A Photo Series Captures the Ubiquity and Intrigue of Newsstands Around the Globe
No matter the city, there are certain fixtures that are universal among urban settings: corner stores, infrastructure for public transit, pockets of green space, and of course, newsstands, which are the subject of a compelling series by Los Angeles-based photographer Trevor Traynor.
Traynor began capturing the small kiosks back in 2012, when he snapped his first image with his iPhone 4S. During the next seven years, he visited 20 cities around the globe—the list includes New York, Jersey City, Los Angeles, London, Paris, Barcelona, Lima, Cusco, Punta Arenas, Venice, Milan, Rome, Naples, Pozzuoli, Jerusalem, Dar Es Salaam, Tokyo, Kamakura, Cairo, and Marrakesh—and photographed the ubiquitous stands and their operators. Taken from the same angle, the images highlight both the similarities in construction of each space and the periodicals, advertisements, and snacks that vary by location.
Having wrapped up the series with 100 images, Traynor plans to compile all the works in a book slated for release next year. Until then, view the entire series on his site, and follow him on Instagram for updates. (via Present&Correct)
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Circular Vaults Embedded within a Prague Embankment Contain Shops, Cafes, and Public Spaces
New cafes, galleries, and studios are popping up along the Vltava River in Prague, although they’re not immediately visible from atop the embankment. Tucked inside former storage units embedded within the structure itself are several tunnel-like spaces redesigned for public use. Appearing like glass-doored portals lining the waterfront, the multi-purpose project is part of the Czech city’s efforts to revitalize a four-kilometer swath of the riverbank, which previously served as a parking lot, and are the undertaking of architect Petr Janda who helms the Prague-based studio Brainwork.
Each vaulted venue contains concrete walls and flooring and gleaming stainless steel that reflects its surroundings. Six circular tunnels are designated for shops and galleries feature large, elliptical doors in glass, while the other 14 spaces are marked with a sculptural entrance, hiding the remaining area occupied by private tenants or used for public bathrooms from view. “The interventions symbiotically merge with the original architecture of the riverside wall, into which they naturally fuse,” Janda told designboom. “By using the acupuncture strategy, they re-create a monumental whole.”
Head to Instagram to find preliminary sketches for the redesign and to follow Brainwork’s future projects.
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Delicate Paintings by Lee Me Kyeoung Document the Idiosyncrasies of South Korean Corner Stores
Artist Lee Me Kyeoung (previously) continues her decades-long project of painting the dwindling number of Korean corner stores, rendering quaint shops in Yangsan, Gyeongju, Gunwi, Sangju, and Cheorwon as part of her ongoing A Small Store series. The delicate artworks capture the idiosyncrasies and tiny details of each locale, like a plastic washbasket left out front or signage hanging from the eaves, and the vast collection includes shops in both remote and bustling neighborhoods across South Korea. Encapsulating the unique qualities of the quickly shuttering stores, Me Keyoung’s paintings preserve their cultural legacies in detailed acrylic.
Some of the artist’s shops are on view through November 13 at Gallery Imazoo in Gangnam, South Korea, and you see photos of the original locations and more of her process on Instagram.
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Hundreds of Digital Illustrations Imagine Enchanting Storefronts and Their Friendly Shop Cats
Whether adorned with used books, houseplants, or groceries, the tiny shops and corner stores that illustrator Anglea Hao draws are infused with whimsy and admiration for everyday architecture. The digital renderings are part of Hao’s ongoing endeavor to create 365 unique storefronts—she’s already posted hundreds on Instagram that have grown in complexity and depth—and the subject matter is primarily imagined spaces, although some of the earliest works are based on real spots. Prints of the buildings, which frequently feature vine-laden rooftops, pasted advertisements, and a recurring white cat, are available in her shop.
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Thousands of Fresh and Artificial Flowers Overrun an Abandoned Convenience Store in a Small Michigan Town
Port Austin, Michigan, is a picturesque village on the Lake Huron shoreline lauded for its beaches, water sports, and vegetable-shaped rock formations. With a population in the hundreds, the small community relies heavily on tourism to fund its economy, a reality Detroit-based botanical artist Lisa Waud contended with in a recent pop-up installation in one of the town’s abandoned convenience stores.
Titled “Party Store”—this colloquialism refers to a small shop selling snacks, alcohol, lottery tickets, and other cheap staples—the immersive project transforms a dilapidated space into a lush garden of fresh-cut flowers grown in Michigan and artificial replicas sourced from resale shops around the state. A water-damaged drop ceiling, stained carpeting, and wood paneling peek through the colorful botanicals, which envelop a commercial coffee machine, crawl across shelving, and bulge out of dimly lit coolers.
Similar to her other site-specific works like her 2015 transformation of a condemned duplex in Detroit, Waud describes “Party Store” as a “cleansing reset,” one that uses the tension between life and decay as a prompt to consider cultural understandings of permanence and disposability. She references pieces like Robin Frohardt’s grocery store stocked with plastic food and Prada Marfa as influences, two large-scale projects that criticize consumerism through their satirical imitations of common and luxury goods. “In spending time in Port Austin, I recognized a similarity between its tourism culture and that of my hometown of Petoskey,” Waud writes in a statement. “The local economy relies on the tourists, but often the folks who come can have a ‘disposable’ quality to their visit, exemplified in the increase of consuming convenient items—often packaged in single-use plastic.”
“Party Store” was dismantled after its July 16-18 run, when many of the materials were recycled or reused. “By installing flowers that will ultimately be composted into a space that historically sells items that cannot be biodegraded, I hoped to bridge a connection for responsible choice-making in its visitors’ future,” the artist says.
To keep up with Waud’s floral transformations, head to her site and follow her on Instagram.
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‘Fake Food, Real Garbage’: A Satirical Store is Fully Stocked with Groceries Made Entirely of Plastic
Wander into a new pop-up grocery store in Downtown Los Angeles, and you’ll find all of the typical options with an unusual twist: freezers stocked with tubs of “Bag & Jerry’s,” a robust produce section with bananas and tomatoes printed with advertisements, and mysteriously gray “polluted sausage” stuck to styrofoam trays.
Dubbed “The Plastic Bag Store,” the witty and satirical installation is the project of Robin Frohardt, who repurposed scores of bottle caps, packaging, and other single-use materials into a full-fledged grocery. Each of the non-edible items—many of which have undergone clever rebrands, meaning you’ll find family-sized boxes of Yucky Shards cereal, cases of Bagorade bottles, and clamshells of Earthbag Farms non-organic spring mix in the aisles—is made entirely with discarded waste that the Brooklyn-based artist, puppet-maker, and designer collected from garbage bins and trash sites.
Paired with a performative component that envisions how future generations will interpret the inordinate amount of waste produced in today’s world, the installation literally displays the longevity of the items many of us use on a daily basis. According to recent estimations, the amount of plastic in the ocean is predicted to exceed the volume of fish by 2050, an ongoing crisis Frohardt wants to make more apparent. “’The Plastic Bag Store’ is a visually rich and humorous experience that hopefully encourages a different way of thinking about the foreverness of plastic, the permanence of the disposable and that there is no ‘away’ when we throw something out,” she says.
The grocery, which debuted in Times Square last fall with the tagline “Fake Food, Real Garbage,” is open at UCLA’s Center for the Art of Performance through July 11. You can find more of Frohardt’s projects, many of which critique mass consumerism and capitalism through a humorous lens, on her site and Instagram. (via Hyperallergic)
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