It’s Not What You Think, Every Single One of these Objects is Made of Paper

Its Not What You Think, Every Single One of these Objects is Made of Paper sculpture realism paper furniture
Bergère / 2012 / Various papers / 26 x 26 x 36 in.

Its Not What You Think, Every Single One of these Objects is Made of Paper sculpture realism paper furniture
Shirt & Tie / 2010 / Mulberry and various other papers / 23 x 30 x 4 in.

Its Not What You Think, Every Single One of these Objects is Made of Paper sculpture realism paper furniture
Wallet / 2011 / Paper, nylon thread / 4 x 3 x 0.5 in.

Its Not What You Think, Every Single One of these Objects is Made of Paper sculpture realism paper furniture
Paper Museum Bench / 2013

Its Not What You Think, Every Single One of these Objects is Made of Paper sculpture realism paper furniture
Americana, paper jeans / 2011 / Paper, canvas, silk and nylon thread / 15 x 9 x 11 in.

Its Not What You Think, Every Single One of these Objects is Made of Paper sculpture realism paper furniture
Americana, paper jeans / 2011 / Paper, canvas, silk and nylon thread / 15 x 9 x 11 in.

Its Not What You Think, Every Single One of these Objects is Made of Paper sculpture realism paper furniture
Paper Eames Chair LCW / 2012 / Various papers, hand painted / 22 x 23 x 28 in.

A dusty old chair, a wrinkled pair of jean shorts, or the classic shape of a wooden Eames chair, common items you might encounter every day without giving them a second thought. But try to sit on that worn Corbusier bench or wear that pressed white shirt and you might be shocked as they tear or disintegrate before your very eyes because, amazingly, they are made almost completely with paper by Los Angeles-based artist Vincent Tomczyk. Via his artist statement:

My art centers on objects to stimulate visceral connections. These compositions represent biographies of people, experiences and interpretations of intangible ideas. Although my work can be categorized as realism, my intention is to distill the emotion of an object, then through expression, reconstruct it into my view of its essential self – free of function. [...] As an artist working primarily with paper, my art requires me to be part craftsman and part engineer. I learned a lot about how to construct things by working at my father’s side, in his workshop. I’m compelled to produce work that is visually poetic by using a medium that defies perceived limitations.

Tomczyk tells me that he doesn’t do much sketching before he embarks on each artwork, but spends his time formulating ideas in his head and developing a list of needed materials and measurements. The objects are carefully crafted by hand, all of the colors you see are hand-painted and he never relies on any sort of digital printing. Translation: these take a lot of time. The jean shorts alone with functional pockets and realistic textures took over 100 hours.

If you want to see more, Tomczyk has a solo show opening May 4th, 2013 at Gallery 825 in LA and you can also see many more of his paper works on his website. If you enjoy this kind of realism, also check out Randall Rosenthall’s wood carvings. (via colossal submissions, thnx shane)

By Christopher on          

The Street Photography of Nils-Erik Larson

The Street Photography of Nils Erik Larson street photography black and white

The Street Photography of Nils Erik Larson street photography black and white

The Street Photography of Nils Erik Larson street photography black and white

The Street Photography of Nils Erik Larson street photography black and white

The Street Photography of Nils Erik Larson street photography black and white

The Street Photography of Nils Erik Larson street photography black and white

The Street Photography of Nils Erik Larson street photography black and white

The Street Photography of Nils Erik Larson street photography black and white

The Street Photography of Nils Erik Larson street photography black and white

The Street Photography of Nils Erik Larson street photography black and white

I’m really enjoying the street photography of Swedish photographer Nils-Erik Larson, who shoots primarily in black and white and has a wonderful knack for being in the right place at the right time. See much more of his work over on DeviantART.

By Christopher on    

Luminous Wire Birds in Trees by Cédric Le Borgne

Luminous Wire Birds in Trees by Cédric Le Borgne wire light installation birds

Luminous Wire Birds in Trees by Cédric Le Borgne wire light installation birds

Luminous Wire Birds in Trees by Cédric Le Borgne wire light installation birds

Luminous Wire Birds in Trees by Cédric Le Borgne wire light installation birds

Luminous Wire Birds in Trees by Cédric Le Borgne wire light installation birds

As part of the 2012 Festival Arbres en Lumière, an outdoor tree light festival in Geneva, Switzerland, artist Cédric Le Borgne (previously) installed a pair of large birds just off Rue de la Fontaine. Titled Le Désir et la Menace the birds were constructed from wire and lit
from below in a style previously seen in his figurative works giving the forms a glowing, weightless appearance. See much more over on his website. (via ruines humaines)

By Christopher on          

New Neon Skull Sculptures by Eric Franklin

New Neon Skull Sculptures by Eric Franklin sculpture neon light glass anatomy
Skull No. 3 / Flameworked borosilicate glass, ionized neon and mercury, wood, electronics. 14″x14″x14″. 2013.

New Neon Skull Sculptures by Eric Franklin sculpture neon light glass anatomy
Skull No. 3 / Detail.

New Neon Skull Sculptures by Eric Franklin sculpture neon light glass anatomy
Skull No. 3 / Detail.

New Neon Skull Sculptures by Eric Franklin sculpture neon light glass anatomy
Skull No. 1 / Flameworked borosilicate glass, ionized neon, wood, electronics. 14″x14″x14″. 2013.

New Neon Skull Sculptures by Eric Franklin sculpture neon light glass anatomy
Skull No. 1 / Detail.

New Neon Skull Sculptures by Eric Franklin sculpture neon light glass anatomy
Skull No. 1 / Detail.

New Neon Skull Sculptures by Eric Franklin sculpture neon light glass anatomy
Skull No. 2 / Flameworked borosilicate glass, ionized neon and krypton, wood, electronics. 14″x14″x14″. 2013.

New Neon Skull Sculptures by Eric Franklin sculpture neon light glass anatomy
Skull No. 2 / Detail.

New Neon Skull Sculptures by Eric Franklin sculpture neon light glass anatomy
Skull No. 2 / Detail.

Portland artist Eric Franklin (previously) just completed three new works, a trio of neon glass skulls lit internally by ionized neon, krypton, and mercury. The structure of each human skull is deviously complex, made from a network of glass tubes that have to be perfectly sealed to create the vacuum necessary to light them, a process that leaves the figures somewhat misshapen and admittedly a bit creepy. A completely amazing sort of creepy. All three artworks are currently available for acquisition through Chris Forney over at Artworks Gallery. All images courtesy the artist.

By Christopher on             

Klari Reis Creates an Explosively Colorful Abstract Painting Inside a Petri Dish Each Day

Klari Reis Creates an Explosively Colorful Abstract Painting Inside a Petri Dish Each Day science painting

Klari Reis Creates an Explosively Colorful Abstract Painting Inside a Petri Dish Each Day science painting

Klari Reis Creates an Explosively Colorful Abstract Painting Inside a Petri Dish Each Day science painting

Klari Reis Creates an Explosively Colorful Abstract Painting Inside a Petri Dish Each Day science painting

Klari Reis Creates an Explosively Colorful Abstract Painting Inside a Petri Dish Each Day science painting

Klari Reis Creates an Explosively Colorful Abstract Painting Inside a Petri Dish Each Day science painting

Klari Reis Creates an Explosively Colorful Abstract Painting Inside a Petri Dish Each Day science painting

Every single day in 2013 San Francisco-based artist Klari Reis is creating an abstract painting inside the confines of the humble petri dish, a cylindrical container used by biologists to culture the growth of cells and algae, something the paintings seem to directly resemble. Called ‘Daily Dish 2013‘ the project is a continuation of a series Reis completed back in 2009, but at a cursory glance I’m already enjoying the 2013 series much more. Despite the limitation of medium and space, it’s amazing to see the variation of color and depth each painting has, for some reason it reminded me of Jason Fried’s 2007 SvN post about the variation of watch faces. (via coudal)

By Christopher on    

Matchstickmen: Burnt Matches Resembling Charred Human Heads by Wolfgang Stiller

Matchstickmen: Burnt Matches Resembling Charred Human Heads by Wolfgang Stiller  wood sculpture matches

Matchstickmen: Burnt Matches Resembling Charred Human Heads by Wolfgang Stiller  wood sculpture matches

Matchstickmen: Burnt Matches Resembling Charred Human Heads by Wolfgang Stiller  wood sculpture matches

Matchstickmen: Burnt Matches Resembling Charred Human Heads by Wolfgang Stiller  wood sculpture matches

Matchstickmen: Burnt Matches Resembling Charred Human Heads by Wolfgang Stiller  wood sculpture matches

Matchstickmen: Burnt Matches Resembling Charred Human Heads by Wolfgang Stiller  wood sculpture matches

Matchstickmen: Burnt Matches Resembling Charred Human Heads by Wolfgang Stiller  wood sculpture matches

Matchstickmen: Burnt Matches Resembling Charred Human Heads by Wolfgang Stiller  wood sculpture matches

Matchstickmen: Burnt Matches Resembling Charred Human Heads by Wolfgang Stiller  wood sculpture matches

Matchstickmen: Burnt Matches Resembling Charred Human Heads by Wolfgang Stiller  wood sculpture matches

While living in Beijing several years ago German artist Wolfgang Stiller acquired several head molds and large pieces of wood. After experimenting with the various components the artist struck on an idea to create several large-scale burnt matches where the charred remains of each tip appeared as the face of a human, a series he calls Matchstickmen. While Stiller leaves the meaning of the artworks open for interpretation the pieces exist in a surprisingly strange area between morbid and humorous. At a distance each match seems almost laughable in its appearance almost like a toy bobblehead, but up close the somber, lifeless faces often resting in coffin-like matchboxes are pretty disconcerting. The Matchstickmen will be on display again in just a few days starting March 8th, 2013 at Python Gallery in Zurich as part of the show Burnout which runs through April 20th.(via lustik, designboom, lustik)

By Christopher on       

The Port Vieux Pavilion: A Mirrored Canopy Constructed on a French Wharf

The Port Vieux Pavilion: A Mirrored Canopy Constructed on a French Wharf mirrors France architecture

The Port Vieux Pavilion: A Mirrored Canopy Constructed on a French Wharf mirrors France architecture

The Port Vieux Pavilion: A Mirrored Canopy Constructed on a French Wharf mirrors France architecture

Recently unveiled in Marseille, France this giant mirrored canopy called the Port Vieux Pavilion was designed by architecture firm Foster + Partners. The pavilion measures nearly 150 feet (46 meters) long and is made of highly polished stainless steel meant to reflect people and the surrounding environment of Marseille’s World Heritage-listed harbor. The project is somewhat analogous to Anish Kapoor’s Cloud Gate here in Chicago and based on these photos I have no doubt the canopy will be a huge draw for tourists and locals alike. (via designboom)

By Christopher on       

Unstable Matter: A Giant Moving Surface Containing Thousands of Steel Ball Bearings

Unstable Matter: A Giant Moving Surface Containing Thousands of Steel Ball Bearings  sculpture multiples kinetic sculpture

Unstable Matter: A Giant Moving Surface Containing Thousands of Steel Ball Bearings  sculpture multiples kinetic sculpture

Unstable Matter: A Giant Moving Surface Containing Thousands of Steel Ball Bearings  sculpture multiples kinetic sculpture

Unstable Matter is kinetic sculpture by Finnish artists Tommi Grönlund and Petteri Nisunen, a.k.a. Grönlund-Nisunen. The moving table contains thousands of small ball bearings that move and crash within the confines of a giant wobbly table, sort of a modern take on a rain stick. The table is part of several kinetic and magnetized works by the duo that were recently on view at Esther Schipper in Berlin.

By Christopher on       
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