Earlier this year we were thrilled to feature the work of Venezuelan artist Rafael Araujo who works with rulers and protractors to create fascinating drawings of shells, butterflies, and other natural objects supported by a fictional geometric framework. With a strong background in architectural drafting, he renders each piece without the the aid of a computer using pen and ink on canvas with acrylic paint.
After appearing here on Colossal and several other publications, Araujo was barraged with requests for prints, and we immediately began to discuss the possibility of bringing his work to the Colossal Shop. I’m extremely excited to announce that we have teamed up with iolabs to print several of his pieces for the first time, with additional works coming in the near future. Head over to the Colossal Shop to learn more.
Vancouver-based artist Fiona Tang creates large-scale murals of animals using charcoal, chalk pastel, and acrylic on paper that at first glance appear 3D. Tang makes use of a technique called trompe l’oeil where shadows and perspective within the two dimensional drawing are used to trick the viewer into thinking the piece is three dimensional. Tang recently graduated from Emily Carr University of Art and Design, and you can see more of her work over on Facebook. (via Juxtapoz, My Modern Met)
We’ve seen no shortage of projects using layers of glass to simulate bodies of water the last few days. First we had glass sculptures by Ben Young, followed by several amazing river and lake tables Greg Klassen. Now we have designer Christopher Duff of Duffy London who has released concept images of the Abyss Table, a carefully layered table made from sculpted Perspex and wood that creates a geographic cross-section of the ocean. The tables will be limited to a series of 25 and are available for purchase here.
It should be noted that these are digital renderings of what the final piece should look like, it will be great to see photos of the actual tables once they are built. You can see a few more renderings on their Facebook page. (via designboom)
Even by Chicago standards the weather here in the midwestern U.S. has been bizarre and extreme lately. We’ve seen giant walls of fog caused in part by a bitterly cold winter that chilled Lake Michigan, and numerous lightning storms that last for hours. Local videographer Craig Shimala was filming a timelapse of a derecho from his home this week when he managed to capture a triple lightning strike on three of Chicago’s tallest buildings: Willis Tower, Trump Tower and the John Hancock Building. Even more incredibly, he filmed the same occurence almost four years ago to the day back in 2010.
Artist Rogan Brown (previously) just completed work on his latest paper artwork titled Outbreak, a piece he describes as an exploration “of the microbiological sublime.” Over four months in the making, the work depicts an array of interconnected sculptures—entirely hand cut from paper—based on the smallest structures found within the human body: cells, microbes, pathogens, and neurons. Outbreak represents nearly four months of tedious planning, cutting and assembly. He shares about his process:
I am inspired in part by the tradition of scientific drawing and model making, and particularly the work of artist-scientists such as Ernst Haeckel. But although my approach involves careful observation and detailed “scientific” preparatory drawings, these are always superseded by the work of the imagination; everything has to be refracted through the prism of the imagination, estranged and in some way transformed.
Back in 2010, a trio of art students from Klasse Löbbert in Germany took it upon themselves to transform a boring electrical tower into a translucent, stained glass installation. Titled Leuchtturm (Lighthouse) the urban artwork in Hattingen, Germany was conceived by Ail Hwang, Hae-Ryan Jeong and Chung-Ki Park, who used cut triangles of Acrylglas to mimic the function of traditional stained glass pieces. If you liked this, also check out William Lamson’s sugar solarium or Tom Fruin’s Watertower in Brooklyn.
First: watch the shaky video, it’s all spoilers here on out.
On first view of this clip by Benjamin Dalsgaard Hughes, I was convinced the skewed perspective of the painting was some kind of digital trick on an HD display, somewhat similar to the dancing shadows we saw a few months ago. But then, the sudden disorienting reveal. What! This particular optical illusion is what’s known as reverse perspective painting, where objects (usually rooms) are painted on a physically skewed surface resulting in images that appear in reverse when viewed head on.
The painting above is by Brian Williams and is currently on view as part of a show on 3D art that just opened at The Gallery Ice in Windsor. Perhaps the most well-known artist working with forced perspective is Patrick Hughes. Here he is discussing his own work at Flowers Gallery a few years ago. Love the bit at the end where the entire crowd is squatting up and down to view the painting.