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Photography
Shrouded in Mist, Spectral Icebergs Float Around the Antarctic Peninsula in Photos by Jan Erik Waider

All images © Jan Erik Waider, shared with permission
In late 2019, Jan Erik Waider boarded the Bark Europa, a 56-meter-long wooden sailing ship constructed in 1911, bound for the Antarctic Peninsula. The Hamburg-based photographer, whose work centers on polar landscapes (previously), captured the multifaceted forms of glaciers and icebergs, steely grays of storms, and shrouds of mist during the 24-day voyage. Waider is known for his documentation of dramatic northern destinations like Iceland, Norway, and Greenland, and a trip to the southern extreme proffered an opportunity to expand on his series of atmospheric vistas with the project A Faint Resemblance.
Antarctica is approximately 98% covered in ice and nearly doubles in size in the winter when the sea freezes around its periphery. In summer, the sheets break up and calve thousands of icebergs, many of which are so vast that they can be measured in square miles. Waider captured the spectral forms of these floating, icy islands as the ship rounded the coastline, drifting through patches of fog that added an extra element of surprise when it cleared to reveal a new scene. “The infinite shapes and textures of icebergs in the polar regions fascinate me again and again,” he says, adding that “the proportions are unimaginable, considering that the largest part is still under water.” Waider is always astonished by the spectrum of the color blue, which on cloudy days can appear even more vibrant, as if glowing from within.
The poles have seen record warmth and ice melt in the past few years, which contributes to rising sea levels and alters the region’s ecosystems. Waider says, “I’m really drawn to landscapes that are transforming or vanishing like icebergs and glaciers. It has a fascinating and also a sad element, and every photo is a snapshot of a moment which is long gone by now.”
Waider is preparing to publish a photo book of more images from his Antarctica trip, emphasizing a holistic interpretation of the continent’s landscape, nature, wildlife, historic sites and the Bark Europa. Find more of his work on his website and Behance.
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Animation
João Gonzalez’s Animated Short ‘Ice Merchants’ Follows a Cliff-Jumping Father and Son
A frigid and precarious tale, the beautifully animated short film “Ice Merchants” by João Gonzalez follows a father and son as they harvest and sell ice. The pair live on a cliff-side home and dive from their balcony each day, allowing their parachutes to deliver them and their product safely to the village market below. When temperatures rise, though, the ropes that tether their house to the mountain begin to fray.
Gonzalez, who also performed and composed the accompanying soundtrack, created “Ice Merchants” in a minimal, illustrated style similar to his award-winning “Nestor” and “The Voyagers.” He shares about the film: “Something that has always fascinated me about animation cinema is the freedom it offers us to create something from scratch. Surrealistic and bizarre scenarios and realities can be used as a metaphorical tool to talk about something that is common to us in our more ‘real’ reality.”
The full film was recently released on The New Yorker’s YouTube, and you can follow the Portuguese director on Instagram to stay up-to-date with future projects.
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Art
Hundreds of Melting Ice Figures Echo the Intensifying Threat of the Climate Crisis in Néle Azevedo’s Public Works

“Minimum Monument” (2014), Lima. All images © Néle Azevedo, shared with permission
Ephemerality has always been at the center of Néle Azevedo’s practice. The Brazilian artist is known globally for “Minimum Monument,” a collection of small ice figures that melt in situ.
First exhibited in São Paulo in 2005, the installation, which Azevedo dubs an “urban art action,” has found its way to cities like Paris, Belfast, Lima, and Porto. In each iteration, the artist carves hundreds of 20-centimeter-tall figures seated with their ankles crossed and places them atop outdoor steps and in public spaces. The faceless sculptures drip and pool into small puddles as time passes, which initially was Azevedo’s way of critiquing public monuments and taking “into account the history of the defeated, the anonymous, to bring to light our mortal condition.” The impermanence of the frozen substance directly contrasts the enduring nature of bronze, stone, and other materials typically used for statues and commemorative works.

“Minimum Monument” (2005), São Paulo. Photo © Marcos Gorgatti
With the intensifying climate crisis, though, the piece has acquired new meaning as a literal reflection of global warming and the way life will soon disappear from the planet. A statement about the decades-long project explains:
This urgency requires a paradigm shift in the development of governments of all nations to think of another model of development outside the current level of consumption. These threats also finally put Western man in his place, his fate is along with the destiny of the planet, he is not the “king” of nature, but a constituent element of it. We are nature.
A successor to “Minimum Monument,” Azevedo’s “Suspended State” (shown below) similarly gathers more than 1,000 ice figures and dangles them over pots, bowls, and other kitchenware equipped with microphones. “The sound is very important because it invokes that disappearance,” the artist tells Great Big Story. “The melting sculptures (create) a connection between a subjective self and a collective consciousness.”
Explore an archive of Azevedo’s works, including images of multiple iterations of “Minimum Monument,” on her site, and follow news about upcoming exhibitions and projects on Instagram.

“Minimum Monument” (2020), Rome. Image © Néle Azevedo

“Minimum Monument” (2009), Berlin. Image © Néle Azevedo

“Minimum Monument” (2016), São Paulo. Image © Néle Azevedo

“Minimum Monument” (2020), Rome. Image © Néle Azevedo

“Minimum Monument” (2020), Rome. Image © Néle Azevedo

“Suspended State,” São Paulo. Photo © Edouard Fraipont

“Suspended State,” São Paulo. Photo © Edouard Fraipont
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Music Science
Ice Crystallizes Into Radial Stars in a Hypnotic Short Film Directed by Thomas Blanchard
Peering through a macro lens, French video artist Thomas Blanchard has cultivated the ability to transform common scientific occurances into mesmerizing, and often otherworldly, tableaus. His recent project is a collaboration with musician Sébastien Guérive, whose quiet, beat-heavy track “Bellatrix” overlays Blanchard’s experimental film.
Shot in 8K against a black backdrop, the video documents a chemical dropped into hot water and then subsequently cooled. The plunge in temperature causes the substance to become unstable, activating crystallization and sending fringed spikes of ice splaying outward from a central point. Similar to his previous projects—watch more of Blanchard’s works on Vimeo and Instagram— “Bellatrix” is an abstract and illuminating consideration of nature’s unruly and incredibly meticulous processes.
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Photography
Dramatic Ice Formations Mimic Unearthly Creatures Frozen in the Harz Mountains

All images © Jan Erik Waider, shared with permission
Hamburg-based landscape photographer Jan Erik Waider (previously) climbed the Harz Mountains in northern Germany last week in search of the otherworldly figures inhabiting its highest peak. A thick coating of ice transformed the evergreens and other vegetation at Brocken, the summit at an elevation of 3,743 feet, into towering beasts and monster-like characters that appear to wander the frozen tundra. “I like the muted sounds and the seemingly endless variations of gray that come with fog,” he tells Colossal. “I can wander for hours as the winter landscape changes and recomposes itself almost every minute.” Pick up a print of Waider’s Mountain Creatures and see the rest of the series on Behance. You also might enjoy these fantastical menaces.
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Photography
Strong Winds Sculpt Frozen Sand into Otherworldly Pillars on a Lake Michigan Beach

All images © Joshua Nowicki, shared with permission
Last weekend in St. Joseph, Michigan, tall layered pedestals and sloping tables sprung up from the otherwise calm Tiscornia Park Beach, turning the lakeside vista into a strange, otherworldly environment. Photographer Joshua Nowicki (previously) captured the ice-laden phenomenon, which is caused by powerful winds eroding frozen sand and carving dozens of towering shapes haphazardly placed along the shore.
The unearthly constructions, which look like miniature hoodoos, arise periodically during Great Lakes winters, although Nowicki says these 15-inch formations are some of the tallest he’s stumbled upon. “They do not last very long (usually only a couple of days). The wind completely erodes them or knocks them down. If the temperature goes up above freezing they crumble, and often in the winter, they soon get covered by drifting snow,” he shares.
Find more of Nowicki’s photos documenting the sights of the Midwest’s infamously frigid season on Instagram.
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Editor's Picks: Animation
Highlights below. For the full collection click here.