installation

Posts tagged
with installation



Art

Willow Branches Shaped into Flowing Abstract Installations by Laura Ellen Bacon

January 25, 2019

Andrew LaSane

"Murmuration" (2015), Flanders Red willow, installed at the Holburne Museum in Bath, UK. Photograph by Nick Smith Photography. All images courtesy of Laura Ellen Bacon.

“Murmuration” (2015), Flanders Red willow, installed at the Holburne Museum in Bath, UK. Photograph by Nick Smith Photography. All images courtesy of Laura Ellen Bacon.

British sculptor Laura Ellen Bacon twists, ties, and knots pieces of willow and other raw materials to create large-scale abstract sculptures which she installs both inside and outside of architectural structures. The pieces often involve several stages of sketching, and weeks of weaving using her hands and few other tools. Bacon’s twisting reddish-brown forms hug and scale buildings, walls, and other existing space and landscapes in interesting and intimate ways.

“My work often ‘grows’ from a host structure as I’m very interested in the tension between built, planned structures, and the ‘unplanned’ organic form that may grow upon it,” the artist tells Colossal. “I’m also very interested in the human scale of handmade structures and have created several woven spaces in recent years that people can enter inside—creating and entering the work can be a very sensory experience.”

Bacon finds interest and inspiration in nature and natural phenomena, like the swirling patterns or murmurations formed by some flocking birds. The visual poetry, scale, and juxtaposition of each piece to its setting can be seen from a distance, but it takes a closer approach to appreciate the seemingly chaotic web of expertly intermingled natural materials.

In addition to developing two very large pieces that will use several tons of stone and willow, the artist says that she will be exhibiting a new work with jaggedart at this year’s Collect: International Art Fair for Modern Craft and Design. The fair opens at London’s Saatchi Gallery on February 28 and runs through March 3, 2019. You can view more of her sculptures by visiting her websiteInstagram, and Twitter.

Murmuration, photograph by Nick Smith Photography

Murmuration, photograph by Nick Smith Photography

Murmuration, photograph by Nick Smith Photography

Murmuration, photograph by Nick Smith Photography

"Exposed," Flanders Red willow, installed at Blackwell, The Arts and Crafts House. Photographer: Laura Ellen Bacon

“Exposed,” Flanders Red willow, installed at Blackwell, The Arts and Crafts House. Photographer: Laura Ellen Bacon

Exposed, photograph by Tony West

Exposed, photograph by Tony West

Laura Ellen Bacon installing her work "Exposed" at Blackwell, The Arts and Crafts House, photograph by Tony West

Laura Ellen Bacon installing her work “Exposed” at Blackwell, The Arts and Crafts House, photograph by Tony West

"Course" (2015), Dicky Meadows willow, installed at Hall Place in London, UK, photograph by Steve Hickey

“Course” (2015), Dicky Meadows willow, installed at Hall Place in London, UK, photograph by Steve Hickey

Course, photograph by Steve Hickey

Course, photograph by Steve Hickey

"Split Forms" (2012), Dicky Meadows willow, installed at New Art Centre in Roche Court, Wiltshire UK, photograph by Laura Ellen Bacon

“Split Forms” (2012), Dicky Meadows willow, installed at New Art Centre in Roche Court, Wiltshire UK, photograph by Laura Ellen Bacon

Split Forms, photograph by Laura Ellen Bacon

Split Forms, photograph by Laura Ellen Bacon

 

 



Art

Sunlight Casts Shadows of Phrases Exploring Theories of Time in a Street Art Installation by DAKU

January 15, 2019

Laura Staugaitis

Pseudonymous Indian street artist DAKU recently installed an immersive text-based work in Panjim, Goa. Placed along 31st January Road, a fishnet structure suspends letters above pedestrians. The region’s abundant sunlight pours through to cast shadows on the street, spelling out tropes about the passage of time. Some of the phrases include, “Time works wonders. Time moves. Time flies over us, but leaves its shadow behind. Time fades. Time is an illusion.” The temporary installation, titled Theory of Time, was supported by the public art nonprofit St+art India, as part of the Start Goa festival.  DAKU often integrates language into his urban interventions. You can see more from the artist on Instagram.

 

View this post on Instagram

 

A post shared by Colossal (@colossal) on

 

 



Art

Nine Satellite-Shaped LED Installations Visualize the Moon’s Phases

January 7, 2019

Kate Sierzputowski

Nine rotating LED works light up the sky with full, waxing, and waning phases of the moon in a new installation by Taipei-based arts studio Whyixd. The work, #define Moon_, is installed on the campus of National Chiao Tung University in Hsinchu, Taiwan, and provides a completely different visual experience depending on the angle. Utilizing motors, the LED lights spin to create each shape, providing a kinetic element to the satellite-shaped structures.

The name of the project, “#define Moon_” is based off of the computer directive “#define.” The underscore denotes a part of uncompleted code, thus asking the viewer to create their own interpretation of how the installation, or moon itself, serves as a contemporary influence. You can see other kinetic light installations by the art collective, such as their Shanghai-based whirling light installation Dandelion, on their website, Instagram, and Youtube. (via designboom)

 

 



Art Photography

Dreamlike Balloon Compositions by Charles Pétillon Form Hovering Clouds and Lines in Space

November 28, 2018

Kate Sierzputowski

Charles Pétillon (previously here and here) arranges groups of balloons in unlikely places—tying bundles of the light white objects to the top of aircraft loading stairs, or positioning them between concrete blocks at the ocean’s edge. Recently the photographer has been focusing on producing sculptural lines in space by linking several of his preferred subject matter together end-to-end, or placing them on top of polls in open landscapes. These images, along with a site-specific balloon installation, are included in Pétillon’s solo exhibition Stigmates at Danysz Gallery in Shanghai through January 10, 2019. You can see more of his balloon compositions on his website and Instagram.

 

 



Art

Vibrant Gradients of Suspended Yarn Reflect HOTTEA’S Personal Memories

November 21, 2018

Andrew LaSane

“Odd Numbers”

Eric Rieger, known by the moniker HOTTEA (previously), is a graffiti writer turned installation artist whose medium of choice is yarn. With it, he creates colorful large-scale works inspired by the moments, experiences, and people in his life. Whether flowing down from the ceiling of a gallery, or interlaced across the top of a pedestrian pathway, Rieger’s installations always hold a connection to his past and those who helped shape it.

“Color to me represents memories and experiences,” Rieger told Colossal, “so in a way it is always in play. It all depends on what really strikes me at the moment of the installation.” When asked about his process, the artist revealed that it’s largely inspiration and concept that dictates form. “I have always let life unravel itself naturally and that informs my artistic practice. I let the space and my thoughts guide me, and from there I create a design based on what I am going through at the time.”

“Migration”

Rieger credits his retirement from graffiti as the catalyst that got him to his current work. “Not being able to paint anymore inspired to me to create something totally opposite,” he said, adding that the two practices are very different. “As a graffiti writer I only painted at night, I kept it from my family and I only practiced my artist name. Doing work under HOTTEA, I create all of my work during the day to interact with people, I share it with my family and create installations inspired by them… everything that I was as a graffiti writer I didn’t want to be as HOTTEA.”

Rieger’s grandmother taught him to knit at a young age, which is part of the family influence expressed through his work and his identity as an artist. “The very name HOTTEA is derived from a memory I have of my mother ordering hot tea on the weekends at Baker Square growing up,” he explained. “The name reminded me of all the good times we had as a family there and when my parents were still together. HOTTEA brings me absolute pure joy – it’s something I will fight for till the very end.” (via My Modern Met)

“I Bet You Are Flying Inside”

“Bad Dreams”

“Hot Lunch”

“Passageway”

“Romance”

 

 



Art

Origami Lava Pours from the Window of an Abandoned Building in Catalonia for LLUÈRNIA

November 12, 2018

Christopher Jobson

As part of the recent LLUÈRNIA festival of light and fire in Catalonia, collaborators David Oliva of SP25 Arquitectura and Anna Juncà of Atelier 4 created this spectacular flow of lava using common fortune teller origami figures. Over 10,000 folded pieces of paper were needed to create the work that was illuminated from underneath and further brought to life with smoke machines. Titled simply “Origami Lava,” the piece was affixed to an abandoned building in Olot, a town surrounded by dormant volcanoes. You can see more at SP25 Arquitectura. (via Colossal Submissions)

 

 



Art

Two Hundred and Seventy Plastic Bags Rhythmically Inflate in a New Installation by Nils Völker

November 9, 2018

Kate Sierzputowski

Two hundred and seventy white garbage bags hang like ghosts in the columned hall of Vienna, Austria’s Museum für agewandte Kunst (MAK) for the exhibition Sagmeister & Walsh: Beauty. The piece is by Nils Völker (previously), and is titled after the number of bags present in the installation. Over 1000 precisely installed fans and 45 circuit boards keep their movement on track, helping to rhythmically inflate and deflate the hanging plastic objects. The repetitive crinkling fills the vast hall, creating an audio texture akin to the rustling of tissue paper or the sound of the tide on a sandy beach.

The concave installation is divided into nine segments that each contain two columns of plastic bags. While viewing the piece from the front you can only make out the white mass of plastic. Viewing it from the side or rear however, reveals the massive amount of cables and circuitry needed to make what appears to be such an effortless piece of art function. Two Hundred and Seventy is on view at MAK in Vienna through March 2019.