landscapes

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Photography

Winter Sun Casts Icelandic Mountain Range in Alluring Candy-Colored Hues

February 21, 2020

Grace Ebert

All images @ Patrycja Pati Makowska, shared with permission

Iceland-based photographer Patrycja Pati Makowska utilizes the natural allure of Reykjavic’s landscape to capture her striking images that rely on the sunrise and sunset to transform a mountain shot into an idyllic work. Taken from Hallgrimskirkja, a church in Reykjavic, Makowska’s 2019 Texture of the Mt. Esja in the Winter Sun series shows the sunlight illuminating the top of the icy mountains with pink hues. The light fades into shades of purples and blues as it recedes into shadows of the snow-covered ground. Mount Esja, which is actually a volcanic mountain range rather than an individual summit, sits about 10 kilometers north of the nation’s capital city. At its peak, it reaches nearly 3,000 feet. For more of Makowska’s light-centric images, head to Instagram or Behance. (via Fubiz)

 

 



Illustration

Pocket-Sized Notebooks Hold Miniature Paintings of Angela Mckay’s Travels

February 18, 2020

Grace Ebert

Riserva Naturale Orientata Cavagrande del Cassibile in Italy. All images © Angela Mckay, shared with permission

Paging through a photo album detailing every moment of a friend’s poolside vacation might not be a riveting activity, but flipping through Angela Mckay’s sketchbooks filled with tiny paintings of her travels certainly is. The Brooklyn-based pattern designer and illustrator of Ohkii Studio documents the lush scenery, cavernous waters, and hilly villages she sees on the streets of Lagos, Calamosche Beach on Italy’s southern coast, and in Joshua Tree National Park. Mckay generally positions her miniature paintings against the real-life backdrop, juxtaposing the two depictions that she then shares on Instagram.

The artist tells Colossal that she frequently recreates some of the pieces in her sketchbooks on a larger scale after returning home, relying on her earlier representation for the tiny details she otherwise might not remember. “Often when I’m traveling, I have this urgent feeling that I need to capture everything I’m experiencing, the sights, feelings and textures of a place,” she says.

I really enjoy that feeling of walking around a new place not knowing what I might discover around the corner. I often try to recreate the feeling of a place I have visited in my personal work… I really enjoy the experience of looking at a painting and being transported back to that experience. It’s a nice way to escape from your day to day!

The pocket-size notebooks are a crucial component of Mckay’s process, and she utilizes them in both her personal projects and her work for clients. “They just allow me to play with ideas and explore other directions without having to commit to anything,” she says. To pick up one of Mckay’s watercolor and gouache artworks or prints, head to her shop. (via Lustik)

Joshua Tree National Park

Calamosche Beach

Lagos, Portugal

Left: Wat Phra That Chom Pho, Thailand. Right: Yosemite National Park

Lagos, Portugal

Right: Margaret River, Western Australia

Lagos, Portugal

 

 



Craft

Intricate Landscapes and Animals Cut From Single Sheet of Paper by Pippa Dyrlaga

February 3, 2020

Grace Ebert

“This Fragile World,” (2019), hand cut paper and acrylic paint, about 11 x 11 inches. All images © Pippa Dyrlaga

For Pippa Dyrlaga, one piece of paper holds a lot of possibility. The Hebden Bridge, Yorkshire-based artist cuts each one of her delicate creations from a single sheet. Her intricate designs turn a blank page into a plant-filled landscape or a robot tending to a garden. Dyrlaga begins by sketching each piece in reverse, before cutting sections out. Then she flips it over to unveil the finished work or to paint details onto the piece.

Whereas her previous work often utilized a single white sheet, the artist now is working more with color, painting shades of blues, golds, and black, which helps to distinguish one group of plants or mosses from the next in her lush landscapes. She also has been inspired by Greek mythology and lore, describing “Psychopomp” (shown below) as “a spirit or deity, often depicted in animal form, which guide people into the afterlife,” on her site. “The piece is split into two, night and day, life and death. The daytime is represents life and growth, organic patterns and plants. The second half with nocturnal animals and abstract patterns, representing the more abstract idea of what comes ‘after.'”

Head to Dyrlaga’s Instagram for more of her intricate creations, and see which are available for purchase in her shop.

“Torn #3” (2019), torn and hand cut paper, painted with acrylic, about 20 x 10 centimeters

Left: “Arber” (2020), hand painted and cut Japanese 36 gsm washi paper. Right: “Garden Spirit” (2019), hand painted and cut Japanese 36 gsm washi paper

(2018), hand drawn and hand cut Awagami Kozo Natural Select paper 46 gsm, about 23 x 25 centimeters

Left: “Torn #1” (2019), hand cut paper. Right: “Torn #2” (2019), hand drawn and cut paper

“Bright” (2019), hand cut from Awagami Factory 36 gsm paper and painted with acrylic paint

Left: “Psychopomp,” hand drawn and hand cut paper, 80 x 40 centimeters. Right: “Bennu,” hand cut 32 gsm gampi washi paper, with hand painted gold acrylic

‘While the World is Asleep” (2018), hand drawn and hand cut paper, about 42 x 28 centimeters

 

 



Art

Dense Ecosystems with Flowing Water Sources Packed in Vintage Luggage by Kathleen Vance

February 3, 2020

Grace Ebert

“Traveling Landscape, Grey Samsonite,” vintage train case, resin, artificial foliage, soil, water, water pump, and fluorescent light, 13 x 9 x 9 inches. All images © Kathleen Vance, shared with permission

New York City-based artist Kathleen Vance creates lush landscapes brimming with green mosses, foliage, and rocky surfaces all stored in an unusual carrier: vintage suitcases. Vance’s ongoing Traveling Landscapes series connects travel and natural resources, inclining her to incorporate active water components into many of her miniature ecosystems. The artist tells Colossal she hopes to convey that “water and our natural open landscapes are our legacy to the future generations and something that must be protected and cherished.”  Her more recent pieces, like “Traveling Landscape, Spelunker,” deviate from her previous work by including caverns replete with hanging stalactites and stalagmites, or icicle-like rock formations, that she sculpts by hand.

Utilizing found vessels, Vance says she wants to “relate to a time when travel was slower and the distances between us and our homelands and foreign landscapes were more difficult to access.” Each portable environment is designed and retrofit for specific steamer trunks and train cases.

The cases act to abstract the idea of travel and romanticize its idyllic qualities. I am always on the look out for cases that have some indication of travel, with notes and markers which give a feeling that they have really been used for used for transportation of someone’s special or personal items.

To keep up with Vance’s environmentally focused projects, follow her on Instagram.

“Traveling Landscape, Luce,” vintage train case, resin, artificial foliage, soil, water, water pump, and fluorescent light, 11 x 6.5 x 8 inches

“Traveling Landscape, Ornate Silver,” ornate metal and wooden chest, soil, stones, resin, artificial, foliage, and water, 12 x 12 x 17 inches

“Traveling Landscape, Golden Interior,” 12.5 x 5 x 8 inches

“Traveling Landscape, Spelunker,” found traveling case, hand sculpted stalactites and stalagmites, resin, paint, artificial foliage, and soil, 13 x 9 x 9 inches

“Traveling Landscape, Assembly,” antique case, hand sculpted landscape, resin, paint, artificial foliage and trees, and a bulb light

 

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Animation

Mesas Shoot Through Cloud-Filled Skies in ‘American Totem’

January 28, 2020

Grace Ebert

Panning the expansive desert, “American Totem” captures the mesas scattered across the beige- and rust-colored landscape but with an unearthly twist. Pillars ascend from their flat tops, reaching up through the clouds toward a pale blue sky in the short film, which combines real footage and digital effects. Created by London-based artist Theodore John, aka mustardcuffins, the moving columns shoot through dissipating clouds as the sun rises and sets, casting shadows across the sand and rocks. As night sets in, the film speeds up, morphing the dark sky into one filled with shooting stars. Find more multi-media projects from the artist and motion graphics designer on Instagram and Behance.

 

 



Photography

Historic Geometric Pools Interrupt Australia’s Rocky Coastline in Aerial Shots by Nicole Larkin

January 24, 2020

Grace Ebert

All images © Nicole Larkin, shared with permission

For years, Nicole Larkin has been capturing the ocean pools along the coasts of New South Wales in a project titled The Wild Edge. Mostly constructed as public works endeavors more than 80 years ago, the geometric spaces often are nestled in Australia’s rocky shorelines, surrounded by crashing waves and filled with jewel-toned waters. In a statement about the project, Larkin described the swimming sanctuaries as offering visitors “intimate encounters with the landscape.”

They are largely opportunistic interventions that exploit the natural topography of the rock platform to make a protected and convenient swimming area. They often exhibit the “bare minimum,” dematerializing into the rock platform yet providing amenity and facilitating easy access to the ocean.

The Sydney-based architect, artist, and designer tells Colossal that she’s concerned with how the ocean landscapes are being altered by climate change. Larkin says designing additional pools could be used “to facilitate community amenity and access to the ocean, but also to act as protective structures which buffer against storms,” as the area deals with the global crisis.

For a geographical look at coast-side retreats, check out Larkin’s interactive collaboration with Guardian Australia. More aerial shots of the 60 remaining ocean oases are on the artist’s Instagram and Behance. (via This Isn’t Happiness)

 

 



Art

Peek Out of These Painted Airplane Windows to Spot Diverse Landscapes

January 24, 2020

Grace Ebert

All images © Jim Darling

An ongoing series by artist Jim Darling depicts many of the scenes you probably miss while you’re napping on a lengthy flight. “Windows” mimics that of an airplane view, depicting lush landscapes, rocky gorges, and dense urban areas from a 35,000 foot view. Since we last wrote about the Los Angeles-based painter, Darling has produced more cityscapes, glimpsing pockets of skyscrapers and lengthy freeways as the viewer swoops overhead. The white-framed paintings even seem to feature the shade that can be pulled down to block the aerial views. Pushing his lifelike portrayals even closer to reality, Darling refers to the piece shown above as “DFW to LAX” on his Instagram. (via Booooooom)