen New Stamps Celebrate Leonardo da Vinci’s Drawings

February 13, 2019

Laura Staugaitis

The head of Leda (c.1505–08), on view at Walker Art Gallery, Liverpool

The innovative yet timeless drawings of Leonardo da Vinci will soon be arriving in mailboxes around the U.K., thanks for a special stamp release marking the quincentennial anniversary of the Italian artist’s death. In tandem with the special stamp edition, twelve cultural institutions throughout the United Kingdom will be showcasing a total of 144 of da Vinci’s works in the dispersed show Leonardo da Vinci: A Life in Drawing. The exhibitions opened at the beginning of February and are on view through May 6, 2019 in Glasgow, Cardiff, Bristol, Leeds, and other U.K. cities. Stamp sets are available from Royal Mail. (via artnet)

The skull sectioned (1489), on view at Ulster Museum, Belfast

A star-of-Bethlehem and other plants (c.1506–12), on view at Kelvingrove Art Gallery and Museum, Glasgow

Studies of cats (c.1517–18) on view at Bristol Museum and Art Gallery

The skeleton (c.1510–11) on view at Cymru/National Museum Wales, Cardiff

The fall of light on a face (c.1488), on view at Birmingham Museum and Art Gallery

The head of St. Philip (c.1495) on view at Millennium Gallery, Sheffield

The skeleton (c.1510–11) on view at Cymru/National Museum Wales, Cardiff

 

 



Art

Watch a Conservator Delicately Remove Murky Varnish and a Warped Wooden Panel From an Aging Painting

December 28, 2018

Kate Sierzputowski

Julian Baumgartner, of Baumgartner Fine Art Restoration in Chicago, condenses over 40 hours of delicate swiping, scraping, and paint retouching into a 11.5 minute narrated video of a recent conservation project. Baumgartner walks the audience through his restoration of The Assassination of Archimedes, which involved cleaning a darkened varnish from the surface of the piece, removing the work from its original wooden panel using both modern and traditional techniques, mounting the thin paper-based painting to acid-free board, and finally touching up small areas that had become worn over the years. You can watch the entire process in the video above, and learn about Baumgartner’s other conservation projects on Instagram and Youtube.

 

 



Design

Hokusai’s ‘Great Wave’ Emerges on a Giant Building Facade

December 26, 2018

Johnny Waldman

Hokusai’s “The Great Wave off Kanagawa”

Hokusai’s “The Great Wave off Kanagawa,” all images via @etaloncity

Katsushika Hokusai’s “The Great Wave off Kanagawa” is perhaps one of the most iconic images that Japan has ever exported. And it’s now emerged as a giant mural on the facade of a new development in Moscow. Called Etalon City, the development, which comprises 9 buildings, is located in the South Butovo region in south-west Moscow. While the rectangular buildings will feature the silhouettes of New York, Chicago, Barcelona, and Monaco, a decision was made to include Katsushika Hokusai’s “The Great Wave off Kanagawa” on the 6 square-shaped towers that are situated along the highway and most visible. The total area of the facade is almost 60,000 square meters. (Syndicated from Spoon & Tamago)

 

 



New NYC Museum Teams Up With Library of Congress for Animation Competition

November 26, 2018

Colossal

Lloyd J. Harris Pies by Rocco Navigato, 1947

Poster House is a new museum dedicated to the global history and design of posters. Before launch, they are partnering with the largest library in the world, The Library of Congress, to highlight important pieces of poster history. Choose one of 31 posters from the Library of Congress “free to use and re-use” collection, and animate it in any way you can imagine, bringing new life to these poignant historical vignettes. The competition is open to absolutely everyone: professionals, students, and dabblers alike.

Twenty winning works chosen by a panel of design legends will populate the museum’s storefront in Manhattan leading up to its grand opening. Winners will also receive free museum membership, their names shown alongside their work in the museum’s window and all social/PR/web publicity, and the chance for a mentorship hour or portfolio review from one of our esteemed judges. For complete rules, regulations, and image options see posterhouse.org. Submissions due no later than December 31!

WPA / Rumor by Vera Bock, 1939

TWA / New York by David Klein, 1956

Keep Your Teeth Clean by an Unknown Artist, 1936

Chocolat Klaus by Leonetto Cappiello, 1903

 

 

 



Art

Uncanny Trompe L’oeil Replicas of Classic Masterpieces Painted in Humble Outdoor Locations

November 6, 2018

Sasha Bogojev

Malaga-based artist Julio Anaya Cabanding paints well-known masterpieces in unsuspecting public places to create captivating trompe l’oeil interventions. The classic scenes and their ornate frames are hand-painted on unlikely backdrops such as graffiti-filled walls, crumbling buildings, and slabs of stones by the sea. These decrepit locations are chosen on purpose, as Anaya Cabanding seeks a distinct contrast to the pristine halls of traditional art museums. “These places are inhospitable, decadent, and inappropriate to receive such a valuable object,” he explains to Colossal. “Opposite of what a museum is.”

Anaya Cabanding symbolically “steals” the works of art, presenting them in locations that are abandoned, peripheral, or difficult to access. To create each work he first outlines his replica in spray paint, and then meticulously fills in the details in acrylic paint. The practice evolved from his art education at the University of Fine Arts in Malaga where he developed an interest in site-specific works and traditional trompe l’oeil. It was at the encouragement of his graffiti-writing friend Imon Boy that he first moved his work from the studio to the street. “I really liked the result and the relationship between the trompe l’oeil painting and the environment, so I decided to continue doing that,” he recounts of his initial experience.

His interventions are so meticulously rendered that people often think they are Photoshopped, or mistake them for the original paintings. “A year ago I painted two paintings by Lucian Freud… in an exhibition with colleagues from the university,” he says. “When talking to one of their mothers one week later, a colleague realized she still thought she had seen two real paintings.” Recently Anaya Cabanding participated in the Jornadas Z de Montalbán contemporary art project organized by Rafael Jiménez and Demetrio Salces, in Córdoba, Spain. You can follow the Spanish artist’s uncanny interventions on Instagram.

 

 

 



Art Craft Design History

Art Historical Masterworks Come Alive at Annual Halloween Parade in Kawasaki, Japan

October 31, 2018

Kate Sierzputowski

Image via @_ellie_

Image via @_ellie_

Recently in Kawasaki, Japan, a sextet of famous paintings marched their way through the city’s annual Halloween parade— Picasso’s “The Weeping Woman,” Vincent van Gogh’s self portrait, Johannes Vermeer’s “Girl with a Pearl Earring,” Leonardo da Vinci’s “Mona Lisa,” Edvard Munch’s “The Scream,” and of course Beast Jesus, the art world’s favorite botched masterpiece. Costume wearers presented themselves as the subjects of the famous paintings from the waist up, with fishnet stockings and heels from the waist down. The group won this year’s Pumpkin Award, taking home the grand prize and 500,000 yen, or around $4,400. You can see other prize winners of this year’s Kawasaki Halloween parade on their website, and view the paintings in action in a video by @_ellie_ below. (via Hyperallergic)

Image via @_ellie_

Image via @_ellie_

Image via @_ellie_

Image via @_ellie_

Image via @eurotwoner

Image via @eurotwoner