landscapes

Posts tagged
with landscapes



Art Photography

Infrared Light Enhances Versailles, Provence, and the Beaches of Normandy with Dreamy Shades of Pink

November 29, 2021

Grace Ebert

All images © Paolo Pettigiani, shared with permission

Previously having captured the Dolomites and New York City’s Central Park in a candy-colored glow, photographer Paolo Pettigiani now adds urban and rural France to his ongoing collection of infrared images. The magical series documents the rolling lavender fields of Provence in watermelon hues and Versailles’s landscaped terraces or the Gothic abbey of Mont-Saint-Michel in bright, saturated tones. Pettigiani shoots each location with a full-spectrum camera that unveils otherwise invisible wavelengths and enhances the trees, grasses, and stone surfaces that reflect infrared light with varying shades of pink.

See more from the France Infraland series on Pettigiani’s Behance and Instagram, and shop prints of the surreal landscapes on Lumas.

 

 

 



Art Illustration

Miniature Watercolor Works by Ruby Silvious Are Painted on Stained Teabags

November 26, 2021

Grace Ebert

All images © Ruby Silvious, shared with permission

Ruby Silvious’s quaint seaside scenes and bucolic landscapes nestle between the torn edges and wrinkled folds of a used teabag. The Coxsackie, New York-based artist (previously) paints miniature scenes of everyday life on the stained paper pouches, leaving the string and tags intact as a reminder of the repurposed material’s origin. Silvious sells prints of her watercolor pieces on her site, and you can follow her latest projects and news about upcoming exhibitions—she will be showing her upcycled works in France and Japan in 2022—on Instagram.

 

 

 



Photography

A Hazy Stream Drifts Across a Spring Landscape in an Enchanting Series of Long-Exposure Photos

November 18, 2021

Grace Ebert

All images © Jennifer Esseiva, shared with permission

Back in spring, Swiss photographer Jennifer Esseiva visited the remote forests of Vallorbe, Switzerland, as the trees and rugged, wooded terrain emerged from their winter stupor. There she captured the lush mosses and foliage that cloaked the area in a thick blanket of greenery and the recently thawed stream flowing through its midst. Now compiled in an enchanting series aptly titled Fairyland, the ethereal, long-exposure photos depict the trickling body of water as a hazy fog that clings to the landscape.

Esseiva plans to revisit the dreamy location this winter after snowfall, so keep an eye on her site and Instagram for updates. (via Moss and Fog)

 

 

 



Art

Reality and Imagined Meditative States Converge in Tomás Sánchez's Tranquil Landscapes

November 16, 2021

Grace Ebert

“Light: Outside, Inside” (2021), acrylic on linen, 100 x 80 centimeters. All images © Tomás Sánchez, shared with permission

Through serene, idyllic landscapes, Tomás Sánchez visualizes his long-harbored fascination with meditation. The practice, the Cuban painter says, is “where I find many of the answers to questions that transcend from the personal to the universal. Meditation is not always a fleeting time. Meditation is not a punctual exercise; it is a constant practice.”

Rather than conceptualize the exercise as a temporary state, Sánchez views mediation as a lens to interpret the world, a recurring theme that has foregrounded much of his work during the last few decades. His acrylic paintings and hazy graphite drawings, which take months if not years to complete, highlight the immensity and awe-inspiring qualities of a forest thick with vegetation or a nearby waterfall and offer perspective through a lone, nondescript figure often found amongst the trees. Distinct and heavily detailed, the realistic landscapes aren’t based on a specific place but rather are imagined spaces available only through a ruminative state.

If you’re in New York, stop by Marlborough Gallery to see Sánchez’s solo show, which is on view from November 18 to January 22. Titled Inner Landscape, the exhibition encompasses multiple pieces never shown before, including the pristine scenes shown here. Until then, explore more of his works on Instagram.

 

“Inner Lagoon…Thought-Cloud” (2016), acrylic on canvas, 200 x 199.3 centimeters

“La batalla” (2015), acrylic on linen, 200 x 250 centimeters

“El río va” (2020), acrylic on linen, 121.3 x 99.1 centimeters

“Aislado” (2015), acrylic on canvas, 199.7 x 249.9 centimeters

“Diagonales” (2018), conté crayon on paper, 30.5 x 40.6 centimeters

 

 



Photography

The Natural Landscape Photography Awards Spotlight Phenomena and Stunning Topographies Around the World

November 15, 2021

Grace Ebert

By Paul Hammett. All images courtesy of the Natural Landscape Photography Awards, shared with permission

After garnering 13,368 entries across 47 countries, the first annual Natural Landscape Photography Awards released a striking collection of rugged topographies and serene wildernesses. The inaugural contest eschews digital manipulations in favor of highlighting realistic beauty around the world, and winning entries capture a brilliant lightning strike atop Matterhorn in the Alps, the moon peaking through branches at Joshua Tree National Park, and a melting iceberg on the black sand beaches of Fellsfjara in Iceland.

We’ve chosen some of our favorite images below, but you can peruse all of the top photographs encompassing abstract snippets, shadow-laden nightscapes, and wide aerial shots on the contest’s site. (via Peta Pixel)

 

By Carl Smorenburg

By Jai Shet

By Steve Alterman

By Eric Bennett

By Matt Palmer

By Eric Bennett

By Ben Horne

 

 



Art Craft

Social Issues and the Climate Crisis Intertwine in Subversive Crocheted Works by Jo Hamilton

November 15, 2021

Grace Ebert

“I Crochet Portland” (2006-2009), mixed crocheted yarn, 63 x 114 inches. All images © Jo Hamilton, shared with permission

From a mix of wool fibers and yarn made from plastic waste, Scottish artist Jo Hamilton crochets large-scale portraits and architectural landscapes delineated with dangling threads. Her knotted pieces push the boundaries of art and craft traditions, bringing the two together in subversive portrayals of powerful women and metropolises marred by production. Unraveling at the edges, the textured works reflect on interlocking issues like unchecked capitalism, social disparities, and the increasingly urgent climate crisis.

All of the materials Hamilton uses are recycled, whether sourced from estate sales and resalers or created in studio. A few years ago, she started turning grocery bags, videotapes, and other household items into skeins of yarn-like threads—the artist shares some of this process on Instagram—as a way to reduce her impact on the environment, explaining:

We tend to glorify nature as an eternal and everlasting idea, separate from ourselves and our real-life actions. We’ve held on tightly to these ideas during the last few decades in the throes of late capitalism and globalization, and if we don’t change our thinking, policies and behavior immediately it will be too late. So I channeled my anxieties about over-production, pollution, and climate change into my work, using plastic in some of the works in contrast with the yarn.

If you’re in Portland, stop by Russo Lee Gallery to see Hamilton’s most recent works as part of her solo show Transitory Trespass, which closes on November 27.

 

“Cherry Steel Above and Below” (2017), mixed crocheted yarn, 68 x 122 inches

“Shinig Mountain Eclipse.” Photo by John Clark

Left: “Masked Metamorhic.” Right: “Masked Marbled.” Photos by John Clark

“Death Star PDX” (2018), mixed crocheted yarn, 45 x 52 inches. Photo by John Clark

“Isaac Montalvo” (2008), mixed yarn, 23 x 22 inches

“Head & Neck Dietician” (2016), mixed crocheted yarn, 29 x 27 inches

“Groucho Gia” (2013), mixed crocheted yarn, 51 x 36 inches

Hamilton with a 2019 outdoor crocheted mural project on SE Foster Road in Portland. Photo by Kevin McConnell

Hamilton with a 2019 outdoor crocheted mural project on SE Foster Road in Portland. Photo by Kevin McConnell