birds

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Photography

Photographic Composites of Birds and Environments Accentuate the Rich Textures and Colors Found in Nature

August 30, 2022

Grace Ebert

“Eclectus,” (2018), Indian peacocks. All images © Joseph McGlennon, courtesy of Michael Reid Sydney + Berlin, shared with permission

Hundreds of individual photographs comprise the richly layered works of Joseph McGlennon, who plucks particular textures and colors found throughout the natural world and splices them into new contexts. In one image, the cascading feathers of Indian peacocks frame a sailboat in the distance, and another centers on an Australian black cockatoo surrounded by rainbow lorikeets, butterflies, and flowering foliage. Many of the works accentuate the sheen and distinct patterns on the bird’s feathers and utilize the variances in shadow and light to cohesively position the subjects within their manipulated surroundings. By highlighting these features, the photographer references the earth’s stunning diversity and what could be lost given the increasingly disastrous climate crisis.

McGlennon has a solo show open through September 11 at Michael Reid Southern Highlands—he’s represented by Michael Reid Sydney + Berlin—and is also included in Bird published by Hoxton Mini Press. Find more of his works, in addition to glimpses into his process, on Instagram.

 

“Flowering Dry” from Awakening

“Silentium 1” (2021)

“Quiet Dawn” from Awakening

“Silentium 2” (2021)

“Electus,” wedgetail in Tasmania

“Silentium 3” (2021)

“Silentium 4” (2021)

 

 

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Art

‘Division of Birds’ Opens at Paradigm Gallery with a Vast Exploration of the Avian World

August 25, 2022

Colossal

Gigi Chen. All images © the artists, shared with permission

From the caves of Lascaux to ancient engravings and jewelry, feathered life has populated some of the earliest artworks known to exist. A group exhibition opening this week at Paradigm Gallery + Studio in Philadelphia expands on this tradition by bringing together 11 artists working today who harness the vast creative potential of the avian world.

Curated by Colossal’s founder and editor-in-chief Christopher Jobson, Division of Birds flies through a wide array of styles and mediums in 30 pieces that consider winged creatures through both realism and fantasy. Working in vibrant acrylic, Gigi Chen imagines moss enveloping an oversized bluebird, while Calvin Ma creates a beaked disguise for his signature character. Other pieces include Drew Mosley’s caged owls and the energetically swirling feathers by Fio Silva.

Division of Birds runs through September 18, and if you’re in Philadelphia, join Colossal at the gallery for the opening reception on August 26.

 

Felicia Chiao

Fio Silva

Roberto Benavidez

Dina Brodsky

Calvin Ma

Drew Mosley

 

 



Art

Birds Swoop and Swell into Imagined Inky Murmurations in Fiona Watson’s Etchings

August 24, 2022

Grace Ebert

“The Murmuration Tree.” All images © Fiona Watson, shared with permission

“Biology is a very visual science—macro and microscopically,” says Fiona Watson. The Scotland-based artist channels her background in this field into a multi-media practice that spans photography, painting, land art, and printmaking. Observation, interpretation, and creativity by way of critical thinking are fundamental in both the sciences and art, and Watson harnesses these skills to create etchings of murmurations that mimic birds’ paths as they swoop through the sky. Collective flights “are extraordinary both metaphorically as shapeshifters occupying the space between heaven and earth and biologically as hundreds of organisms moving as one,” she tells Colossal.

Beginning with a digital sketch, Watson imagines various phenomenological patterns that she then translates to a copper plate using wax resists and acids. After inking the drawing, she sends it through the etching press, a process used for centuries.

The artist works out of the Glasgow Print Studio and has a new piece in the upcoming 50th-anniversary exhibition. Explore more of her practice on her site and Instagram. (via Women’s Art).

 

“The Persistence of Sound”

“Dark Sun Murmuration”

“And Then Songs Filled the Air”

“The Kindness of Trees”

“First There is a Mountain”

“Once Upon a River”

“The Waggle Dance”

 

 



Art

The Aquatic and Terrestrial Life of Southern California Merges into Hybrid Creatures in Jon Ching’s Paintings

August 22, 2022

Grace Ebert

“King Tide.” All images © Jon Ching, courtesy of Beinart Gallery, shared with permission

Los Angeles-based artist Jon Ching imagines the fantastic possibilities of melding Earth’s flora and fauna, rendering bizarre creatures with mushroom feathers and striped tulip fins. His latest oil paintings, which are on view this fall in Habitat at Beinart Gallery, extend this interest in hybridity by blending aquatic, aerial, and terrestrial organisms and their environments.

Marine ecosystems appear in many of the pieces, alongside cacti and succulents native to Ching’s home in southern California. In “King Tide,” for example, rising water approaches a cockatoo with plant-like plumage, and “Acclimate” depicts two green parrots perched on aloe growing below the surface. Each work envisions how different ecologies could converge and references nature’s resilience, the climate crisis, and the growing necessity of adapting to a changing world.

Ching’s solo show Habitat runs from September 11 to October 2 in Melbourne. Prints and stickers are available in his shop, and you can follow his latest works on Instagram.

 

“Acclimate”

“Reparation”

Left: “Hygge.” Right: “Think Tank”

“Double Vision”

“Flash Point”

Left: “Jungle Gym.” Right: “Neogenesis”

“Long Game”

 

 



Art

Discarded Tools, Scrap Metals, and Fabrics Form the Spirited Sculptures by Mohsen Heydari Yeganeh

August 15, 2022

Grace Ebert

All images © Mohsen Heydari Yeganeh, shared with permission

Artist Mohsen Heydari Yeganeh extends the life of broken tools, wooden handles, and scraps of fabric found in resale shops, stalls, and alleys. Utilizing chains for plumage or a long, steel blade for a beak, Yeganeh forms stylized animalistic assemblages of discarded materials, which he refers to as “flying garbages.” Conveying the awkward, jutting postures of birds or the broad stance of a bison, the spirited sculptures combine abstract components into lively, expressive characters.

Yeganeh is one part of Kasmeh, a Tehran-based studio where he works in collaboration with the artist Arman. You can follow their upcycled creatures on Instagram.

 

 

 



Photography

A Surprising Photo Captures an Osprey Gently Gliding Along the Water’s Surface

August 12, 2022

Grace Ebert

Image © Andy Woo, shared with permission

Ospreys, the large raptors with barbed talons and dense, oily plumage, feed almost exclusively on fish and are known to completely submerge themselves in the water during a hunt. An unanticipated photo by Andy Woo, though, captures the avian predator in a botched attempt as it skims the surface rather than plunging in to retrieve its next meal. “Although I couldn’t figure out what just happened at the time, in looking at the sequence I captured, it looks to me like the osprey tried to grab a fish out of the water, missed, and then could not get enough lift to quickly get back in the air,” he tells Peta Pixel. The unusual move lasted less than a second, just enough time for the Olympia-based photographer to document the act and the bird’s reflection on the water.

Woo is currently selling prints of the short-lived glide, and you can find the entire sequence on his Instagram.