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Craft

Miniature Seascapes and Cities Top Elaborate Paper Wigs by Asya Kozina and Dmitriy Kozin

February 10, 2020

Grace Ebert

All images © Asya Kozina and Dmitry Kozin, shared with permission

Saint Petersburg-based paper artists Asya Kozina and Dmitriy Kozin situate miniature worlds atop their towering paper wigs. The detailed headdresses combine contemporary themes with historical elements, resembling the extravagant hair and head pieces of the Baroque period. A recent series crafted for Dolce & Gabanna features a whale and lobster with fins and claws woven through and sticking out from the tops of the elaborate pieces. Both have ships, as well, to add a human element. “We did this work and had (the) idea to do works with various marine monsters,” Kozina says. “In the old times, sailors believed in gigantic sea monsters… All characters are taken from folk myths.”

Since Kozina last spoke with Colossal, the scale and complexity of their monochromatic creations have changed, in addition to their public perception. “Our works fell into collections of museums, became symbols of some events related to the history and history of art and fashion,” she writes. “Our work is perceived not as photo props, but as artworks, sculptures, exhibition objects.” Head to Instagram or Behance to check out more of the artists’ sky-high creations.

 

 



Craft Illustration

Paper Quilling Process Shown Step-by-Step in New Video by Yulia Brodskaya

February 6, 2020

Grace Ebert

“Jaguar.” All images © Yulia Brodskaya

Known for her technique of “painting with paper,” Yulia Brodskaya (previously) has crafted a new piece titled “Jaguar,” a portrait blending human and cat features. In a recent video posted to her Facebook, the U.K.-based artist shares her creative process, starting with a sketched figure on a black board. Brodskaya then fills in small patches with neutral-toned paper, clipping them in place until she attaches the next piece. The artist even utilizes a tweezers to position some of the singular layers and shows her quilling technique up close as she bends strips of paper before wrapping the edge around the folds. For more of Brodskaya’s paper paintings, head to Instagram.

 

 



Craft

Intricate Landscapes and Animals Cut From Single Sheet of Paper by Pippa Dyrlaga

February 3, 2020

Grace Ebert

“This Fragile World,” (2019), hand cut paper and acrylic paint, about 11 x 11 inches. All images © Pippa Dyrlaga

For Pippa Dyrlaga, one piece of paper holds a lot of possibility. The Hebden Bridge, Yorkshire-based artist cuts each one of her delicate creations from a single sheet. Her intricate designs turn a blank page into a plant-filled landscape or a robot tending to a garden. Dyrlaga begins by sketching each piece in reverse, before cutting sections out. Then she flips it over to unveil the finished work or to paint details onto the piece.

Whereas her previous work often utilized a single white sheet, the artist now is working more with color, painting shades of blues, golds, and black, which helps to distinguish one group of plants or mosses from the next in her lush landscapes. She also has been inspired by Greek mythology and lore, describing “Psychopomp” (shown below) as “a spirit or deity, often depicted in animal form, which guide people into the afterlife,” on her site. “The piece is split into two, night and day, life and death. The daytime is represents life and growth, organic patterns and plants. The second half with nocturnal animals and abstract patterns, representing the more abstract idea of what comes ‘after.'”

Head to Dyrlaga’s Instagram for more of her intricate creations, and see which are available for purchase in her shop.

“Torn #3” (2019), torn and hand cut paper, painted with acrylic, about 20 x 10 centimeters

Left: “Arber” (2020), hand painted and cut Japanese 36 gsm washi paper. Right: “Garden Spirit” (2019), hand painted and cut Japanese 36 gsm washi paper

(2018), hand drawn and hand cut Awagami Kozo Natural Select paper 46 gsm, about 23 x 25 centimeters

Left: “Torn #1” (2019), hand cut paper. Right: “Torn #2” (2019), hand drawn and cut paper

“Bright” (2019), hand cut from Awagami Factory 36 gsm paper and painted with acrylic paint

Left: “Psychopomp,” hand drawn and hand cut paper, 80 x 40 centimeters. Right: “Bennu,” hand cut 32 gsm gampi washi paper, with hand painted gold acrylic

‘While the World is Asleep” (2018), hand drawn and hand cut paper, about 42 x 28 centimeters

 

 



Craft Illustration Photography

Found Photographs and Book Pages Weave into Textured Collages by Hollie Chastain

January 30, 2020

Grace Ebert

“Psychopomp.” All images © Hollie Chastain, shared with permission

Paper artist and illustrator Hollie Chastain clips, layers, and stitches found photographs and scraps of paper ephemera to create her mixed-media collages. The Chattanooga, Tennessee-based artist repurposes old narratives and images⁠—in one piece, tuba players pop out of a library card pocket, and in another, two men tug on a string woven through a handwritten note⁠—providing a new story for each regenerated work.

Chastain tells Colossal she began working with the medium in 2008. “Vintage book covers became a favorite substrate,” she says. “I fell in love with the scribbles, stamps, library and school identification, water and ink marks and all the other visual history and how that added to and sometimes altered the composition of the piece. ” Today, she often cuts images from National Geographic copies printed in the 1960s and 70s, gravitating toward “strong characters and people in action.”

To share her appreciation of the versatile medium, Chastain published an instructional book detailing various techniques and methods. “What I adore about collage as a medium is the complete versatility and the allowances that it gives first time creators to play around with color and texture and composition without any ‘but I can’t draw’ and ‘I’m not an artist’ hang-ups,” she says. If you want to join Chastain and start your own textured project, order a copy of If You Can Cut, You Can Collage. Otherwise, check out her shop and follow her on Instagram.

“Band Stand”

“Harvest”

“Homework”

“Parade Day”

“Paradise Lost”

“The Delegate”

 

 



Craft

Oversized Paper Flowers Bloom in Lush Bunches by Marianne Eriksen Scott-Hansen

January 29, 2020

Grace Ebert

All images © Marianne Eriksen Scott-Hansen, shared with permission

Marianne Eriksen Scott-Hansen doesn’t have to worry about her flowers wilting. She constructs enormous bouquets of tissue paper blossoms featuring countless petals and leaves in color-coordinated bunches. The Copenhagen-based artist tells Colossal that she doesn’t keep track of the pieces of paper or number of hours she spends on her large-scale projects, preferring to focus on creating rather than the actual process of cutting and shaping. Each piece is crafted by hand and without patterns or templates, making every petal, stem, and bit of pollen unique.

Much of Scott-Hansen’s work reflects her childhood in the countryside, anchoring her style in nature and Danish folk art. Heavily rooted in craft, the artist says she works both artistically and intuitively. “It’s all in the hands so to speak. I want to enter into a dialogue with the material. Work my way into it. Exploring rather than ‘mere’ re-working and investigation. (Seeing) how far can you ‘stretch’ paper.” She enjoys using the same material to create various textures, contrasting durable, rough wood and delicate petals.

Thrift, hard work, and industry are required as well, in order for my artworks to grow into something other than the tissue they were. Something must be small before it can be big, humble before it can be flashy—it is the contrast of nature that carries opulence within it and triggers our imagination. In my reworking, the tissue paper roots of the triffid may also become that of the rose.

The artist graduated from The School of Design at The Royal Danish Academy of Fine Arts in 1995 with a degree in fashion design. Since then, she’s collaborated with a long list of clients including Elle Denmark, Karl Lagerfeld, and Hermès, to name a few. Currently, she’s working on an installation for an international summit planned in Copenhagen in May. See more of Scott-Hansen’s blooming projects on Instagram. (via The Jealous Curator)

 

 



Craft

A Fleet of Magnificent Paper Aircraft by Zim & Zou Heads for an Unknown World in 'Exodus'

January 28, 2020

Grace Ebert

All images © Zim & Zou

These intricate paper ships crafted by Zim & Zou (previously) form a collective perpetually in search of alternate realities as part of “Exodus.” From their layered propellers to their waving pennants, the bright pink, blue, and purple aircraft are constructed entirely by hand. Each body displays multiple geometric patterns created with cut and stacked paper that match the rest of the fleet. The Dordogne, France-based artistic duo calls this personal project “an ode to travel. Thrown in an endless movement, the aircraft colony crosses time and space toward an unknown outcome. Like birds stuck in an eternal migration, they’re pursuing their dream of an elsewhere.”

In a statement, the pair said paper is their preferred medium because it “inspires them for its versatility, infinite range of colors and unique textures. The flat paper sheets turned into volume are giving an installation the poetry of ephemeral material.” Head to Instagram and Behance for more of Zim & Zou’s tangible pieces, and check out their shop to add a member of the paper fleet to your collection.