landscapes

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Photography

Abstract Aerial Photographs Reveal the Beauty of Meandering Waterways

December 4, 2018

Kate Sierzputowski

The project Water.Shapes.Earth uses aerial photography and storytelling to bring an understanding to the complex and diverse ways water inhabits our planet, from a radioactive water pond in Huelva, Spain to mud volcanoes in Azerbaijan. The images provide an abstract look at Earth’s surface, presenting purple-hued veins of a divergent river or an icy body of emerald water laced with severe cracks and splinters in its surface. Stories accompany the many images, which bring attention to how each might be a sign of climate change, and to highlight our own destructive mark on our environment. You can read about a salty marsh in Spain or glacial river tributaries in Iceland on Water.Shapes.Earth’s website. (via Colossal Submissions)

 

 



Art Craft Illustration

Intricate Landscapes and Tiny Houses ‘Painted’ With Multi-Colored Thread

December 3, 2018

Andrew LaSane

Utah-based artist Stephanie K. Clark (previously) considers herself a painter, but the works she creates are not made with a traditional painterly medium. Using embroidery techniques and strands of floss in a spectrum of colors, Clark paints little houses, landscapes, and other scenes that look as if they exist in the natural world and are being lit by the moon or sun.

“My process is much like any painter,” Stephanie tells Colossal. “I started out as a drawer/painter and I’ve just carried that same process into my embroidery work. I always use image and color references for my pieces. I lay out my pallet of thread/floss and I start laying the colors as if I’m painting. They eventually start blending themselves.”

Working at various scales (as small as 5″ x 5″, and as large as 6-foot-wide canvases), Clark says that the time invested depends on the size and detail of the piece, with small houses taking between 6 to 12 hours to complete, and larger landscapes requiring up to 20 hours. “I consider myself a fast worker for embroidery,” she explained, “which tends to be slow and tedious. Sometimes I have to remind myself to slow down and when I do, the pieces come out so much prettier.”

When not working on commissions, Clark’s thread paintings are inspired by her personal life: “My concepts typically go along with my life, my family, my home, and my heart.” To see more of her work, follow her on Instagram.

 

 



Photography

Headlights Cut Through Dense Fog in Moody Images of Cars at Night by Henri Prestes

November 30, 2018

Kate Sierzputowski

They Drive by Night is an ongoing series by photographer Henri Prestes that captures the unsettling feeling of driving through the dim and deserted countryside at night. His darkened landscapes are lit almost exclusively by headlights, and are shrouded in dense fog. The series was photographed near remote villages and forests throughout Portugal and Spain, where the photographer was raised and explored at a young age.

“I started thinking about putting this project together during some night traveling, thinking about how exciting and scary it is traveling alone in secluded places with only the headlights to guide us through the immense darkness ahead,” Prestes tells Colossal. “At the same time I was trying to come up with a cinematic series about exploring the narrative possibilities of a single still frame, using weather conditions as a way to affect the emotional state of a photograph.” You can see more of his night-based images on his website and Instagram. (via Faith is Torment)

 

 



Art Illustration

Delicate Watercolor Landscapes Embodied by South African Wildlife

November 27, 2018

Kate Sierzputowski

South Africa-based artist Sujay Sanan‘s series A Place I Know documents landscapes across the Western Cape, embedding the spaces inside animals that inhabit each. Sanan grew up in the Himalayas, and his new works are a way to explore his new surroundings, while also bringing attention to the increasing climate change and its effects on wildlife.

“My works document landscapes seen through the species that inhabit them,” he explains. “Some of the places I have painted are familiar and close to where I live, while in others I have found myself as a momentary visitor. While these works document what I fear might be lost, they are also filled with optimism.” You can see more of Sanan’s watercolor paintings on his website and Instagram. (via Colossal Submissions)

 

 



Photography

Captivating Photographs of Storm Clouds by Camille Seaman Show Nature’s Power

November 7, 2018

Laura Staugaitis

Photographer Camille Seaman travels the world capturing fleeting moments of power in diverse landscapes. From melting icebergs at both poles to stormy states across America, Seaman showcases the beauty, terror, and fragility of nature in her digital and film images. Seaman began storm-chasing after her daughter, eight years old at the time, suggested it might be of interest while the two were watching the Storm Chasers TV show. Her newest book,The Big Cloud, focuses on supercell storms around the U.S. It includes a forward by New Yorker science writer Alan Burdick, and includes behind-the-scenes shots and written reflections from Seaman about the experience of being a storm chaser.

“Sometimes as we pulled into a local fuel station, we would be met with superstitious folks who were not glad to see us; some of those people had lost their homes or loved ones in storms,” Seaman writes in the preface. “It was important to remember that these people lived here year after year, never knowing if this would be the day when a tornado might come through their town. It taught me great empathy and compassion. It was important that our chasing storms not become some sort of disaster tourism… I always wanted my images to speak to the duality of all things—to speak to the essential truth that there can be beauty in something terrible and vice versa, that there is no creation without destruction.”

In addition to authoring three books, Seaman is also a TED Senior Fellow, and has published works in National Geographic, The New York Times, and Outside Magazine. You can find The Big Cloud, published by Princeton Architectural Press, on Amazon. Follow the photographer’s travels on Instagram and Twitter.

 

 



Art Photography

Striking Aerial Photographs of Namibia’s Arid Landscape Appear as Abstract Paintings

October 22, 2018

Laura Staugaitis

Australian photographer Leah Kennedy captured Namibia’s colorful, dry topography on a recent aerial safari. Much of the artist’s work is aerial, which satisfies her creative affinity for combining abstraction and duality in her photography. Kennedy traveled in a Cessna light aircraft, as well as in a helicopter sans doors, using a medium format camera. She shares with Colossal, “The resulting images are, at least temporarily, removed from their reality they take on different forms and in some cases appear to be of microscopic origins or reminiscent of something else entirely. This ambiguity and departure from reality is what intrigues and inspires my work.”

In addition to her fine art portfolio, Kennedy teaches workshops and offers tutorials on photography and Photoshop. You can see more of her site-specific series and purchase prints of select photographs on Kennedy’s website, and follow her work and travels on Instagram.

 

 



Photography

Rural Iceland Transformed Into A Rouge-Tinted World by Photographer Al Mefer

October 1, 2018

Anna Marks

Al Mefer transforms rural Iceland into a rouge-tinted world, producing images that make the area’s shrubbery look like candy floss, and moss-covered landscapes appear like red velvet cake. Mefer photographs a mixture of Icelandic topography, from iconic waterfalls to fields full of pink sheep. His photographs reveal the elements of the natural world that are often blurred into the background, such as the clustered patterns moss makes when growing on boulders, or how water froths was it spills over a waterfall.

Mefer’s project Dreamscapes of Iceland started while Mefer was traveling around the country with friends, and began to use a reflex camera to capture the country’s beautiful scenes. While exploring the Golden Circle, in the South of the country, Mefer photographed locations that would imprint an indelible memory upon him: Skógafoss’s waterfalls, cliffs and coastline, and Jökulsárlón’s glacial lake. “Iceland has been photographed a million times,” says Mefer, “I wanted to picture it in a way that it’d feel new yet as oneiric in the images as it is to see it live.”

The red and pink colors in Mefer’s photographs resemble the reddish hues inside the human body; the tones magnify the differences in texture and form between the living and non-living whilst having an emotional impact on the viewer. “Color affects us emotionally and I often focus my attention on it as a tool to rewrite reality,” he explains. Although some of Mefer’s photographs include people, a stillness is still captured in each photograph. “There’s a common trait among my projects to feel that the landscapes are mysterious and unexplored,” Mefer says. “They’re lonely even if populated.”

To view more of Mefer’s work visit his website and Instagram.

 

 

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