installation

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Art

New Solo Exhibition by Seth Globepainter Fills a Historic Chateau in Bordeaux, France

September 1, 2019

Andrew LaSane

Collaboration with Pascal Vilcollet

French artist Julien Malland, aka Seth Globepainter (previously), has spent the summer exhibiting a large body of work inside and outside of the Institut Culturel Bernard Magrez. Located in Bordeaux, France, the historic chateau was built in the 18th century and now doubles as a cultural center. Malland’s takeover includes dozens of paintings, installations, and sculptures that have transformed the castle into a colorful record of his travels and a look into his mind.

Titled 1,2,3, Soleil, the exhibition features over 50 of the artist’s faceless characters. Each room in the chateau has a theme that represents one of Malland’s previous projects in countries around the world. Vibrant colors and geometrical shapes are complicated by themes of conflict and loneliness. The exhibition includes site-specific installations as well as collaborative pieces made with artists Mono Gonzalez and Pascal Vilcollet.

The walk through Malland’s world will remain on view in France through October 7, 2019. In addition to his solo show, Malland also recently completed two murals in Denmark as part of Kirk Gallery‘s annual Out in the Open mural initiative. To keep up with the artist’s latest projects, follow him on Instagram.

© Constant-Formé-Becherat

© Constant-Formé-Becherat

© Julien-Malland

© Julien-Malland

© Julien-Malland

© Constant-Formé-Becherat

© Constant-Formé—Becherat

© Constant-Formé-Becherat

Seth | ‘The Phoenix’ | Østerbro 22 | Aalborg (Photo: Seth)

Seth | ‘Jack in the Box’ | Østerbro 41 | Aalborg | Denmark

 

 



Art

Rainbow-Streaked Interventions by Elsa Tomkowiak Add Intrigue to Covered Bridges and Lakes

August 5, 2019

Kate Sierzputowski

Elsa Tomkowiak creates color-focused installations that divide the rainbow into designs that span bridges, light-filled corridors, and large-scale sculptures on water. Tomkowiak’s work is currently exhibited as a part of the second edition of Annecy Paysages in southeastern France. For the outdoor exhibition, Tomkowiak arranged six 15-foot spheres along Lake Annecy which visitors can glance at from the Albigny promenade through September 15, 2019. You can see more of her colorful interventions both indoors and out on Instagram.

 

 

 

 



Art

A Massive Wooden Wave Surges From a Gallery Floor in an Installation by Wade Kavanaugh and Stephen B. Nguyen

July 1, 2019

Laura Staugaitis

In a gallery at the Center for Maine Contemporary Art (CMCA) this spring, an all-encompassing wave of wood surrounded visitors as they walk across gangplanks that bisect the space. The installation, Hubris Atë Nemesis, was by Maine-based artist duo Wade Kavanaugh and Stephen B. Nguyen. Kavanaugh and Nguyen have been collaborating since 2005 and working exclusively with paper. “One of the foundations of our collaborative art practice is the act of shared seeing, the artists shared. “We find common ground by actively investigating our own visual reference points, memories and assumptions.”

For this installation, the artists pushed their practice to include new media and techniques: Hubris Atë Nemesis is their first piece in wood, and the first in which the pathway through the piece is an actual part of the installation. The artists explained in a statement that the title and concept of the work is derived from a three-part narrative arc common in Greek tragic plays:

Hubris, characterized as an arrogant confidence, transforms to Atë, a ruinous folly or madness, then ultimately to Nemesis, a force of retribution that resets the natural order. Like many paintings of the Maine coast, we hope this work captures a moment of suspense in a dynamic system—a snapshot with an uncertain future—and that it appears to be unwritten what the restored natural order should or might become.

Hubris Atë Nemesis was created with the support of the Ellis-Beauregard Foundation: Kavanaugh and Nguyen were selected from a blind jury of over two hundred applicants. The installation was on view through June 16, 2019 at the CMCA. If you did not get a chance to experience the work in person, an impressive 360° virtual tour by Dave Clough is available. You can explore more of Kavanaugh and Nguyen’s archive of monochromatic installations, like White Stag and The Experience of Green, on the duo’s website.

 

 

 



Art

Embroidered Women by Klára Hosnedlová Inhabit Installations Inspired by Historic Stage Design

June 11, 2019

Kate Sierzputowski

All images © Klára Hosnedlová and Karlin Studios, Prague

Berlin-based artist Klára Hosnedlová builds installations that evoke the feeling of romanticized dressing rooms. Her recent exhibition titled Seated Woman (pictured here) was inspired by the stage design of the bedroom scene in the 1924 Karel Hugo Hilar production of Romeo and Juliet at the National Theater in Prague. Instead of a bed, Hosnedlová has installed a sculptural changing area with wispy, transparent curtains. This gesture merges what happens backstage with the theatrical design of a play, inviting the audience to imagine the intimate and unseen moments that happen just off stage.

Her textured, baby pink walls also act as armatures for detailed embroideries of women in different stages of dress. Heavily layered, long stitches form rich portraits of semi-anonymous figures. Each is thickly bordered with a frame that appears like endlessly looping braids, imitating the idea of getting ready or preparing for a night onstage. You can view more of Hosnedlová installations and embroideries on her Instagram.

 

 



Art

Light Shines Through a Rainbow-Tinted Geometric Panel Installation by Art Duo Luftwerk

June 9, 2019

Andrew LaSane

Photographs: John Faier and Peter Tsai, courtesy of Luftwerk

Chicago-based art duo Luftwerk recently opened a site-specific exhibition titled Parallel Perspectives inside of the McCormick House, the Elmhurst Art Museum’s contemporary art center and historic house designed by Mies van der Rohe. Petra Bachmaier and Sean Gallero installed acrylic panels, RGB LEDs, and diffusers that interact with the light in the space to create a kaleidoscope of colors and geometric shapes that respond to Mies’ architecture.

The McCormick House was designed with modularity in mind so that duplicates of the structure could be built in other locations. The plate glass walls are where prospective owners could flex their individuality by taking advantage of various color tint options. Luftwerk began the design process by moving the tinted surface idea to the interior. The conceptual pieces fill the space with blues, yellows, reds, greens, and other layered hues, which change as the light and color alter perspective.

Parallel Perspectives is a step in our own direction using his basic philosophies,” Luftwerk said in a statement. “This exhibition combines ideas of Johannes Itten’s color theory and the basic concepts of the Bauhaus: with the geometry of a square as a prevalent form and playing with one-point perspective and 90-degree angles. It has given us an opportunity to elaborate on the ideas of Mies and develop them into our own shape and format.”

Parallel Perspectives is on view at the McCormick House now through August 25, 2019. To see more of Luftwerk’s continued exploration of light and color, follow the duo on Instagram.

 

 



Art

‘Full Page Editorial’ Sand Sculpture by Toshihiko Hosaka Implores Japan to Reduce Plastic

June 3, 2019

Johnny Waldman

May 30 is Zero Waste Day in Japan (The name is derived from the numeric pun for 5 (go) 3 (mi) 0 (zero), which can be read as gomi zero, or zero waste). On this day, the Tokyo Shimbun newspaper ran a full-page editorial made to look like a front-page headline titled “Plastics Floating in our Seas” and highlighting the devastating impact that plastic is having on sea life. Everything from the article headline to the images and text were actually carved into sand on a beach in Japan and photographed from above.

The actual editorial that was carved into sand is the work of artist Toshihiko Hosaka (previously), who specializes in sand sculptures. Hosaka worked with local residents and students at Iioka Beach in Chiba prefecture to create the massive sand sculpture. It took 11 days to complete and measures 50 x 35 m (164 x 115 ft). Below is a brief excerpt from the text:

The sea does not speak. So, I will speak in its place. Currently, the lives of many creatures in the sea are being taken. The cause is plastic. Plastic bags, plastic bottles, styrofoam… 8 million tons of plastic used in everyday life are dumped in places like rivers and the ocean every year, and remains floating as garbage. By swallowing or being entangled in plastic garbage, about 700 species of animals including sea turtles, seabirds, seals, and fish are harmed and killed.

The editorial also calls out Japan as for its addiction to plastic:

We Japanese are also largely responsible. Japan produces the second most garbage per person. In order to rectify this, we have to take a good hard look at what is happening in the ocean. We need to think about things we have been ignoring as a result of prioritizing economic growth, everyday convenience, and such.

You can red the entire text in English here. Below are some behind-the-scenes photos and a video from the “newspaper” being created. (syndicated from Spoon & Tamago)

 

 



Art

Ultraviolet Light Transforms Large-Scale String Art Into Intergalactic Installations

May 8, 2019

Kate Sierzputowski

Krakow-based duo Przemek Podolski and Marta Basandowska create immersive environments from hundreds of yards of string illuminated by black lights. The deftly woven temporary structures range from simplified cubes to intricate systems that commingle geometry, ultraviolet light, and multi-colored string. Recently the pair have begun to incorporate projection mapping into their installations, which adds another layer of intrigue to the the trippy hand-built works. You can see more of their large-scale string pieces, and view installations included in their new project Decode the Code, on their website and Facebook. (via Colossal Submissions)