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Art

Stainless Steel Razor Blades Compose Sculptures of Garments and Household Objects by Tayeba Begum Lipi

April 4, 2019

Kate Sierzputowski

“Recallin 3” (2014), Stainless steel razor blades, 11 x 9.1 x 21.3 inches, image courtesy of Sundaram Tagore Gallery

Bangladeshi artist Tayeba Begum Lipi recreates memory-laden objects by connecting thousands of razor blades, transforming the sharp metal tools into tennis shoes, wheels for strollers, sewing machines, sensuous fabrics, and more. Lipi’s sculptures address female marginality and speak most specifically to violence facing women in Bangladesh. The razor blades also references her memories of witnessing the birth of her nieces and nephews as a child growing up in the small town of Gaibandha, where the tool was often used during delivery.

In addition to being an artist, Lipi also founded the Britto Arts Trust in 2002 with her husband Mahbubur Rahman. The organization is dedicated to creating opportunities for other Bangladeshi artists through exhibitions, residencies, and educational activities. Her solo exhibition This is What I Look(ed) Like with Sundaram Tagore Gallery in New York will present several new razor blade sculptures in addition to photography and video works. The show opens on May 2, and runs through June 1, 2019. You can see more of Lipi’s razor blade sculptures, in addition to her collection of safety pin sculptures, on Sundaram Tagore Gallery’s website.

“Recallin 3” (detail) (2014), Stainless steel razor blades, 11 x 9.1 x 21.3 inches, image courtesy of Sundaram Tagore Gallery

“Miles after Miles” (2015), Stainless steel razor blades, 30 x 32 x 11 inches, courtesy of Sundaram Tagore Gallery

"The Rack I Remember" (2019), Stainless steel razor blades and stainless steel, dimensions vary photo by Mahbubur Rahman, courtesy of Sundaram Tagore Gallery

“The Rack I Remember” (2019), Stainless steel razor blades and stainless steel, dimensions vary photo by Mahbubur Rahman, courtesy of Sundaram Tagore Gallery

“The Stolen Dream” (2013), Stainless steel made razor blades, 27.5 x 20 x 37 inches, image courtesy of Sundaram Tagore Gallery

"Let's Take a Break" (2013), Stainless steel made razor blades, stainless steel sheet and water, 64.2 x 28.3 x 18.5 inches, image courtesy of Sundaram Tagore Gallery

“Let’s Take a Break” (2013), Stainless steel made razor blades, stainless steel sheet and water, 64.2 x 28.3 x 18.5 inches, image courtesy of Sundaram Tagore Gallery

“Not For Me 2” (2018), Stainless steel razor blades, 8 x 9 x 6 inches, photo by Mahbubur Rahman, image courtesy of Sundaram Tagore Gallery

Still from Unveiling Womanhood (2017), video installation, image courtesy of Sundaram Tagore Gallery

 

 



Craft Design

Subverted Consumer Goods Become Wearable New Apparel

April 1, 2019

Laura Staugaitis

During the weekday, Nicole McLaughlin works as a graphic designer at Reebok. But after hours her relationship to branded apparel and personal accessories takes a different creative turn. McLaughlin uses a wide variety of recognizable consumer goods to form totally new products. Often focusing on footwear, McLaughlin has formed slip-ons out of tennis balls and Levi’s waistband patches, and sandals from eBay packaging tape and IKEA bag handles. Additional creations range from an umbrella of The North Face puffy coats to foldable chairs comprised of athlete’s Gatorade bottles and foam sports fan hands.

The artist chops up and subverts the original functionality of these recognizable products and brands, but also is always careful to maintain—and often repeat—visible logos while she gives each item a new meaning and use. McLaughlin documents her creations in a closely cropped, plain manner that calls to mind images cataloged for an anthropological study. You can see more of her fashion interventions on Instagram, and keep an eye on her online store for functional pieces, all of which are currently sold out.

 

 



Design

Dramatically Sweeping Dresses by Pierpaolo Piccioli Resemble Classic Winter Puffer Coats

February 22, 2019

Laura Staugaitis

Winter apparel brand Moncler has partnered with Valentino’s creative director Pierpaolo Picciolo to create massive gowns that reference classic cold-weather puffy coats. Each gown features the typical quilted style of down jackets, but instead of short form-fitting coats, the dresses sweep across the floors with voluminous hemlines and envelope the wearer’s neck and shoulders in cocoon-like shapes. Typical subdued winterwear colors are swapped out for a riot of jewel tones accented with variegated stripes.

The collaboration, which is part of Moncler’s Genius program, engaged Picciolo, as well as designer and model Liya Kebede, to dream up the unusual shapes and patterns. This is the second rendition by Picciolo, who last year drew inspiration from Renaissance paintings. (via designboom)

 

 



Design

Birds and Faces Emerge From Dizzying Multi-Layered Gowns by Iris Van Herpen

January 29, 2019

Laura Staugaitis

Photos: Filippo Fior

Dutch fashion designer Iris Van Herpen (previously) blends cutting-edge technology and classic motifs in her thought-provoking garments. Van Herpen’s most recent collection, Shift Souls, was showcased at Paris Fashion Week, and featured dresses that play with structure and color to blur the boundaries between fashion, technology, and art.

In a statement on the brand’s website about the collection, Van Herpen explains that she was inspired by the fluidity of identity change in myths, particularly from Japan. The stories “gave me the inspiration to explore the deeper meaning of identity and how immaterial and mutable it can become within the current coalescence of our digital bodies.”

Many of the pieces in Shift Souls were created using laser cut fabric pieces to form abstracted birds and human faces, emphasizing the designer’s interest in the mutability of the human figure. Van Herpen also collaborated with artist Kim Keever to design fabric patterns based on his liquid color cloud photographs, as shown in the blue dresses below.

You can see more of the designer’s collections on Instagram, and watch a video of Shift Souls on the runway here. (via designboom)

 

 



Design

Illustrations Transform Nike Air Maxes Into Concepts That Pay Homage to Their History

December 5, 2018

Andrew LaSane

Images courtesy of Rosie Lee on Behance

London-based creative agency Rosie Lee took the original design inspirations for iconic sneakers and turned them into conceptual sculptures that architects and sneakerheads will especially appreciate. Paying homage to the Centre Pompidou, the museum in Paris that inspired legendary Nike designer Tinker Hatfield to create the Nike Air Max 1 in the late-1980s, the team at Rosie Lee transformed the iconic shoe into a 3D model of its Parisian inspiration. The illustration closely resembles the inside-out architectural elements that Renzo Piano, Richard Rogers, and Gianfranco Franchini used when designing and building the complex in the 1970s.

The creative team also created 3D illustrations for two other Air Max models: the Nike Air Max 90 and the Nike Air Max 95. The Air Max 90 concept is built entirely out of speakers and rigging as a nod to the culture of record crate diggers (“early adopters” of the sneaker model, according to Rosie Lee), while the Air Max 95 illustration was made to resemble the anatomy of a human foot since that’s where the sneaker’s designer, Sergio Lozano, found inspiration over 23 years ago.

Rosie Lee works on interdisciplinary retail design, branding, and digital projects. You can find more of their latest work on Behance and Instagram, and view their full portfolio on the Rosie Lee website.

 

 



Art

Garment-Like Sculptures by Susie MacMurray Explore Perceptions of Female Identity

September 24, 2018

Laura Staugaitis

Chain mail, needles, and dishwashing gloves: though not the materials you’d expect a dress to be made from, British artist Susie MacMurray uses them in her garment-inspired sculptures. MacMurray’s first piece in this body of work was Gladrags, made in 2002 from 10,000 pink balloons. Since then, the artist has produced several other seemingly wearable sculptures including Medusa (copper chain mail), Widow (leather and 100,000 dressmaker needles), and A Mixture of Frailties (1,400 household gloves).

“They have all been more concerned with the perception of women, their power and their vulnerabilities,” she explains to Colossal. “I am interested in how human strengths and frailties can often be one and the same thing. I suppose you could almost call them portraits… Much of my sculpture and drawing practice is concerned in one way or another with the perception and negotiation of female identity, both internal and external.”

MacMurray was formerly a classical musician, and she retrained as an artist, graduating in 2001 with an MA in Fine Art. In addition to her garment sculptures, MacMurray also creates drawings and architectural installations. You can see more of her work on her website and Twitter. (via #WomensArt)

 

 



Art

Crystallized Ballet Slippers and Soccer Cleats by Alice Potts

August 3, 2018

Kate Sierzputowski

Royal College of Art student Alice Potts grows crystals on shirts, slippers, and various athletic wear from a common yet unlikely source—sweat. The London-based artist encrusts wearables in natural formations that elevate the sporty objects into one-of-a-kind sculptures. The series, titled PERSPIRE, aims to show how we could grow our own accessories, rather than having them manufactured.

“Every human is unique, and so is the sweat they produce, encapsulating our health, wellbeing and identity,” Potts told Dazed. “In the future I’m keen to develop the idea and use it to explore sustainable processes within fashion.”

You can see more of her crystallized shoes and garments on Instagram.