The Grand Prismatic Spring at Yellowstone National Park (all images via Niaz Uddin)
Niaz Uddin is a photographer, director, and filmmaker that explores a variety of natural landscapes from high above. His color-saturated photographs explore crowded beaches and remote tide pools, capturing each of the scenic environments from a bird’s eye view. One of my favorite images is the picture above, which provides a rare perspective of the Grand Prismatic Spring in Yellowstone National Park. You can see even more sky-high images on his Instagram, and buy limited prints on his website.
We’ve long been drawn to self-taught photographer Mikko Lagerstedt’s (previously) dreamy composite photos of Finland and Iceland at night. In his long-exposure images, meteors are seen streaking through the sky and frigid waterfalls appear like mist. Lagerstedt composes and edits all of his images in Lightroom and Photoshop and shares numerous tutorials on his techniques through his website. He most recently returned from a photoshoot at a deserted Yyteri Beach in Finland, more of which he shared on Instagram.
This Is The End, From the Series ‘No More’, 152×191cm, C-type Print, 2016
Like the loop-de-loop scribbles of a child, artist Jung Lee (previously) constructed a series of neon light sculptures that were installed and photographed against cinematic landscapes as part of her series titled “No More“. Earlier neon works by the artist have focused on legible typographic phrases and words, with these new pieces taking a markedly abstract turn, perhaps in direct connection with the series’ title. The neon sculptures were installed on foggy snowbanks and reflective beaches, adding a bit of intrigue as to their intention. Photographs from the “No More” series were on view amongst several additional light installations last year at One and J Gallery. (via Fubiz)
No more, From the Series ‘No More’, 152x191cm, C-type Print, 2016
Unintelligible, From the Series ‘No More’, 152×191cm, C-type Print, 2016
Still Dreaming, From the Series ‘No More’, 152×191cm, C-type Print, 2016
Take Me Away, From the Series ‘No More’, 128×161cm, C-type Print, 2016
Flying in a helicopter high above the coast of Greece, German photographer Bernhard Lang captures unusual networks of circular fish farms. The strange, ovoid enclosures appear like abstract geometric designs, hardly related to the thriving ecosystems of fish that lay just below the surface. Aquaculture is seen by many as a more efficient way to safely breed larger volumes of fish instead of harvesting wild populations, but concerns about the environmental impact near farming sites have raised a lot of questions.
“Greece’s aquaculture industry is important for the country,” Lang shares with Colossal. “Especially [because of] the bad economic situation in Greece. Fish, mainly sea bass and sea bream is one of their biggest agricultural exports, next to olive oil.” That said, fish prices have fallen sharply in recent years, further threatening a burgeoning industry.
Lang is known for his aerial studies of industry, wildlife, and landscapes around the world including a recent series of harbors in the Philippines and a colorful collection of beach umbrellas in the Italian resort town of Adria. You can follow more of his recent photography on Behance and Instagram.
Artist Jeremy Miranda (previously) paints in a space between worlds: reality and memory, indoor and outdoor, past and present. Ideas and concepts bleed together within his acrylic paintings like the fuzzy edges of a dream, where powerful images exist amongst unexpected locations and backdrops. The New Hampshire-based artist is heavily influenced by his surroundings in the American Northeast, apparent in his depiction of dense woods, crashing waves, and the recurring motif of lush greenhouses—a more literal depiction of his mixing of environments.
Miranda has an upcoming exhibition next month with Michelle Morin at Nahcotta Gallery, and he has a number of works or prints available through Etsy, Nahcotta, and his online shop. (via The Creators Project)
Mirror 11, 2017
Since 2003, Australian photographer Murray Fredericks has made at least twenty journeys to the center of Lake Eyre, a desert lake with an extremely high concentration of salt. Fredericks drags all of his equipment out into the barren landscape, capturing the dramatic sky reflected in both the inch-deep water and his rectangular mirror. The images are breathtaking color-based works, my favorites featuring a double horizon locked within the mirror and the water below.
“In the ‘Vanity’ series, rather than reflecting our own ‘surface’ image, the mirror is positioned to draw our gaze out and away from ourselves, into the environment, driving us towards an emotional engagement with light, colour and space,” said Fredericks about the series.
Images from Vanity are included in his solo exhibition titled Salt:Vanity at Hamiltons Gallery in London through June 14, 2017. You can see a behind-the-scenes look at Fredericks’ photographic process and journey into Lake Eyre in the short video above. (via Ignant)
Mirror 13, 2017
Mirror 30, 2017
Mirror 6, 2017
Mirror 12, 2017, all images © Murray Fredericks
Mirror 18, 2017