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Art

Imitation China Plates and Layered Cut Paper Animals Explore the Sculptural Potential of Paper in a New Exhibition at Paradigm Gallery

April 19, 2019

Kate Sierzputowski

Miniature paper work by Nayan and Vaishali, all images courtesy of Paradigm Gallery

Miniature paper work by Nayan and Vaishali, all images courtesy of Paradigm Gallery

Subtle manipulations, intricate cuts, and ornate collages are a few of the various ways contemporary artists are transforming paper today. These techniques and more are displayed in the upcoming exhibition pa•per, curated by Paradigm Gallery co-founder Jason Chen and featuring artists outside of the gallery’s roster. The list includes Nayan and Vaishali (previously), the India-based duo who spend 4-6 hours a day crafting precisely sliced and painted miniature animals. Kent-based artist Sally Hewitt creates the illusion of a body’s impression on cartridge paper by gently prodding the material with needles, bodkins, and embossing tools. Other included artists like Danielle Krysa and Lizzie Gill use collage, while Rosa Leff cuts traditional patterns and imagery found on fine china into cheap paper plates. The exhibition, hosted at Paradigm Gallery in Philadelphia, opens on April 26 and runs through May 18, 2019.

Danielle Krysa

Danielle Krysa

Lizzy Gill

Lizzie Gill

Sally Hewitt

Sally Hewitt

Nayan and Vaishali

Nayan and Vaishali

Rosa Leff

Rosa Leff

Albert Chamillard

Lucha Rodríguez

Lucha Rodríguez

Daria Aksenova

Daria Aksenova

 

 



Art

15,000 Black Paper Butterflies Swarm the Fondazione Adolfo Pini for Carlos Amorales’s Latest Installation of ‘Black Cloud’

April 17, 2019

Kate Sierzputowski

Photographs: Andrea Rossetti

Hordes of black butterflies of various sizes and species cover the grand staircase, mirrors, walls, and doors of the Milan-based Fondazione Adolfo Pini. The dark and vast swarm is a part of the more than 10-year series Black Cloud by Mexican artist Carlos Amorales (previously) as a part of his solo exhibition THE ACCURSED HOUR. The butterflies surround an installation of paper cut-outs from his series Life in the folds, a project of gray-toned human and tree silhouettes which address the nature of human violence against other humans. The exhibition opened April 2 and continues through July 8, 2019. You can see more of Amorales’s projects on his website and Instagram. (via designboom)

 

 



Design

A Paper Camera Comprised of Complementary Colors Includes Interchangeable Lenses and a Removable Flash

April 11, 2019

Kate Sierzputowski

Seoul-based design studio DOTMOT has constructed a faux camera composed of a graphic array of blue and orange paper. The model might not be able to capture images, but the sturdy imitation has a few of the same basic functions of an operational camera, including interchangeable wide angle and telephoto lenses and a detachable flash. Take a look behind the scenes of the camera’s construction in the video below, and learn more about the creative studio’s other projects on their website and Instagram.

 

 



Craft

Intricate Tessellations Expand and Contract in New Folded Paper Works by Ekaterina Lukasheva

April 10, 2019

Kate Sierzputowski

San Francisco-based paper artist Ekaterina Lukasheva (previously) makes dazzling tessellations seem like child’s play, effortlessly folding complex designs from matte and iridescent paper. The beautiful works have a double presentation, as they each work as expanded and contracted forms. Lukasheva has published several books on her DIY paper works, including her most recent Floral Origami: From Begin er to Advanced: 30 Delicious Origami Flowers and Balls for Home Decoration.  You can see more of her folded paper masterpieces in motion on Instagram.

 

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Art Craft

New Three Dimensional Narratives Composed from Discarded Books

April 9, 2019

Laura Staugaitis

UK-based book sculptor Emma Taylor sources old books from charity and antique shops and gives them a second story. Taylor uses simple materials—just glue, paper, and scissors—to sculpt architectural facades, lively animals, and leafy trees from otherwise unused titles. Each scene is inspired by the book’s written content, with a garden scene emerging from An Introduction to Botany and Italian houses built out of The Story of Venice. The artist shares on her website that she has been carving and sculpting books for several years, and has exhibited her creations in Cambridge, London, and Hong Kong. Taylor has recently opened an Etsy shop stocked with a few of her paper-based artworks, and shares updates on new works on Twitter. (via Colossal Submissions)

 

 



Craft Design

Playful Paper Masks by Lobulo Studio for Barcelona’s Grec Festival

April 4, 2019

Laura Staugaitis

For the 2018 marketing of Barcelona’s long-running Grec Festival, which includes dance, theater, circus, and music, the London-based Lobulo Studio was tapped to create a series of unusual paper masks. Using the prompt “new species,” Lobulo explains on their website that they were “playing with the concept of new rare species that nobody has seen before” in order to “bring color, joy, and readiness to discover”. Each mask conveys a unique persona: a four-eyed character’s mouth is open in awe, while drops of blue water-like shapes convey a fluid suit of armor. You can see more of Lobulo’s paper creations, including a Berlin feast and an eerie church, on Instagram and Behance. (via PLAIN Magazine)

 

 



Art

Sculptural “Agreggations” by Kwang Young Chun Comprised of Thousands of Individually Wrapped Paper Parcels

April 4, 2019

Laura Staugaitis

South Korean artist Kwang Young Chun wraps tiny geometric packages in paper and combines them into massive wall-mounted and freestanding assemblages. Each composition is composed of thousands of individual mulberry paper parcels, carefully toned with tea and pigment and including the abstracted characters that allude to the paper’s origins as old documents. The works, which Chun refers to as ‘agreggations’, feature gradations in color and smooth craters within their highly textured surfaces.

Chun drew inspiration for his signature style from his illness-ridden childhood in Korea and the way that medicine was commonly packaged in triangular paper parcels of mulberry paper, or hanji. The artist was raised in Korea, lived in the United States in the 1960s while completed his M.F.A. at Philadelphia College of Art, and returned to his native country in adulthood.

In an artist statement on his website, Chun describes the disorientation he felt while a graduate student in America, tension and discord between the ways of his upbringing and the cultural modes of the U.S. This experience heightened his drive to express himself as a Korean artist, and in 1995 Chun landed on his current mode of making.

Six of the artist’s agreggations are on view in a solo exhibition at the Brooklyn Museum, through July 28, 2019. You can see more of his body of work on his website.