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Design Photography
Massive Wild Animals Wander Russian Streets in Surreal Composites by Vadim Solovyov

All images © Vadim Solovyov, shared with permission
Seeing a raccoon washing its paws in the rivers of Saint Petersburg or an octopus tumbling out of a city bus would be a startling sight for most city dwellers. Artist Vadim Solovyov, though, takes those surreal scenes a step farther as he imagines massive rooks, penguins, and chameleons invading the Russian city. While many of the composites feature the animals in nature, some position them in spaces typically occupied by a human, like a sloth behind the candy-covered counter of a convenience store.
Solovyov tells Colossal that he began the uncanny series as a way to explore strange events in his real life. For example, he said the giant raccoon and its presumptive counterparts “quietly make their way through the deserted evening city to the embankments and shyly rinse something in the water there. Thoroughly. Not less than 20 seconds,” which is a reference to current handwashing suggestions to prevent COVID-19 from spreading.
The artist says he values his work’s visual and textual components equally.
Giant animals (are) only one of the features of this world. Their origin, the history of the world itself can be found in fragments from the texts under the posts. Many posts exist in the context of actual events in my city and country. Through my work, I often convey in a veiled (and sometimes weird) way important for me issues or problems of society (attitude to animals, politics, social flaws). But this, of course, does not exclude the fact that some works are an ironic “visual game” without additional deep meanings.
For the complete collection of the meandering wildlife and their respective stories, head to Solovyov’s Instagram. (via This Isn’t Happiness)
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Illustration
Tales From the Loop Enlivens the Gravity-Defying Dystopia of Simon Stålenhag’s Illustrations
An uncanny television series is founded in Simon Stålenhag’s fantastical worlds. Covered previously on Colossal, the Swedish artist’s digital illustrations often position robots in open countrysides and consider the prosthetic capabilities of virtual reality. Tales From The Loop—which gets its name directly from one of Stålenhag’s projects—is set in a fictional universe that explores the potential of merging technology and human curiosity in a futuristic dystopia.
Launching April 3, the television series is based on the understanding that “not everything in life makes sense” as it chronicles the lives of those residing in the Loop, a machine built to uncover answers to the world’s mysteries. It features a gravity-defying universe that sees floating objects, snow ascending from a pile on the floor, and pieces of a house ripped upward. Retro robots even foster relationships with the families and children immersed in the explorative environment.
For a deeper look into the inspiration behind the new show, check out Stålenhag’s book by the same name or head to his Instagram.

All images © Simon Stålenhag, from Tales From the Loop
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Art Craft
Sci-Fi Inspired Cardboard Sculptures by Greg Olijnyk Feature Fully Articulated Limbs and Working Motors

Photographs: Griffin Simm
To balance out his working life as a graphic designer focused on 2-D digital projects, Greg Olijnyk creates cardboard sculptures in his free time. The remarkably refined artworks are made with packaging-grade cardboard and tracing paper, and finishing touches added with LED lighting and glass accessories.
Cardboard’s affordability and malleability, as well as its surprisingly pleasing surface texture and color, have made it the medium of choice for Olijnyk. The designer tells Colossal that each piece comes together organically, and he draws inspiration from sci-fi books and things he finds on Pinterest as he evolves each concept. “Every piece has the limitations and advantages of the cardboard material in mind, how it bends, how strong it will be, etc.,” Olijnyk explains. “The sailing boat sculpture started with the desire to use a pleated, folding effect to simulate water and the rest of the form evolved over the course of a few months.”
As part of his engineering efforts, Olijnyk incorporates movement and articulation. His robot limbs are movable, and wheels rotate. In some of his works, the designer even incorporates solar panels and small motors to activate various components. “Even if, once behind glass, they remain frozen in a pose, I like to know that the capacity is there to bring them to life,” Olijnyk tells Colossal.
Olijnyk notes that he admires fellow Melbourne-based sculptor Daniel Agdag, who creates similarly fanciful worlds using precisely manipulated cardboard. See more from Olijnyk’s studio as he starts new projects and shares the process on Instagram.
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Art Illustration
Fantastical Swirls of Strange Hybrid Creatures Fill Vorja Sánchez’s New Illustrations

Insomnia
Spanish illustrator Vorja Sánchez (previously) continues to plumb his imagination to create wildly original drawings and paintings. Constellations of real and invented wildlife, plants, and mysterious critters that seem to be a combination of the two, coexist in the artist’s colorful multi-media illustrations. Sánchez shares his work on Instagram and Facebook, where he also provides details on works for sale and updates on collaborative projects and murals.

Insomnia (detail)

Mediterranean Insects

Mediterranean Insects (detail)

Seaheart

Winter Stroll

Serenity of the Organic Chaos

La Cosecha

(Untitled)

Invisible Boat (detail)
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Design Photography
Spaceships: Abstract Photographs of European Architecture Portrayed as Spacecraft by Lars Stieger
Hamburg-based photographer Lars Stieger travels around Europe to photograph architectural structures, but instead of capturing a building in its entirety he opts to isolate only the most unusual aspects, recasting each as a figment of science fiction. For his new series titled Spaceships he pushes this concept to the extreme by applying an otherwordly color scheme that places these real-life buildings onto alien worlds or sends them hurtling through space. You can see more from the series on Behance.
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Craft Design Illustration Music
Miniature Retro Papercraft Synthesizers by Dan McPharlin
Produced between 2006 and 2009, Australian designer and illustrator Dan McPharlin‘s Analogue Miniatures are a marvel of papercraft. The tiny analog synthesizers and pieces of recording equipment were pieced together with paper, framing mat board, string, rubber bands, and cardboard, and appeared in everything from art shows to editorial spreads in magazines like Esquire. McPharlin is widely known for his retro sci-fi illustration work that appears on album covers and in limited edition prints, and he brings this aspect of fiction to these paper models as well. None of the objects are meant as exact replicas or recreations of real-life devices but are instead speculative objects that draw aesthetic attributes from the audio technology of the 70s and 80s.
You can see many more pieces from Analogue Miniatures on Flickr.
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Editor's Picks: Animation
Highlights below. For the full collection click here.