Category: Photography

Sunburn: Long Exposure Photographs With Markings Burned by the Light of the Sun 

Sunburned GSP#552( Mojave/ expanding), 2012. 8″x10″ unique gelatin silver paper negative. Private collection.

Photographer Chris McCaw uses the power of the sun to burn markings into his photographs, destroying small areas to appear like the sun itself. McCaw stumbled upon the technique for his series Sunburn after forgetting to close the shutter during an all night exposure. The light of the morning sun destroyed his efforts from the night before, reversing the tonality of the work in a way that has inspired McCaw to continue to experiment with injuring the surface of the photograph.

“The subject of the photograph (the sun) has transcended the idea that a photograph is simple a representation of reality, and has physically come through the lens and put it’s hand onto the final piece,” said McCaw in an explanation of the series. “This is a process of creation and destruction, all happening within the the camera.”

The resulting image from McCaw’s technique shows the landscapes he photographs with a burnt hole or streak where the sun appeared overhead. Often McCaw will combine several works to showcase the sun’s movement—charred dots or a thick line marking its arched path.

Currently McCaw’s Sunburn series is included in his solo exhibition Times and Tides at San Francisco-based Haines Gallery. You can view more images from his Sunburn series on his website. (via Juxtapoz)

Sunburned GSP#202 (SF Bay/expanding), 2008. 16″x20″ unique gelatin silver paper negative. Collection of the Santa Barbara Museum of Art. All images via Chris McCaw.

Sunburned GSP#839 (Every 30 minutes, Arctic Circle, Alaska), 2015. Four 4”x10” unique gelatin silver paper negatives. Private collection

Sunburned GSP#288 (Pacific Ocean), 2008. 11″x14″ unique gelatin silver paper negative. Private collection

Sunburned GSP #676( San Francisco Bay), 2013. 8″x10″ unique gelatin silver paper negative.

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An Intricate Cross-Section of the Brain Depicted With Thousands of Layers of Gold Leaf 

Self Reflected, 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The entire Self Reflected microetching under violet and white light. (photo by Greg Dunn and Will Drinker)

Self Reflected, 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The entire Self Reflected microetching under violet and white light. (photo by Greg Dunn and Will Drinker)

Taking nearly two years to complete, artist and neuroscientist Dr. Greg Dunn, along with his collaborator Dr. Brian Edwards, have mapped the neurons in the brain for a series of images titled Self Reflected. Produced through a technique they call reflective microetching, the two cross-disciplinary artists track the neural choreography in the mind, creating brilliant images that glow with a metallic luminescence.

The works depict a thin slice of the human brain at 22x the normal scale, each created through a combination of hand drawing, neuroscientific data, algorithmic simulation of neural circuitry, photolithography, strategic lighting design, and 1,750 sheets of 22k gold leaf.

“My work is neonaturalist, art based on natural forms and influenced by scientific advancements that allows us to perceive the universe beyond human senses,” explains Dunn in his artist statement. “Neonaturalism harmonizes unfamiliar scientific imagery and techniques with an experimental artistic scaffolding.”

Self Reflected was funded the National Science Foundation, and its first iteration is on permanent view at the Franklin Institute in Philadelphia, PA. Fine art prints and microetchings can be purchased on Dunn’s website. You can watch the work twinkle as it engages with a light source in the short video below. (via My Modern Met)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The brainstem and cerebellum, regions that control basic body and motor functions. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The brainstem and cerebellum, regions that control basic body and motor functions. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The thalamus and basal ganglia, sorting senses, initiating movement, and making decisions. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The thalamus and basal ganglia, sorting senses, initiating movement, and making decisions. (photo by Greg Dunn and Will Drinker)

Self Reflected, 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The entire Self Reflected microetching under white light. (photo by Greg Dunn and Will Drinker)

Self Reflected, 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The entire Self Reflected microetching under white light. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The visual cortex, the region located at the back of the brain that processes visual information.

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The visual cortex, the region located at the back of the brain that processes visual information.

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. Raw colorized microetching data from the reticular formation.

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. Raw colorized microetching data from the reticular formation.

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The pons, a region involved in movement and implicated in consciousness. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The pons, a region involved in movement and implicated in consciousness. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The parietal gyrus where movement and vision are integrated. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The parietal gyrus where movement and vision are integrated. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The motor and parietal cortex, regions involved in movement and sensation, respectively. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The motor and parietal cortex, regions involved in movement and sensation, respectively. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The midbrain, an area that carries out diverse functions in reward, eye movement, hearing, attention, and movement. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The midbrain, an area that carries out diverse functions in reward, eye movement, hearing, attention, and movement. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The laminar structure of the cerebellum, a region involved in movement and proprioception (calculating where your body is in space).

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The laminar structure of the cerebellum, a region involved in movement and proprioception (calculating where your body is in space).

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Aerial Photography Captures the Moonlike Beauty of Footprints Across Lithuania’s Frozen Lakes 

53°58'58.1"N 24°06'16.9"E

53°58’58.1″N 24°06’16.9″E

Designer and part-time photographer Mantas Bačiuška uses aerial photography to capture the frozen lakes of Lithuania, flying his drone-attached camera over 300 feet above the water’s icy surface. The cross-hatched lines of footprints and circular ice patterns appear simultaneously macro and microscopic, the images looking like either an extraterrestrial landscape or zoomed in microscope slide.

Each photo is titled with the exact longitude and latitude of its location, a technical detail that is an important part of the work. When Bačiuška is not flying his high powered drones in his hometown of Druskininkai, Lithuania he is a freelance motion graphic designer. You can see more of his work, as well as more images from his series Moonlike Icy Lakes, on his Behance.

54°02'19.0"N 24°04'58.1"E

54°02’19.0″N 24°04’58.1″E

54°03'07.9"N 23°53'03.8"E

54°03’07.9″N 23°53’03.8″E

54°02'30.1"N 24°05'12.1"E

54°02’30.1″N 24°05’12.1″E

54°02'03.8"N 24°04'30.0"E

54°02’03.8″N 24°04’30.0″E

54°03'13.0"N 23°53'06.0"E​​​​​​​

54°03’13.0″N 23°53’06.0″E​​​​​​​

54°00'50.0"N 23°58'23.9"E

54°00’50.0″N 23°58’23.9″E

54°02'20.0"N 24°05'02.0"E

54°02’20.0″N 24°05’02.0″E

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Moody Views of a Frigid Chicago Captured by Mike Meyers 

Chicago photographer Mike Meyers shot some amazing views of the windy city this winter, capturing unusual ice patterns on Lake Michigan, trains blasting through snow, and skyscrapers swallowed by clouds. Meyers shares more of his cityscape photography on his website and also sells a number of photos as prints. (via ARCHatlas)

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Wardrobe Snacks: Thoughtfully Composed Outfits that Perfectly Match Different Foods 

As part of a fantastic collaborative project between photographer Kelsey McClellan and prop/set stylist Michelle Maguire, the duo conceived of wardrobes that would perfectly match various foods. Titled Wardrobe Snacks, the series draws inspiration from the color, texture, or design of simple foods like a green ice cream cone, a plain yellow donut, or even an oyster and finds the uncannily matched outfit. You can see the full series here. (via artnau, This Isn’t Happiness)

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New Flying Houses Hover Above Paris by Laurent Chéhère 

As part of his ongoing series titled Flying Houses, French artist Laurent Chéhère (previously) imagines a world without gravity where unusual architectural structures seem to float midair, tethered only by loose strands of power lines. Each house seems dense with details, telling the story of fictional inhabitants through purposeful details that allude to much deeper stories behind each image. Chéhère draws influence from Jules Verne to Hayao Miyazaki, but most poignantly brings attention to marginalized communities found in Paris, specifically Gypsies and immigrants. By uprooting the houses he hopes the viewer focuses more clearly on them, an act he refers to as “releasing them from the anonymity of the street.”

Each house is actually an extremely detailed photomontage and begins life as a series of sketches. Chéhère then photographs hundreds of elements like antennas, walls, roofs, graffiti, and birds which he then assembles digitally into the pieces you see here.

Several recent artworks by Chéhère are currently on view at Muriel Guepin Gallery in New York along with miniature buildings by Joshua Smith. You can see more of his photographic work on Instagram.

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