Text Drawings Created by Cutting Thousands of Letters from Books and Religious Texts

Text Drawings Created by Cutting Thousands of Letters from Books and Religious Texts typography paper collage books Throne: The Book of Revelation; letters cut from the Koran, 44.5 x 30 in, 2012

Text Drawings Created by Cutting Thousands of Letters from Books and Religious Texts typography paper collage books Throne: The Book of Revelation (detail); letters cut from the Koran, 44.5 x 30 in, 2012

Text Drawings Created by Cutting Thousands of Letters from Books and Religious Texts typography paper collage books Throne: The Book of Revelation (detail); letters cut from the Koran, 44.5 x 30 in, 2012

Text Drawings Created by Cutting Thousands of Letters from Books and Religious Texts typography paper collage books Bliss; letters cut from the Koran, 9 x 7.75 in, 2011

Text Drawings Created by Cutting Thousands of Letters from Books and Religious Texts typography paper collage books Bliss (detail); letters cut from the Koran, 9 x 7.75 in, 2011

Text Drawings Created by Cutting Thousands of Letters from Books and Religious Texts typography paper collage books The Satanic Verses: “Repentance” from the Koran; letters cut from “The Satanic Verses” by Salman Rushdie, 21 x 19 in, 2012

Text Drawings Created by Cutting Thousands of Letters from Books and Religious Texts typography paper collage books The Satanic Verses: “Repentance” from the Koran (detail); letters cut from “The Satanic Verses” by Salman Rushdie, 21 x 19 in, 2012

Artist Meg Hitchock (previously) has completed a number of new, elaborate collage works with letters cut from assorted books including the Koran and Salmon Rushdie’s The Satanic Verses. The patience required to assemble these absolutely astounds me. If you’re unfamiliar with her work here’s a quote from her artist statement:

In my text drawings I deconstruct the word of God by cutting letters from sacred writings and rearranging them to form a passage from another holy book. I may cut letters from the Bible and reassemble them as a passage from the Koran, or use letters cut from the Torah to recreate an ancient Tantric text. The individual letters are glued to the paper in a continuous line of type, without spaces or punctuation, in order to discourage a literal reading of the text. By bringing together the sacred writings of diverse traditions, I create a visual tapestry of inspired writings, all pointing beyond specifics to the universal need for connection with something greater than oneself.

If you’d like to see some of these pieces up close, Hitchcock currently has work on view all over New York at ACA Galleries, BRIC Contemporary Art and Shick Art Gallery at Skidmore College.

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