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Animation

The Wolf House: A Horror Film Plunges into the Disturbing Mind of a Child through a Blend of Stop-Motion Animation and Murals

January 12, 2021

Grace Ebert

Joaquín Cociña and Cristóbal León descend into the psychologically disturbing world of a child escaped from religious fanatics in their feature-length film The Wolf HouseLayered with audio of unsettling voices and the quiet mutterings of a young girl, the grotesque animation seamlessly blends horror and documentary as it recounts some of the tragedies of the Colonia Dignidad, the post-World War II colony that was established by Germans and Chileans under the dictatorial rule of General Augusto Pinochet. Founded in 1961, the isolated area was infamous for torture, internment, and murder, and The Wolf House showcases its impact on a child who takes refuge in a strange house.

Fans of filmmaker Daisy Jacobs and artist BLU will recognize some of the methods used in Cociña and León’s work, including classic stop-motion techniques and painting directly on the walls of the set. Characters shift constantly, whether between two and three dimensions as they morph from murals into sculptural creatures or as they contort their bodies from life-sized forms to massive heads and from human to animal.

Cociña and León, who are from Chile originally, have been collaborating since 2007 and lead the Santiago-based production company Diluvio. You can stream The Wolf House on ScreeningRoom, and see more of the duo’s genre-bending work on their site and Vimeo.

 

 

 



Design History Illustration Music

Inside Information: Cross-Sections of Retro Technology Reveal Historical Moments of Iconic Objects

October 2, 2020

Christopher Jobson

The distinctive Arriflex 35 IIC is one of the most significant motion picture cameras of all time, and a favourite of the Hollywood new wave of cinematographers of the 60’s ad 70’s. The hand held camera was famously beloved by Stanley Kubrick whose 1971 cult classic, A Clockwork Orange, was shot almost entirely on the Arri 35 IIC.

As part of an ongoing series titled Inside Information, UK-based design studio Dorothy explores some of the most iconic designs in the areas of film, music, personal computing, and fashion through clever “cutaway” infographics. Each illustration reveals a miniature isometric world packed with historical moments from famous concerts that used the Vox AC30 amplifier to films that utilized the Arriflex 35 IIC handheld camera, which transformed movies forever. All five of the Inside Information graphics are available as three-color litho prints on its website. (via Colossal Submissions)

 

Released in 1959 to meet the demand for louder amplifiers, the Vox AC30 was quickly adopted as the amp of choice for bands like The Beatles, The Kinks and The Stones, helping to define the sound of the ‘British Invasion’ when the popularity of British rock ’n’ roll bands spread to the States. Its appeal has continued through the decades with bands like Queen, U2, The Smiths, Oasis, Blur, Radiohead, Arctic Monkeys all counted as loyal Vox fans.

The Nike Air Max is a bona fide design classic. Designed by Tinker Hatfield and released in 1987 it has, in its 30 plus years of existence, established a cult following. Inspired by the architecture of the Centre Pompidou, it was the first trainer to offer a window to the sole, kickstarting a revolution in sneaker design.

The Minimoog was the world’s first portable (and affordable) synthesiser. Billed as ’The Moog for the road’, it revolutionized music, acquired a cult-like following (which it still enjoys to this day) and quickly became the most popular synth of its time.

The Apple Macintosh (later know as the Macintosh 128k) was launched with an Orwell inspired commercial directed by Ridley Scott, and introduced to the world by Steve Jobs on 24th January 1984. It blew our tiny little minds and for many heralded the beginning of a lifelong love affair with all things Apple.

 

 



Art

A Disorienting Short Film by Lydia Cambron Recreates '2001: A Space Odyssey' in Quarantine

August 16, 2020

Grace Ebert

Eerie, hypnotic, and faithfully depicting the dismal reality that is 2020, a new short film by Lydia Cambron envisions her recent quarantine experience under the frame of Stanley Kubrick’s 2001: A Space Odyssey. In 2020: An Isolation Odyssey, the New York City-based designer recreates the 1968 version’s iconic ending as a way to “(poke) fun at the navel-gazing saga of life alone and indoors,” she writes in a statement.

Positioned vertically, the characters’ movements are synchronized perfectly, but while the original film’s Keir Dullea wades through the ornate home in an astronaut suit, Cambron sports a face mask and latex gloves. The reenactment is situated in the designer’s one-bedroom Brooklyn apartment, and while it maintains the domestic qualities of the original, it also features contemporary updates, like a MacBook sitting on the table rather than a lavish meal. She even parallels the minutes-long credits precisely.

Cambron notes that the contemporary version considers a similarly disorienting life. “Multitasking while #wfh, conjuring guilt or longing with unused exercise equipment, your entire being reduced to a measure of time—these scenes all illustrate the absurd comedy of trying to maintain control during this unprecedented and unpredictable time,” she explains.

Follow Cambron’s parodic explorations—which include an annual exhibition titled JONALDDUDD— on Instagram and Vimeo. (via Daring Fireball)

 

 

 



Design Illustration

Contemporary Films Are Reimagined as Vintage Book Covers by Illustrator Matt Stevens

June 16, 2020

Grace Ebert

All images © Matt Stevens, shared with permission

Generally, the adaptation pipeline begins with books and ends in film, but Charlotte-based designer and illustrator Matt Stevens has turned that process around. For an ongoing project that’s simply titled Good Movies as Old Books, Stevens reimagines contemporary movies as vintage paperbacks and cloth-bound texts, covering Bong Joon Ho’s Parasite, Jordan Peele’s Us, and Damien Chazelle’s Whiplash, one of the illustrator’s favorite editions. “A movie I love, the idea came quickly and easily, and it really captures something about the film and the jazz-era style,” he says.

The project has culminated in a series of prints and a forthcoming book, which Stevens recently launched as part of a Kickstarter campaign. “From my ever-growing and changing master list, once I hit 100 entries, I will have a list of about 40 that I wasn’t able to include,” he says. “Maybe a volume 2?” Keep up with all of Stevens’s new releases on Instagram. (via Plain Magazine)

 

 

 

 



Illustration

Pop Culture Icons Undergo Taxonomic Studies in These Vintage-Style Illustrations

May 29, 2020

Grace Ebert

“Audrey II Study.” All images © Chet Phillips

How would you biologically classify a hippogriff? Austin-based illustrator Chet Phillips is offering his own taxonomic studies for some of pop culture’s most iconic characters as part of his Unnatural History series. Through vintage-style illustrations, the artist renders a flying monkey from The Wizard of Oz, Krampus, and The Lion King‘s animated duo Timon and Pumba complete with their identifying information.

You can browse the entire Unnatural History collection and pick up your own print on Etsy. Phillips also shares much of his work that’s based in contemporary culture on Behance and Instagram.  (via Laughing Squid)

 

Left: “Hippogriff Study.” Right: “Alien Study”

“Flying Monkey Study”

Left: “Skull Island King Study.” Right: “Krampus Study”

“Killer Rabit Study”

“Warthog and Meerkat Study”

 

 



Art Craft Food

Domestic Ceramics by Mechelle Bounpraseuth Infused with Culinary Life and Family Memories

May 18, 2020

Anna Marks

All images © Mechelle Bounpraseuth, shared with permission

Sydney-based artist Mechelle Bounpraseuth crafts life-sized ceramics that explore her identity as a first-generation daughter of Laotian refugees. Her small and glossy ceramic artwork, which ranges from drink cans to widely known sauces, explores her connection with her past and how branded ingredients are rooted in culinary culture and rituals. 

Bounpraseuth was raised a Jehovah’s Witness, and despite many fond memories of her family and childhood, her religion discouraged her from pursuing artistic pursuits. She left the religion in her 20s and got married, realizing that her dream of becoming an artist was possible and that she didn’t have to succumb to the person her religion had wanted her to be.

Her creativity initially began from drawing and creating zines, before Bounpraseuth enrolled in a ceramics course and began crafting functional objects. Noticing her talent for the medium, her tutor encouraged her to pursue work with more artistic flair. She began to expand on her drawings of household objects by recreating them in clay and glossy bright colors.

One of Bounpraseuth’s ceramics is a Heinz Ketchup bottle, a condiment found in many family fridges and cupboards throughout the world. For the artist, the sauce represents the memory of her family eating pho together, a ritual in which they would come together and make the recipe from scratch with a dollop of ketchup. These sculptural forms are meaningful symbols to Bounpraseuth as the pho was a labor of love and would take her family all day to make.

Through the creation of these domestic objects from her past, Bounpraseuth uses her artwork as a way to reflect upon and process her childhood memories and as a way to navigate her old and new identities. These pieces illustrate how some values remain passed down from generations, like Bounparseuth’s reference to her family’s shared domesticity, while some core aspects of family, like religion, are not always. 

For more of the artist’s memory-focused ceramics, head to Instagram. (via It’s Nice That)

 

 

 

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