Bright, Saturated Color Cloaks Houseplants and Flowers in Kaleidoscopic Photographs
In Otherworldly Botanicals, Lindsey Rickert blankets sword ferns, a sprig of eucalyptus, dahlias, and other florals in a wash of vivid, candy-colored light. The Portland-based photographer is known for her portraiture and commercial projects that rely on bright, saturated tones, an approach she brings to the blossoms. Created entirely in-camera, the series frames the flowers at their peaks and is shot with studio lights covered in gel paper.
Spurred by lockdown and the inability to photograph people, the series began with the dewy Four O’Clock plant. “These beautiful flowers bloom in late afternoon and lose all their petals by the following morning… As the weeks carried on more subjects began presenting themselves as they came out of their winter dormancy, and the series was born,” Rickert says.
Sydney residents will be able to spot the chromatic flowers on a billboard in the coming months thanks to their inclusion in the Feature Shoot’s Global Billboard Project. Prints of the series are available in Rickert’s shop, and you can follow her work on Instagram. (via This Isn’t Happiness)
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. You'll connect with a community of like-minded readers who are passionate about contemporary art, read articles and newsletters ad-free, sustain our interview series, get discounts and early access to our limited-edition print releases, and much more. Join now!