crochet

Posts tagged
with crochet



Art

Crocheted Wire Anatomy by Anne Mondro

May 16, 2016

Christopher Jobson

mondro

Since the earliest days of her artistic career, Michigan artist Anne Mondro has been captivated by human anatomy, creating her own interpretations of internal organs and body forms through crocheted sculptures. Working with thin steel and copper wire, she spends hundreds of hours on a single artwork, manifesting her own interpretations of hearts, lungs, limbs, and even entire bodies. “Crocheting wire enables me to create interwoven forms that are structurally strong, yet visually and physically light,” Mondro shares. “The forms allude to ethereal silhouettes associated with shadows, ghosts or decay.”

Though anatomy is an ongoing focus for Mondo, she’s also lent her crocheting abilities to the construction of more mechanical objects, namely the recreation of a Model T engine for the 2011 Love Lace exhibition at the Powerhouse Museum.

Late this year Mondro has an exhibition at Ceres Gallery in New York titled Intertwine, and you can explore more of her work here. (via Bored Panda)

mondro2

mondro3

mondro4

mondro5

mondro6

 

 



Art Craft

Fragile Crocheted Leaf Sculptures by Susanna Bauer

March 2, 2016

Christopher Jobson

Adornment Vl. 29 H x 21 W cm. Magnolia leaf, cotton yarn. All photos courtesy art-photographers.co.uk.

Adornment Vl. 29 H x 21 W cm. Magnolia leaf, cotton yarn. All photos courtesy art-photographers.co.uk.

Working with the rigid edges of large dried magnolia leaves artist Susanna Bauer (previously) adds tiny crocheted embellishments of cotton yarn to create fascinating sculptures that marry the natural and artificial world. The fragility of the medium alone—dry leaves—is enough to cause a double take when first encountering these tiny interventions, and a closer look reveals near perfection in Bauer’s stitching, a near Herculean effort in patience. Many of her pieces are almost shockingly intentional, as if the plants had naturally grown this way, while others are more playful, featuring additions or subtractions that reorganize a regular leaf in unexpected ways.

Seen here are all new sculptures created in the last few months. Bauer currently has work on view in her exhibition titled Leaf Works at The Centre for Contemporary Art and the Natural World through May 26, and will be showing new artworks starting next week at Muriel Guépin Gallery in a show called Natural Order. You can see more on her website.

Aligning. 34.2 H x 26.5 W x 7 D cm. magnolia leaves, cotton yarn.

Aligning (side view). 34.2 H x 26.5 W x 7 D cm. Magnolia leaves, cotton yarn.

Aligning. 34.2 H x 26.5 W x 7 D cm. magnolia leaves, cotton yarn.

Aligning (side view). 34.2 H x 26.5 W x 7 D cm. Magnolia leaves, cotton yarn.

Centered. 38 H x 38 W cm. Platanus leaves, cotton yarn.

Centered. 38 H x 38 W cm. Platanus leaves, cotton yarn.

Four Circles. 38 H x 38 W cm. Magnolia leaves, cotton yarn.

Four Circles. 38 H x 38 W cm. Magnolia leaves, cotton yarn.

Inner Circle. 35.8 H x 25.8 W cm. Magnolia leaves, cotton yarn.

Inner Circle. 35.8 H x 25.8 W cm. Magnolia leaves, cotton yarn.

Inner Circle, detail.

Internal Workings. 35.8 H x 22 W cm. Magnolia leaf, cotton yarn.

Internal Workings. 35.8 H x 22 W cm. Magnolia leaf, cotton yarn.

Moon Vlll. 35.8 H x 22 W cm. Magnolia leaf, cotton yarn.

Moon Vlll. 35.8 H x 22 W cm. Magnolia leaf, cotton yarn.

Moon VIII, detail.

Moon VIII, detail.

Resurgence ll. 38.9 H x 34.8 W x 3.2 D cm. Magnolia leaves, cotton yarn.

Resurgence ll. 38.9 H x 34.8 W x 3.2 D cm. Magnolia leaves, cotton yarn.

Resurgence l, detail.

Resurgence l, detail.

Trans-Plant No.19. 40.2 H x 40.2 W cm. Magnolia leaves, cotton yarn.

Trans-Plant No.19. 40.2 H x 40.2 W cm. Magnolia leaves, cotton yarn.

Susanna in her studio, photo by Rebekah Taylor.

Susanna in her studio, photo by Rebekah Taylor.

 

 



Art Craft

Decaying Animal Skeletons Crocheted From String by Artist Caitlin McCormack

July 17, 2015

Kate Sierzputowski

c-orexis

Caitlin McCormack creates crocheted animals that appear to decay in front of your eyes, delicate corpses crafted from cotton string and glue. To produce each of her sculptures she must stiffen the string which produces a consistency similar to the bone tissue of the animals she is recreating. These fragile remains appear extremely macabre, a typically cute hobby made somewhat morbid.

Documented on dark backgrounds, the details of her creations are all the more apparent, string dangling from bits of the animals’s arms and wings as if it was truly decomposing. By using a technique inherited from her deceased relatives McCormack says she “aim[s] to generate emblems of my diminishing bloodline, embodied by each organism’s skeletal remains.”

McCormack studied Illustration at the University of Fine Arts in Philadelphia, PA. Her work will be featured within Opus Hypnagogia: Sacred Spaces of the Visionary and Vernacular at The Morbid Anatomy Museum in Brooklyn, New York which runs through October 15th. (via Laughing Squid and Beautiful Decay)

World Before the World, 2014

World Before the World, 2014

World Before the World II, 2014

World Before the World II, 2014

Bound, As It Were, 2015

Bound, As It Were, 2015

Mothering, 2015

Mothering, 2015

Ghost, 2014

Ghost, 2014

Crawlspace, 2014

Crawlspace, 2014

The Organist, 2013

The Organist, 2013

 

 



Art Craft

Impressive Crocheted Leaf Sculptures by Susanna Bauer

June 15, 2015

Christopher Jobson

leaf-1

art-photographers.co.uk

To truly appreciate the delicacy of Susanna Bauer‘s leaf sculptures, think of crunching a dead leaf in your hand, how it disentigrates into dust with the slightest effort. To work with dry and fragile leaves as a medium for crochet seems nearly impossible, but Baur somehow manages it with ease, turning leaves into cubes, tunnels, and geometric patterns with techniques that might be more appropriate for the durability of leatherwork. She shares about her process:

There is a fine balance in my work between fragility and strength; literally, when it comes to pulling a fine thread through a brittle leaf or thin dry piece of wood, but also in a wider context – the tenderness and tension in human connections, the transient yet enduring beauty of nature that can be found in the smallest detail, vulnerability and resilience that could be transferred to nature as a whole or the stories of individual beings.

Bauer has a new exhibition of work at Lemon Street Gallery in Cornwall, England through June 27th, and you explore a bit more on Facebook.

leaf-2

art-photographers.co.uk

leaf-3

Simon Cook

leaf-4

art-photographers.co.uk

leaf-5

art-photographers.co.uk

leaf-6

Susanna Bauer

leaf-7

art-photographers.co.uk

leaf-8

Susanna Bauer

leaf-9

Simon Cook

leaf-10

art-photographers.co.uk

leaf-11

art-photographers.co.uk

leaf-12

art-photographers.co.uk

bauer

Susanna Bauer

 

 



Art

Animal and Insect Sculptures Wrapped in Crocheted Webbing by Joana Vasconcelos

July 29, 2014

Johnny Waldman

vasconcelos-1

In an ongoing series by Joana Vasconcelos, the Portuguese artist has been wrapping various animals—wasps, lizards, snakes, crabs, lobsters, frogs, bull-heads, donkey heads, horse heads, wolves and even cats—in five-needle lace, handmade cotton crochet. But these aren’t any old animals. Vasconcelos has appropriated the ceramic artwork of Rafael Bordalo Pinheiro (1846-1905), one of the most renowned Portuguese artists of the 19th century.

Each of the pieces “are ambiguously imprisoned/protected by a second-skin in crochet-work,” says Vasconcelos. At once both beautiful and strange, the work stands as a testament to the extraordinary craftsmanship of the artist but also as a one-upmanship of maternal femininity and domesticity. The use of crochet to mummify the ceramic animals “opens up a vast and rich field of interpretation” that challenges our preconceptions of femininity, as well as our notions of tradition and modernity. (via Trendland, Ghost in the Machine)

vasconcelos-2

vasconcelos-3

vasconcelos-4

vasconcelos-5

vasconcelos-6

Angélica, 2013

 

 



Art

Olek Crochets an Entire Four-Car Locomotive in Lodz, Poland

August 2, 2013

Christopher Jobson

olek-1

olek-2

olek-3

olek-4

olek-5

Textile artist Olek has just completed work on what may be her largest piece ever, a four-car locomotive covered in crocheted technicolor camo in Lodz, Poland. The artist didn’t even stop to change out of a costume she wore at the Animal Ball in London before jumping on a plane to meet four assistants who began a four-day assault on the large train that was completed on July 19th. You may remember Olek’s work from just over a year ago here on Colossal when she crocheted an entire alligator-themed playground in São Paulo. The locomotive will be on view through August 19th, and you can see more over on Hi-Fructose.

 

 



Animation Music

A Stop-Motion Crochet ‘Quadropus’ Turns the City Blue

October 16, 2012

Christopher Jobson

This latest music video for Wax Tailor featuring Aloe Blacc was shot by the crew over at Australian firm Oh Yeah Wow (previously) who spent over three months carefully moving a crocheted, four-legged octopus (a quadropus!) by hand using stop-motion. The end result is technically incredible despite a somewhat gloomy ending, the team’s ability to create the illusion of being underwater using just a few sparse props is commendable in and of it itself. See more making of photos here. Directed by Darcy Prendergast and Seamus Spilsbury.