humor

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Animation

An Anxious Bird Braves His Fear of Flying in a Charming Animated Short

April 14, 2021

Grace Ebert

Dougal is a nervous little bird with an overwhelming dread for an activity he’s supposed to instinctively enjoy: he’s afraid to fly. A charming short film written and directed by Conor Finnegan follows Dougal as he hunkers down in the north for the winter. Throughout his journey, the anxious creature faces a multitude of obstacles, from a blustery trudge through a snowstorm to the threat of a thieving squirrel, before finally deciding to join his friends down south.

Seamlessly combining live-action puppetry and stop-motion techniques, “Fear of Flying” is a collaborative project—Finnegan details the entire process in an interview with Short of the Week—that involved Fallover Bros and Renate Henschke crafting the flock of wide-eyed avians and a larger team of 14 or 15 creatives aiding in production.

Watch more of Finnegan’s light-hearted animations, which include one detailing an unusual friendship between Rock, Paper, and Scissors and another about a dutiful character named Fluffy McCloud, on his agency’s site.

 

 

 



Art

Ironic Compositions Juxtapose Outlandish Scenarios in Paco Pomet's New Paintings

April 8, 2021

Grace Ebert

“The Lesson” (2020), oil on canvas, 130 x 170 centimeters. All images © Paco Pomet, shared with permission

In Beginnings, Spanish artist Paco Pomet (previously) visualizes a series of jarring and absurd scenarios born out of an equally concerning event. He juxtaposes disparate elements—a mushroom cloud erupting in a classroom, women cavalierly poking at a tabletop sunrise, a mountain range lying on an operating table—in a series of satirical commentaries infused with pop culture references and nods to art history.

Generally contrasting a black-and-white scene with a recurring, full-color sunrise or sunset, Pomet’s compositions merge time periods and situations to mark the start of a new reality, a broad theme tied to the current moment. “Romanticism with a twist of irony is a very powerful visual engine,” he says about the series.

If you’re in Santa Monica, Beginnings is on view through May 8 at Richard Heller Gallery. Otherwise, find more of Pomet’s humorous and bizarre compositions on Artsy and Instagram.

 

“Little Big Grief” (2020), oil on canvas, 51 1/5 × 66 9/10 inches

“Hesperides” (2020), oil on canvas, 51 1/5 × 66 9/10 inches

“Melancholy School” (2020), oil on canvas, 51 1/5 × 59 1/10 inches

“The Art of Scaling” (2020), oil on canvas, 51 1/5 × 59 1/10 inches

“Headstrong” (2020), oil on canvas, 23 3/5 × 28 7/10 inches

“Classicism” (2021), oil on canvas, 60 × 73 inches

“Das Erhabene Büro (diptych)” (2020), oil on canvas, 59 1/10 × 102 2/5 inches

 

 

 



Animation Art

An Uncanny Animated Short by Fernando Livschitz Twists Mundane Scenes into Bizarre Alternatives

April 6, 2021

Grace Ebert

Argentinian director Fernando Livschitz (previously), who helms Black Sheep Films, is back with a surreal short film that envisions everyday activities and scenes with a slightly unsettling spin. Infused with Livschitz’s distinct penchant for humor and absurdity, “Anywhere Can Happen” is set to a rendition of “What a Wonderful World” by Reuben and the Dark and AG and descends into an uncanny universe of galactic rollercoasters, dimension-traveling trains, and oversized hands keen on manipulating the landscape. Watch the animated short above, and find more of Livschitz’s cleverly bizarre projects on Vimeo and Instagram.

 

 

 



Art Photography

New Perspective-Bending Collages by Lola Dupré Distort and Reconfigure Pets and Portraits

March 19, 2021

Grace Ebert

“Cleo” (2020), 8.2 x 11.6 inches. All images © Lola Dupré, shared with permission

Glasgow-based artist Lola Dupré (previously) continues her practice of slicing and rearranging photographs and art historical works into cleverly surreal collages. Her newest manipulations include a blockheaded Léon Bonnat, an entire row of irresistible puppy eyes, and a twisted rendition of George Stubbs’s “The Kongouro from New Holland.” Dupré’s cat, Charlie, still finds himself as fodder for the unusual works—see two pieces centered on him below—and the artist is currently in the process of creating her 33rd portrait of the orange-and-white feline. Find more of the Dupré’s compositions in the latest issue of Standart Magazine, shop originals and prints on her site, and see the distorted works in person at Portland’s Brassworks Gallery later this year. You also can follow along with the contorted creations on Instagram and Behance.

 

“Kayack” (2020), 11.6 x 8.2 inches

“Roo after Stubbs” (2021), 8.2 x 11.6 inches

Left: “After Leon Bonnat” (2021), 8.2 x 11.6 inches. Right: “The Community” (2020), 8.2 x 11.6 inches

“Charlie 32” (2021), 8.2 x 11.6 inches

“Hardy” (2020), 16.5 x 11.5 inches

Left: “Cat after Nathaniel Currier” (2021), 8.2 x 11.6 inches. Right: “Rand” (2021), 11.5 x 16.5 inches

“Charlie 31” (2021), 11.6 x 8.2 inches

 

 



Art

Busts of Unabashed Women by Gerard Mas Are Sculpted with a Contemporary and Cheeky Twist

March 18, 2021

Grace Ebert

“Lady of the chewing gum,” polychrome resin. All images © Gerard Mas, shared with permission

Despite their modest clothing and perfectly plaited hair, the women that artist Gerard Mas sculpts are spirited, brazen, and undeniably shameless. Whether blowing a wad of bubblegum, sporting visible tan lines, or unabashedly digging in their noses, the corset-clad figures are steeped in humor and wit and cast a contemporary light on the long-held conventions of the medium.

Mas began the ongoing series a few years ago as he ventured into figurative sculpture and struggled with portraying perfection and beauty. He shares:

This was an impossible job. There was always something that broke that beauty. And a sculpture attempting to speak of beauty with some disproportion or flagrant compositional flaw is pretentious if not ridiculous… I decided to anticipate that failure and deliberately introduce discordant elements that broke that pretended beauty by making our sense of good taste squeak. Let’s say it’s an ode to the impossibility of beauty.

Based near Barcelona, Mas originally trained as a restorer with a focus on reconstructing floral ornaments in architecture. “In my obsession with contemplating the art of other times, I also realized that our current cultural codes prevent us from contemplating the art of the past without reinventing its meaning. We are subjected to an avalanche of daily images that shapes the way we look,” he says. This experience continues to inform his practice that seamlessly melds traditional techniques—his use of standard materials like marble, alabaster, carved wood, gilding, and polychrome, for example—and contemporary subject matter.

If you’re in Madrid, you can see Mas’s sculptures at Estampa from April 8 to 11. Otherwise, peruse a larger collection of his figurative works on his site and Instagram. (via The Jealous Curator)

 

“Call center lady,” polychrome resin

“Lady of lloret,” polychrome resin

“Lady of the chewing gum”

“Lady of the necklace” (2018), polychrome resin

“Lady of the cactus” (2019), polychrome alabaster

“Lady of the collar”

“Picking nose lady”

“Lady sticking out tongue” (2007), polychrome alabaster

 

 



Animation

A Stop-Motion Animation Full of Inappropriate Office Behavior Questions the Professional Impact of Motherhood

March 8, 2021

Grace Ebert

What poses the biggest threat to women’s careers? That’s the question behind a new animation by Swedish director Anna Mantzaris (previously) that follows a mischievous character through a series of wildly inappropriate misdeeds and poor office etiquette. Created collaboratively by Passion Pictures and Saatchi & Saatchi New Zealand, the lighthearted-turned-sincere short film compares snipping off a coworker’s tie or wreaking workplace havoc to the unfair penalties of being a parent.

Coinciding with International Women’s Day, the stop-motion animation marks the launch of a new Global Women campaign that advocates for an end to the motherhood penalty, or the systemic setbacks women face in the workforce after having children. These disadvantages include everything from “earning an average of 12.5% less across a working lifetime despite working comparable hours to male and non-parent counterparts in their working lifetimes, through to being passed up for promotions and opportunities for advancement simply for being a mother,” the New Zealand-based organization says in a statement.

Mantzaris is known for her distinct style of humor and animations laden with office hijinks, which you can watch on her Vimeo and Instagram. (via Creative Boom)