While attending school at the California College of Arts and Crafts in Oakland, artist Kay Sekimachi was struck by a quote from her teacher Trude Guermon-prez: “Try to make something with the simplest of means.” Over the span of her sixty-year art career Sekimachi took the words to heart as she rose to the forefront of contemporary fiber art in the 60s and 70s by creating challenging artworks with extremely limited means. Leaves, hornet’s nest paper, grass, shells, and linen constitute many of the materials in Sekimachi’s repertoire. Via the Smithsonian:
Sekimachi uses the loom to construct three-dimensional sculptural forms. In the early 1970s she used nylon monofilament to create hanging quadruple tubular woven forms to explore ideas of space, transparency, and movement. Inspired by her ancestral homeland of Japan, Sekimachi repeatedly returns to that ancient culture for ideas.
Among her more recent works are these delicate bowls made from maple leaf skeletons. The pieces are held together with the help of Kozo paper and special coatings of both watercolor and Krylon. Several of the works will be on view at the Bellevue Arts Museum starting July 3, along with an exhibition of work by her late husband, renowned America woodturner Bob Stocksdale. (via My Modern Met)