All images © Mark Harvey, shared with permission
Throughout lockdown in the United Kingdom, Mark Harvey, who is known for his striking equine and canine photography, shifted his focus to the avian creatures gliding above his home in the Norfolk Broads. Now part of a series titled In Flight, the exquisitely detailed shots frame common birds —including magpies, blue tits, starlings, goldfinches, great tits, coal tits, long-tailed tits, and green finches—in otherwise unseen poses: some splay out an entire wingspan, while others wrap their feathers around the front of their torsos.
Hearkening back to the methods of famed birdwatcher Victor Hasselblad, Harvey employed similar techniques to capture the dramatic shots. He used a slow, medium format with the same camera Hasselblad manufactured for the outdoor endeavor, taking just one image at a time.
Harvey just released limited edition prints of the In Flight series, which are available in a run of 15 per subject in his shop, and shares more of his striking horse and pup portraits on Instagram. (via Creative Boom)
The swaggering pigeon in Emmit Fenn’s new music video might upend the notion that peacocks are the proudest avians. Animated and directed by Patrick Jean, “Who Dat” opens on a quiet street corner before zooming in on the lone bird. As the bass drops, the pigeon begins a subtle strut down the street while it grooves to the beat. Soon, the bird reveals in its dancing skills after a shake of its tail feather. To see more of the Los Angeles-based director’s humorous animations, head to Vimeo.
Image © Andrei Savitsky, cupoty.com. Winner: Micro. “Glass worms can vary in length from about half an inch to two inches. On the right side of this image you can see the large tracheal bubbles that serve as hydrostatic organs (or swim bladders). These bubbles allow the larva to keep its horizontal position in the water column, while also helping to regulate the depth of its immersion. The bubbles are covered with dark pigment cells that can resize – if the cells expand due to absorption of light, the tracheal bubbles heat up and increase in volume, reducing the weight of the larva and causing it to float up. To create the picture here I made a panorama of eight frames, each of which was focus stacked. To make the image as detailed (and aesthetically pleasing) as I possible I used darkfield and polarisation techniques.” All images shared with permission
Captured around the globe, the winning shots in the 2020 Close-Up Photographer Of The Year glimpse some of nature’s most fascinating details, from the organs inside a shimmering glass worm to slime molds bursting with fruit. Dr. Galice Hoarau, an evolutionary biologist living in Bodø, Norway, took the top prize for his image (shown below) of a serpentine eel larva spotted during a blackwater dive.
In its second year, the annual contest garnered more than 6,500 entries from 52 countries. Photojournalists Tracy and Dan Calder, a wife and husband duo based in the United Kingdom, launched the competition in 2018 to “encourage photographers to slow down, enjoy their craft, and make long-lasting connections with the world around them.” Explore some of Colossal’s favorite close-up, micro, and macro shots below, and dive into the top 100 images on CUPOTY’s site. (via Design You Trust)
Image © Galice Hoarau, cupoty.com. Animals and Overall Winner of Close-up Photographer of the Year. “I spotted this eel larva off the island of Lembeh (Indonesia) during a blackwater dive. Blackwater diving is essentially diving at night in the open ocean, usually over deep or very deep water. Divers are surrounded by darkness, with only a lit downline as a visual reference. Peering through the darkness with your torch can be quite stressful the first time you do it, but it gets fascinating quickly. What makes blackwater diving so magical is the abundance of rarely seen planktonic creatures you spot as they take part in one of the largest daily migrations of any animal on Earth. After sunset, small pelagic animals (like this larva) rise close to the surface to feed where the sunlight has allowed planktonic algae to grow. At sunrise, they dive into the depths and stay down there during the day to escape predators.”
Image © Barry Webb, cupoty.com. 2nd Place: Plants & Fungi. “This image is a stack of 34 focus bracketed images. It was taken in February 2020 in a mixed woodland in Buckinghamshire, UK. It shows a line of 2.5mm high, fruiting bodies of the slime mold Metatrichia floriformis growing on a decaying beech trunk. I always use a x10 loupe with built-in LEDs to examine slime molds and to help me pick out the optimal composition. Initially, I liked this group because it showed different stages in their development. But when I looked through the magnifier, I noticed that the fruiting bodies resembled people standing in a line – the holes in the stems looked like little legs!”
Image © Juan Jesús González Ahumada, cupoty.com. 2nd Place: Insects. “When night falls, water scorpions rise to the surface of the pond and begin to interact with fellow water-dwelling creatures. While they might have a sinister appearance, these insects belong to the genus of bed bugs and aren’t actually dangerous. The caudal tube that helps them to breathe (and resembles a tail) is harmless. The pincers, however, help them to grab their prey, which they then kill with their beak. To show their wonderful outlines, and reduce them to silhouettes, I placed two flashlights under two water scorpions in the pond.”
Image © Chien Lee, cupoty.com. 3rd Place: Insects. “Bioluminescence is abundant in the Bornean rainforest at night, a feature that becomes evident as soon as you turn off your headlamp, but few organisms emit a light as strong as Lamprigera beetles. Close relatives of fireflies, Lamprigera differ in that the females are wingless and produce a bright and steady greenish light from the tip of their abdomen. During a night walk in the mountains of southern Sarawak, I found this large specimen crawling through low vegetation, presumably on the hunt for snails, their preferred prey. To capture the bright continuous trail of light from its abdomen, I used a long exposure as it made its way along a stick, coupled with a single rear-sync flash.”
Image © Csaba Daroczi, cupoty.com. 2nd Place: Animals. “I was preparing to take pictures of bogbean (Menyanthes) at the Turjanos nature conservation area near Kisőrös, Hungary, when I glimpsed this composition in the marshland. I carefully set up my tripod, and prayed for the spider not to move. It allowed me a few pictures before disappearing into the foliage.”
Image © Giacomo Redaelli, cupoty.com. 2nd Place: Young Close-up Photographer of the Year. “I had already photographed great crested tits close to home, but this time I wanted a picture of one against a blurred white background to make the red-eye of the bird stand out. To create the picture I had in my mind’s eye I had to travel four hours to a wood in Switzerland. It was very cold and the snow-covered almost everything. When I arrived, I saw many birds in the wood, but no crested tits. I walked for almost an hour in this beautiful landscape before I heard a familiar call. I stopped, took my camera out of the bag and waited, without moving. I couldn’t tell where the call was coming from. After a while, a crested tit flew on to a branch right in front of me. I moved as slowly as possible, trying not to scare it away, and brought my camera up to my face. I was so happy to see the bird in the viewfinder. I focused on the eye and got a few nice shots.”
Image © Heather Angel, cupoty.com. 3rd Place: Micro. “This time-lapse shows how green hydras (Hydra viridissima), although sessile (fixed in one place), can move around. A hydra moves by looping over and over, attaching the tentacles, then detaching the disc before reattaching it. They can also move by floating upside down. This particular hydra was attached to a petri dish raised up from a black background so it could be lit from below using darkfield illumination (DFI) and a microscope. The paler margins of the hydra’s body are a result of DFI. The green color is caused by symbiotic algae that live inside the hydra. In return, the algae provide nutrients to the hydra via photosynthesis. Hydras feed on small crustaceans, including water fleas.”
Image © Mathieu Foulquié, cupoty.com. 3rd Place Animals. “This common toad (Bufo bufo) took a liking to me, probably because I looked like a frogman myself. He didn’t stop following me during my two-hour dive in the Buèges karst spring (Hérault, Occitanie, France), so he became the perfect model.”
Image © Mike Curry, cupoty.com. Winner: Insects. “I was visiting Goole, the town where I was born in East Yorkshire, in 2018 as my dad was very ill in hospital. To take my mind off things I went for a walk with my wife Justine. There had been no time to pack really so all I had with me was my iPhone XS. We were walking towards the docks when I saw some beautiful peeling paint on an abandoned building site. I went over to photograph it when Justine asked if I had noticed the butterfly too. I hadn’t as I was miles away, but I had already captured this image serendipitously. It felt a surreal moment as my dad particularly liked butterflies and always commented that they represented relatives who had passed away, making it even more poignant. Unfortunately, he passed away shortly after, so this is a special photograph for me.”
Image © Tamás Koncz-Bisztricz, cupoty.com. Winner: Young Close-up Photographer of the Year. “I regularly visit a meadow near my hometown of Csongrád-Bokros, Hungary, observing the site in all seasons. The meadow is grazed by Hungarian grey cattle, which keeps the place in relatively good condition. One frosty winter’s morning I headed out to take some extreme macro shots at the surface of some frozen water that had pooled in the tracks left by a tractor. Crouching down, I spotted some yellow globular springtails (Sminthurus maculatus) which feed in the sunrays reflected from the ice. I used LED torches to illuminate one of them, and came away with a picture that celebrates this tiny creature.”
“Love Heart of Nature” by Jim Picôt. “In winter, a shark is inside a salmon school when, chasing the baitfish, the shape became a heart shape.” All images © the photographers, courtesy of 2020 Drone Awards, shared with permission
The 2020 Drone Photography Awards garnered an arresting collection of aerial shots, and among its winners is a serendipitous image of a heart-shaped school of salmon. Captured by Australian photographer Jim Picôt, the piece is particularly special because a shark swims near the center, chasing one of the fish. Other prized shots include heron roosts nestled in the treetops, and a group of swimmers floating between crashing waves.
Hosted by the Siena Awards Festival, the contest received entries from photographers in 126 countries, and an exhibition titled Above Us Only Sky will run October 24 to November 29 in Siena to showcase the top images. Check out some of our favorites below, and dive into all the winning shots on the contest’s site. (via PetaPixel)
“Gray Whale Plays Pushing Tourists” by Joseph Cheires. “At the end of the gray whale season, I was told about a gray whale that, for the last 3 years, used to play with the boats, pushing them gently. So we went back the year after and incredibly the gray whale appeared and this shot is the result.”
“Alien Structure on Earth” by Tomasz Kowalski. “Sometimes we need to change the perspective to feel the strength of the structure stronger than we’ve ever thought. The Petronas Towers, also known as the Petronas Twin Towers, are twin skyscrapers in Kuala Lumpur.”
“Where Herons Live” by Dmitrii Viliunov. “Many think that herons make nests in reeds or in a swamp. In fact, they nest in the tops of huge trees and with a drone it is sometimes possible to see them.”
“On the Sea” by Roberto Corinaldesi. “An aerial view of swimmers, where the sea becomes the place to take refuge, between the blue carpet and the white foam of the waves.”
“Frozen Land” by Alessandra Meniconzi. “With temperatures of minus 30°C, winters in the Eurasian steppe can be brutal. But life doesn’t stop, and local people move from one village to another with a sledge, crossing icy rivers and lakes.”
“Phoenix Rising” by Paul Hoelen. “The phoenix rising is a symbol of re-emergence from the ashes of fire. This is symbolized through the beginnings of an actual regeneration process at the industrial mining site of Lake Owens. After a destructive past and the creation of the most toxic dustbowl in America, migratory birds are returning, and life is beginning anew…”
“Black Flag” by Tomer Appelbaum. “Thousands of Israelis maintain social distancing due to Covid-19 restrictions while protesting against Israeli Prime Minister Benjamin Netanyahu in Rabin Square on 19 April 2020.”
All images © Jo Brown, shared with permission
Behind Jo Brown’s home in Devon is a rich countryside complete with a wooded area and thick vegetation. For years, the United Kingdom-based illustrator documented the wildlife and plant species she encountered in her Nature Journal, a black Moleskine that now has been reproduced exactly in a forthcoming book, Secrets of a Devon Wood.
Each page of Brown’s notebook contains a pen and colored pencil drawing that begins at the pages’ edges, appearing to grow from the corner or across the paper. Sometimes captured through close-ups that mimic scientific illustrations, the delicate renderings depict the detail of a buff-tailed bumblebee’s fuzzy torso and the red tendrils of a round-leaved sundew. Brown notes the common and Latin names for each species and common characteristics, in addition to where and when she spotted it.
To keep up with the illustrator’s journeys into the countryside, follow her on Instagram and Twitter, and pick up a print from Society6. (via My Modern Met)
“The Tweets.” All images © Leila Jeffreys, shared with permission
Those of us who’ve been party to an awkward family photoshoot or embarrassing school picture have reason to feel envious of the birds Leila Jeffreys (previously) photographs. From a pair of stoic budgerigars to a yellow trio named “The Tweets,” the avian subjects are captured in sophisticated and graceful poses that highlight their most stunning features, from the curvature of their beaks to the singular barbs of their feathers.
Jeffreys often teams up with conservationists, ornithologists, and sanctuaries to determine her subjects before bringing them to a studio. When they’re together, the Australian photographer focuses on their personalities, hoping to capture their idiosyncratic tendencies. The result is intimate and engaging photographs at a human-scale, a choice that strays from traditional portraiture by centering a different species.
Many of the elegant portraits here are included in Jeffreys’ recently released book, Des oiseaux, and you can explore a larger collection of photographs available for purchase on her site. Otherwise, keep up with her feathered frames on Instagram and watch this arresting footage of the birds in action.
“River and Cloudy”
“Rain and June”