ceramics

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Art Food

Donut Worry Be Happy: Pop Culture References on Expertly Glazed Ceramic Donuts by Jae Yong Kim

December 11, 2017

Kate Sierzputowski

South Korean ceramicist Jae Yong Kim creates deliciously glazed donuts out of clay, glitter, and swarovski crystals. The faux desserts present a glossy perfection in their paint application, yet contain an irregularity in shape to trick the eye into believing they might be an edible treat.

Kim chooses patterns and images that evoke a sense of pop culture both past and present, with several pieces imitating the style of famous painters such as the splattered marks of Jackson Pollack or concentric dots of Yayoi Kusama. These references, alongside their presentation as food, ask the audience to consider what they are really consuming when viewing his small, spherical works.

“Without my intention, references to Pop Art have been a consistent occurrence throughout the entirety of the donut artworks,” said Kim in a statement. “Questioning myself regarding the donuts falling in line with a specific genre has brought questions and need for understanding. Each individual donut has invariably read to me as a small painting; color, pattern and physicality have been the ultimate procedure for my personal expression.”

Kim is a graduate of the Hartford Art School and Cranbrook Academy of Art. Kim splits his time between Korea and New York, and works form a studio in Jersey City, NJ. You can see more of his donut-based paintings on his Instagram, and take a look at previous ceramic works on his website. (via Design Milk)

 

 



Art

New Porcelain Vessels Densely Layered in Leaf Sprigs and Other Botanical Forms by Hitomi Hosono

November 21, 2017

Kate Sierzputowski

Ceramicist Hitomi Hosono (previously) creates porcelain vessels layered in hundreds of leaf sprigs and other botanical forms. These monochromatic elements are based on plants Hosono encounters during walks through East London’s greenery. “It is my intention to transfer the leaf’s beauty and detail into my ceramic work,” she explains, using it as my own language to weave new stories for objects.”

Her technique is inspired by Jasperware, a type of stoneware covered in thin ceramic reliefs invented by Josiah Wedgwood in the late 18th century. Like Wedgwood, she carefully applies her delicate forms to a porcelain base. From start to finish a larger work will take Hosono nearly a year and a half to complete. Much of this time is spent drying, as her densely layered works often need 10-12 months to completely dry.

Hosono’s solo exhibition, Reimagining Nature: Hitomi Hosono’s Memories in Porcelain, is currently on view at the Daiwa Anglo-Japanese Foundation in London through December 15, 2017. You can see more of her layered botanical sculptures on the artist’s website and through her gallery Adrian Sassoon.

 

 



Art

Temporal Floral Structures Formed From Unfired Clay by Phoebe Cummings

November 13, 2017

Kate Sierzputowski

Artist Phoebe Cummings works primarily with unfired clay to create floral arrangements that are both performative and temporal. The malleable sculptures last only as long as the exhibition, and are made on-site to specifically respond to their temporary environment. The works’ forms are inspired by the natural world as well as botanical illustrations, yet their colors remain the monochromatic shade of raw clay.

The UK-based artist studied Three-Dimensional Crafts at the University of Brighton, and completed her MA in Ceramics & Glass at the Royal College of Art in 2005. Cummings has participated in several residencies across the UK and USA, including the Kohler Co. factory in Wisconsin and the Victoria and Albert Museum in London. Cummings was just awarded the BBC Radio 4 Woman’s Hour Craft Prize, in partnership with the Victoria & Albert Museum and the Crafts Council. You can take a behind-the-scenes peek into her practice on her Instagram. (via Patternbank Blog)

 

 



Art

New Stoneware Animals Fraught With Human Emotion by Beth Cavener

November 9, 2017

Kate Sierzputowski

Through an Empty Place (The Fox Emerging from Shadow), 2017. Stoneware, paint, wood. 47h x 67w x 12d in

Through an Empty Place, detail

Beth Cavener (previously here and here) creates large animals that each appear to wrestle against their implied captivity. The works can be viewed as animals in the throes of domestication, however beneath the surface lies a peek into our own human psychology. Cavener projects these emotions onto her sculpted clay figures, showcasing the primitive animal instincts that lie beneath our own exteriors.

“Both human and animal interactions show patterns of intricate, subliminal gestures that betray intent and motivation,” said Cavener in an artist statement. “The things we leave unsaid are far more important than the words spoken out-loud to one another. I have learned to read meaning in the subtler signs; a look, the way one holds one’s hands, the incline of the head, and the slightest unconscious gesture. I rely on animal body language in my work as a metaphor for these underlying patterns, transforming the animal subjects into human psychological portraits.

Cavener’s solo exhibition The Other opens on November 15th at Jason Jacques Gallery in NYC, and runs through December 5, 2017. You can view more of the artist’s work on her website.

Kept (Variation in Cream and Grey), 2017. Resin-infused refractory material, paint, rope, wooden base. 12h x 24w x 28d in

Beloved (Rearing Deer), 2017. Stoneware, paint, bone, rope, steel. 112h x 36w x 48d in

They (Hare on Fur Pillow), 2017. Stoneware, paint, rabbit fur, foam. 34h x 73w x 30d in

Tribute (Wolf and Monkey), 2017. Stoneware, paint, hand-forged steel collars and chain. 46h x 58w x 31d in

Commitment (Two Goat Heads), 2015. Stoneware, paint, leather, steel chain, mixed media. 28h x 78w x 26d in

Commitment, detail

Limerence, 2017. Stoneware, mixed media. 22h x 44w x 16d in

 

 



Craft

Kernel Panic: New Binary Ceramics Punctuated with Typewriter Keys by Laura C. Hewitt

October 17, 2017

Christopher Jobson

From her small studio in rural Alaska, artist Laura C. Hewitt fuses the technological with the handmade, producing cyberpunk dishware and cyborg decor from wheel-thrown ceramics. A recurring theme in her work are plates, cups, and bowls speckled with 0’s and 1’s formed by vintage alphanumeric and punctuation keys from old typewriters or machinist punches. She often fires the pieces multiple times to enhance the worn appearance of each object, pieces that might look right at home on the desk of H. R. Giger. You can follow her most recent work on Instagram and she has several pieces available on Etsy.

 

 



Art Food

Decadent Pastries Formed From Porcelain and Glass by Shayna Leib

October 12, 2017

Kate Sierzputowski

All photos by Eric Tadsen

Glass artist Shayna Leib (previously), like anyone, is deeply attracted to the seductive pull of decadent desserts. Unlike most however, Leib is unable to indulge. Her body reacts to several aspects of puffed pastries and chocolate mouses, causing her to have many severe dietary restrictions. It was this void that pulled her towards the desire to work with the unattainable, to recreate the objects she couldn’t eat.

“This body of work started as a therapeutic exercise in deconstruction and a re-training of the mind to look at dessert as form rather than food,” says Leib in an artist statement about her series Patisserie. “It soon became a technical riddle, and I became a food taxidermist of french pastries.”

To create the glossy sculptures she combines elements of porcelain and glass, utilizing nearly every technique for both to achieve the hyperrealistic quality of each faux dessert. Like a typical French pastry would be rolled, glazed, baked, and trimmed, Leib hot-sculpts, fuses, casts, grinds, throws, and even pipes with a theme-appropriate pastry tube. You can view more of her sweet imitations on her website, Instagram, and Facebook.

 

 



Art Craft

Aspen Trees Grow on Delicate Ceramic Vessels by Heesoo Lee

September 21, 2017

Laura Staugaitis

Ceramic artist Heesoo Lee brings the textural depth of aspen forest canopies to her sculptural bowls and vases. Lee painstakingly places each and every leaf by hand, building unique, organic trees that seem to come to life with their shimmering, colorful leaves. While the vibrant glazes add a lifelike layer, the pieces are equally stunning in their unglazed form. The Montana-based artist shares many progress shots and videos on her Instagram, and works are available for purchase on Etsy. (via Lustik)

An unglazed work in progress

 

 

A Colossal

Highlight

Brick Man